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 If Sacha Baron Cohen has buzz, why not Daniel Craig? 
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College Boy T

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Post If Sacha Baron Cohen has buzz, why not Daniel Craig?
With it's 95% rating on RT - with 77 reviews in - and the "new beginning"-ness of Casino Royale, why not?

James Bond is one of the franchises that built Hollywood; it's influence cannot be denied. There's not much reason for AMPAS to award a regular well-reviewed Action film, but there is reason to reward a Bond film in some way - rewarding Casino Royale (in some way) would be like rewarding Martin Scorsese for The Departed. It's a comeback for an important "figure" in film history.

How would AMPAS do that?

Well, to start, nominate Daniel Craig. If we nominate actors or actresses for going through hardships to portray a character, certainly Craig has gone through enough hardships to warrant at least a nominee. The rumors of a new Bond lasted years, and once Craig was announced as Brosnan's successor, people went mad. I mean, this guy's been going through so much undeserved negativity, from blogs to actual press, because of his blonde hair. Like, I can imagine he's had to sit through tons of interviews and hear shit like "So, how exactly are you going to surpass Brosnan? I mean, after all, he's a great actor and you're blonde." It's gotta be torture.

And, the reviews? Holy fucking shit. This guy went from being the butt of jokes to being considered a "god" for saving the series:
San Francisco Chronicle wrote:
The striking thing about Craig's performance is that he seems to have been able to tune out more than 40 years of screen history and approach Bond as just another role. Everyone else, since Sean Connery introduced the role, has approached Bond as a test of virility, and though they've all manage to pass, more or less, the strain has been evident.

Craig doesn't try to uphold, explode, rediscover or reimagine anything. He just finds Bond on his own, as a rough guy with a grim sense of humor who has not yet discovered himself as the coolest of the cool. This Bond looks like an ape in a tuxedo, and his blond hair has a way of sticking out. He's a working-class guy who has made his way into upper-class circles but retains some residual coarseness that will never smooth out.


Village Voice wrote:
Craig, excellent in both art house endeavors (The Mother, Enduring Love) and blockbuster think pieces (Munich), has both a nasty streak and a soft side never before seen in the series; Fleming would recognize him as most like his literary creation: damaged goods in a tailored tux.


Rolling Stone wrote:
Craig reinvigorates a fagged-out franchise that's been laying on bigger stunts and sillier gadgets to disguise the fact that it's run out of ideas. And he does it with an actor's skill, an athlete's grace and a dangerous glint that puts you on notice that Bond, James Bond, is back in business.


Chicago Tribune wrote:
Along with his bullet-shaped frame and unlikely azure eyes, Craig brings an emotional volatility to the role that is both recognizably human and just plain more interesting than his recent predecessors.


Christian Science Monitor wrote:
Craig makes you aware of something that the Bond series, in its pursuit of steamy sex and cartoon action, quickly lost sight of: 007 is a killer. That's what he's licensed to do.


Atlanta Journal-Constitution wrote:
Craig is definitely the Real Thing — dangerous, seductive, with a wired intensity that, along with his irradiated blue eyes, calls to mind Connery's sex-symbol contemporary, Steve McQueen.


New York Times wrote:
Mr. Craig, whose previous credits include “Munich” and “The Mother,” walks the walk and talks the talk, and he keeps the film going even during the interminable high-stakes card game that nearly shuts it down.


Washington Post wrote:
Daniel Craig kicks major maximus as a Bond who'd never use a computer where a punch will do. He's lean and athletic and fast, and he is seemingly the first Bond to actually bleed.


Wall Street Journal wrote:
Daniel Craig isn't merely acceptable, but formidable. His Bond is at least the equal of the best ones before him, and beats all of them in sheer intensity.


Variety wrote:
Craig comes closer to the author's original conception of this exceptionally long-lived male fantasy figure than anyone since early Sean Connery. "Casino Royale" sees Bond recharged with fresh toughness and arrogance, along with balancing hints of sadism and humanity, just as the fabled series is reinvigorated by going back to basics.


New York Magazine wrote:
After serving up a sleek male mannequin in four so-so films, the corporate executives of the James Bond franchise have opted for his opposite in Casino Royale: Bond as a bit of rough trade. And he’s good! Better than that, he’s what Bond hasn’t been in a quarter-century, since a certain rugged Scot said, “Never again.” He’s fascinating.


