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 Junebug getting warmer reviews than Flowers, 2046 
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Extraordinary
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Post Junebug getting warmer reviews than Flowers, 2046
Hmmmmmm? There's a third indie opening this weekend (huge weekend for indies and imports) called Junebug. I really didn't know much about it, but as I went to check in on 2046 and Broken Flowers a couple times this week, I noticed how well its been doing. It looks really cute actually.

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Giving an art-film aesthetic to a touching family drama, director Phil Morrison and screenwriter Angus MacLachlan present their first feature, which was shot in their hometown of Winston-Salem, North Carolina. The film is set in nearby Pfafftown and Pilot Mountain, and location is itself a character in the film as long sequences of soundless photography show rows of houses, or rooms in a house, or stretches of farmland--capturing the essence of this area of the South.

Successful, cosmopolitan, and adorable Chicago couple Madeleine (Embeth Davidtz) and George (Alessandro Nivola) meet at a fancy art auction where she is working as a dealer, and they are married six months later. Madeleine is recruiting an outsider artist, and she travels to rural North Carolina to meet him. George accompanies her, as he is originally from Pfafftown, and though it has been three years since he visited home, Madeleine insists on meeting his family. When she does, she finds herself in a world totally different from her own, and sees a new side of her husband. His mother Peg (Celia Weston) and father Eugene (Scott Wilson) are quiet homebodies who aren't sure what to make of Madeleine's sophisticated career and lilting British accent. George's deadbeat brother Johnny (Ben McKenzie) never finished high school, and lives at home with his young wife Ashley (Amy Adams), who is naive and bubbly--and very pregnant. While the family's simplicity, traditional values, and religion make them suspicious of Madeleine, Ashley is the one bright-eyed spirit who is happy to have Madeleine as a sister-in-law and celebrates her marriage to George. JUNEBUG is an effecting film that sheds light both on the always-surprising nature of in-laws, and the unique culture of the South.


Its been tracking above 90% approval, and already has 22 reviews in. Its sitting with only two rotten now. People seem to be consistent about the warmth of the mvoie. That its very celebratory even if at times paced. It actually sounds like a perfect mix. Aside from this information though, I haven't really heard much about it. Anyone?

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From Hollywood Reporter.com: It's sometimes said that Southerners rejoice in their eccentrics and put them out on the porch for full display, rather than push them in the closet. Indeed, the filmmakers have given us a nicely filled porch.


Thu Aug 04, 2005 12:49 pm
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I saw it on Saturday I liked it.
I didn't quite fall in love with it and even though I gave it a B, I'm thinking that it was actually slightly better than what I gave it credit for.

It is quite cute. Amy Adams is really good and I would recommend it.

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Mon Aug 08, 2005 6:36 pm
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I saw the trailer in front of Crash and thought it looked pretty good.

Roeper said he thinks Amy Adams is already a candidate for best supporting actress.


Mon Aug 08, 2005 7:53 pm
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Dkmuto wrote:
I saw the trailer in front of Crash and thought it looked pretty good.

Roeper said he thinks Amy Adams is already a candidate for best supporting actress.


I think the movie might be too small for that, but at this point, ya... she's definitely a contender.

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Tue Aug 09, 2005 1:25 am
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This film has a rather interesting cast, and I've heard Amy Adams is just wonderful. I hope to catch it when it opens around here.


Thu Aug 11, 2005 10:34 pm
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I really hope this opens near me. I think it looks great.


Mon Aug 22, 2005 10:05 am
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This finally opens around me this weekend, so I may get around to seeing it.


Thu Aug 25, 2005 9:05 pm
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Well, a few points as it sinks in. I have to say its the kind of story that takes time to digest, mostly because of its nuances. I liked it enough while watching it, but as I think about the story in retrospect, it seems even a bit better and smarter than on first impression. And raving critics are so right, Amy Adams steals the limelight every minute she's in. What a great actress. What else has she done? She deserves a supporting oscar for this role, if not a win. Hopefully the movie will do well in enough that people will remember it and give her some consideration. She was a great character really.


More to come.


Fri Aug 26, 2005 11:53 pm
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dolcevita wrote:
Well, a few points as it sinks in. I have to say its the kind of story that takes time to digest, mostly because of its nuances. I liked it enough while watching it, but as I think about the story in retrospect, it seems even a bit better and smarter than on first impression. And raving critics are so right, Amy Adams steals the limelight every minute she's in. What a great actress. What else has she done? She deserves a supporting oscar for this role, if not a win. Hopefully the movie will do well in enough that people will remember it and give her some consideration. She was a great character really.


More to come.


Yes, I agree.
It was quite interesting while you're watching but it grows on you after the first impression wears off. And Amy Adams is a revelation... she owns the movie!

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Sat Aug 27, 2005 3:52 pm
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Yeah. Its one of those character stories where I was really turned off by alot of aspects of them. But then I thought about it, and do not include the discussions on Evangelical movements, isolation, education, and so forth, would have been an even greater diservice. I really think going down to rural/suburban Carolina and not mentioning Jesus would be a bit of a lie. In that sense, the movie is very realist. But its not going for documentary style, which would ellicit snickers and probably condescending self-congratulations. Instead it was style dramatic and scripted enough that I couldn't walk away from it so easily. I don't know, it was a tough movie to handle because of how ambiguous it was. But I tend to compare it to something like Crash. Because it tried to show the complexity of socio-economic, race, poverty, etc. But it succeeded more for me because it kept it on a personal family story. Really fleshed out the few figures it wanted to follow, and didn't try to take those people and use them as some huge morality plug. They just, kind of existed. Again, that's where the realism comes in. I dunno. I still desire for a director to try and push it one step further, and I was denied that. It was, in the end, just a personal story of a couple who learns about eachother through visiting extended family.


Sat Aug 27, 2005 4:13 pm
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Saw it today. Terrific film. Amy Adams was eye-opening.


Sun Aug 28, 2005 8:46 pm
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