Thunderball (1965) is the fourth spy film in the James Bond series after Dr. No (1962), From Russia with Love (1963) and Goldfinger (1964), and the fourth to star Sean Connery as the fictional MI6 agent James Bond. It is an adaptation of the novel of the same name by Ian Fleming, which in turn was based on an original screenplay by Jack Whittingham. It was directed by Terence Young with screenplay by Richard Maibaum and John Hopkins.

The film follows Bond's mission to find two NATO atomic bombs stolen by SPECTRE, which holds the world ransom for £100 million in diamonds, in exchange for not destroying an unspecified major city in either England or the United States (later revealed to be Miami). The search leads Bond to the Bahamas, where he encounters Emilio Largo, the card-playing, eye-patch wearing SPECTRE Number Two. Backed by the CIA and Largo's mistress, Bond's search culminates in an underwater battle with Largo's henchmen. The film had a complex production, with four different units and about a quarter of the film consisting of underwater scenes.

Thunderball was associated with a legal dispute in 1961 when former Ian Fleming collaborators Kevin McClory and Jack Whittingham sued him shortly after the 1961 publication of the Thunderball novel, claiming he based it upon the screenplay the trio had earlier written in a failed cinematic translation of James Bond. The lawsuit was settled out of court and Albert R. Broccoli and Harry Saltzman, fearing a rival McClory film, allowed him to retain certain screen rights to the novel's story, plot, and characters.

The film was a success, earning a total of $141.2 million worldwide, exceeding the earnings of the three previous Bond films and breaking box office records on the first weekend of opening in France and Italy. In 1966, John Stears won the Academy Award for Best Visual Effects and production designer Ken Adam was also nominated for a BAFTA award. Thunderball is, to date, the most financially successful movie of the series, and, adjusting for inflation, made the equivalent of $966.4 million in 2008 currency. Some critics and viewers showered praise on the film and branded it a welcome addition to the series, while others complained of the repetitively monotonous aquatic action and prolonged length. In 1983, Warner Brothers released a second film adaptation of the novel under the title Never Say Never Again.

Let's just cut right to the chase with this one. As pretty as it is to look at, there's way too much underwater footage. I think I read somewhere that 1/4 of the film uses underwater footage. That's just too much. That's not to say that all of it is bad though. The climax of the film doesn't really work though. We've got two armies fighting each other underwater and yet everything.....just.....moves.....so.....slowly. I think that could be the reason why Peter Hunt (the editor) chose to speed up the film and make quick cuts. Well, that doesn't exactly work out well either. It becomes too distracting in the end. The last 30 seconds of the film though when Bond and Domino are on the raft is just pure James Bond.

Yet despite my complaints I still like the film thanks to Connery. And Claudine Auger as Domino is certainly easy on the eyes. And most of the film is good. But compare it to the three films that came before, and it's a step down. It just needed to spend a little more time out of the water.

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