The New Yorker wrote:
Craig has the courage to present a hollow man, flooding the empty rooms where his better nature should be with brutality and threat. His smile is more frightening than his straight face, and he doesn’t bother with the throwaway quips that were meant to endear us to the other Bonds.


LA Times wrote:
One aspect of the new Bond that works from first minute to last is the most important one, and that is Craig's performance. With Roger Moore and Pierce Brosnan taking their places as Connery's key successors, the Bond franchise has always been fortunate in its choice of leading men, and Craig is one of their wisest picks yet.

Craig, who was Ted Hughes to Gwyneth Paltrow's Sylvia Plath in "Sylvia" and murderer Perry Smith in "Infamous," has both the physicality and presence to make this film's more brutal, less suave Bond, a man who would do anything to get the job done, completely persuasive.

But while you buy Craig's cocky Bond as implacable and impervious to danger, someone who can convincingly say "Do I look like I give a damn?" when asked the famous "shaken or stirred" vodka martini question, you also believe him, and this is crucial, as a flesh-and-blood human being who can be physically hurt.


Philadelphia Inquirer wrote:
When Sean Connery slipped into Bond's mod serge suit in Dr. No (1962), 007 defined a new kind of masculinity - hard, fast and hunky. Much as I enjoyed elements of the subsequent Bonds - Roger Moore's winks, Timothy Dalton's broodings, Pierce Brosnan's suits - none of them possessed the distinctive mix of macho, menace and magnetism that Craig so effortlessly displays.

Like Connery - but in different proportions - Craig is earthy and erotic, holding himself like a smoking gun. Unlike the no-sweat actor who created 007, Craig reconstructs Bond as inscrutable and vulnerable, a secret agent just as likely to wear an untucked shirt as a bespoke suit, one who sweats stuff big and small.


Austin Chronicle wrote:
Craig, who was riveting as a London pharmaceutical salesman in the recent Brit import Layer Cake, is equally mesmerizing here; you can see Sean Connery in his future, and it looks just about spot-on. Craig carries Casino Royale with gutsy aplomb, and if his Bond carries more than a hint of streetwise rough trade – evident in his first kill, which opens the film with less of a bang than a frantic, panicky, sweat-soaked tussle-to-the-death (in a men's room, no less) – it only adds to the film's edgy, grim demeanor.


Detroit Free Press wrote:
Any concerns that Daniel Craig, an actor who has played philosophical academics ("Enduring Love"), rough-hewn working class ("The Mother") and quick-thinking drug-dealers ("Layer Cake") wouldn't be up for the job are dismissed when he starts playing cat-and-mouse with his prey -- the nefarious La Chiffre and irresistible Vesper Lind, with whom he engages in some sexy repartee right out of a 1940s Cary Grant picture. But make no mistake, this is a different Bond, one who listens to criticism and takes it seriously, one who understands he is always playing a role. He is also lean and mean, with an underlying sense of unpredictability and anger that Brosnan, a fine Bond, couldn't project.


A nomination is a way of saying "Thank you, Daniel Craig." Will it happen? No. But let's dream.


Fri Nov 17, 2006 1:54 am
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Superfreak
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if bale didnt get nominated for batman, craig shouldnt be for bond.

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Fri Nov 17, 2006 2:11 am
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College Boy T

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I don't think Bale had anywhere near the praise that Craig is getting. Craig's bond, in a nutshell, is being unanimously called one of the rawest, mos thrilling action performances in a long, long time. But maybe I'm just forgetting.

But, if you read the last line, you'd know that I don't think it will happen. I'm just throwing it out there for whatever reason.


Fri Nov 17, 2006 2:20 am
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If Johnny Depp can get a nom for Pirates, Craig is at least in the running for Bond. But it'll be tricky.

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Fri Nov 17, 2006 2:21 am
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Superfreak
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depp had charsima craigs mroe like keanu reeves

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Fri Nov 17, 2006 2:21 am
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I think it all depends on how the film is received. If it does about as good as most Brosnan Bond films and doesn't have exceptional WOM, I doubt it. However, if the film really strikes a chord with audiences to the extent that it gets enough people talking, sure I think that he could get a nomination. Best Actor certainly is a weak enough category this year that a dark horse could sneak in.


Fri Nov 17, 2006 2:29 am
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College Boy T

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excel wrote:
depp had charsima craigs mroe like keanu reeves

People don't get nominated for oscars because they're "charming." Depp got nominated because he was great at acting charming (even if he might be in real life).

But, anyways, everything hints to Craig's Bond being charismatic, just in a "badass" and "gritty" way.


Fri Nov 17, 2006 2:30 am
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Commander and Chef

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welll haven't seen the film yet but one may argue back that craig's performance was great as bond and bond only though. its a criteria i've never liked as its just a nice way of saying that they won't be nominating a person even if they acted much better than most of the other nominated actors.

I just have a feeling that most actors part of a franchise will probably never see an oscar come their way for their performances in them.


Fri Nov 17, 2006 7:52 am
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Both Craig and Cohen should be nominated. Unfortunately, I don't think neither will... :(


Fri Nov 17, 2006 9:37 am
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Craig absolutely deserves to get a nomination.


Sun Nov 19, 2006 2:52 am
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Superfreak
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Craid was badass, not dramatic.

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Sun Nov 19, 2006 3:46 am
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Is Casino Royale itself in the race even the slightest bit? It's asking the impossible, but god wouldn't it be something if it was.

Once upon a time, there lived a time where the Oscars honored the movies of the year, not just movies that are the best at being pre-planned contenders and set up directly for this show. And with 96% at RT and solid scores everywhere, as well as having the box-office and audience support, everyone and their dogs has this movie as a triumph, a kick to the heart of Bond, the best of the series in decades.

Really, in my mind Casino Royale shows incredible finesse in quality, in terms of filmmaking it's no worse than Oscar films. The direction, the cinematography, the score, Craig's acting, the screenplay, all of it is absolutley top notch and among the best of film in any year. It is truly what making great movies is about.

It's a spy thriller but it's best traits are not the action, but rather the scenes of people sitting in a room or in a shower or at poker table or on a train, scenes shot between the people and their incredible dialogue, and in that way I don't think the action scenes are as handicapping as they may seem.

Also, other than the 3 nominees listed in Lecter's thread today, there isn't THAT many contenders, the competition isn't that strong. It may be a wish in a blue moon, but what if. If LOTR can bring fantasy and trolls to the Oscars, Star Wars light sabre sci-fi, how great would it be to finally honor Bond with a nomination after so long, to finally give some love to the most legendary Hollywood franchise, with the movie that has revitilized the series.

At the end of the day this is still a Bond film and a holiday blockbuster, and for people's choice The Departed and Little Miss Sunshine might be all for the academy this year. Yes, probably this is a wish in a blue moon, and the chance is still less than 10%, but I'm keeping the wish alive... if King Kong was in the race up until the end last year, I'm putting Casino Royale as at least a longshot position, in this weak year. Oh yeah and after all, it is partly written by Paul Haggis. I suppose that means something.

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Sun Nov 19, 2006 4:01 am
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Shack wrote:
Is Casino Royale itself in the race even the slightest bit? It's asking the impossible, but god wouldn't it be something if it was.

Once upon a time, there lived a time where the Oscars honored the movies of the year, not just movies that are the best at being pre-planned contenders and set up directly for this show. And with 96% at RT and solid scores everywhere, as well as having the box-office and audience support, everyone and their dogs has this movie as a triumph, a kick to the heart of Bond, the best of the series in decades.

Really, in my mind Casino Royale shows incredible finesse in quality, in terms of filmmaking it's no worse than Oscar films. The direction, the cinematography, the score, Craig's acting, the screenplay, all of it is absolutley top notch and among the best of film in any year. It is truly what making great movies is about.

It's a spy thriller but it's best traits are not the action, but rather the scenes of people sitting in a room or in a shower or at poker table or on a train, scenes shot between the people and their incredible dialogue, and in that way I don't think the action scenes are as handicapping as they may seem.

Also, other than the 3 nominees listed in Lecter's thread today, there isn't THAT many contenders, the competition isn't that strong. It may be a wish in a blue moon, but what if. If LOTR can bring fantasy and trolls to the Oscars, Star Wars light sabre sci-fi, how great would it be to finally honor Bond with a nomination after so long, to finally give some love to the most legendary Hollywood franchise, with the movie that has revitilized the series.

At the end of the day this is still a Bond film and a holiday blockbuster, and for people's choice The Departed and Little Miss Sunshine might be all for the academy this year. Yes, probably this is a wish in a blue moon, and the chance is still less than 10%, but I'm keeping the wish alive... if King Kong was in the race up until the end last year, I'm putting Casino Royale as at least a longshot position, in this weak year. Oh yeah and after all, it is partly written by Paul Haggis. I suppose that means something.


I don't know if I've ever agreed with one of your posts so much, last sentence aside. :lol:


Sun Nov 19, 2006 4:37 am
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