
Re: Summer benchmark disappoint/breakout: Fault & EoT
Anything over $80m for Fault is a true breakout. It's a 2 hour drama appealing to females mostly. It was probably made for peanuts compared to the typical Hollywood movie. It doesn't have a star that's a draw.
Comparing it to The Vow makes little sense as both Rachel McAdams and Chaning Tatum are household names (or at least to the audience TV catered to) and it was released right before Valentine's Day and profited a lot from from that fact. I don't get why for this movie to be considered a breakout it
NEEDS to match
ANOTHER breakout. Makes little sense. Why can't we have two breakouts in the same range?
Magnus wrote:
The Fault in Our Stars: 100m. I know it's a bit high but that's basically what Notebook did adjusted and I don't see why given the way the marketplace has changed in 10 years that this shouldn't match it.
The Notebook was WOM monster. Fault probably has more upfront demand and won't open as low as TN. But I'm not sure it will get the IM TN had if we look at the year so far. And using the adjusted numbers can lead to unreasonable expectations.
For instance Godzilla. It always seemed like a $200m movie tops to me. But right before it opened I saw that the 98 version adjusts to $230m. I was shocked by that fact. And at that time it was seen as an underperformance and disappointment. No reason why 2014 version should do less than that, right? Especially considering it's way better received. But look at how it performed in the end. To me it still seems like a perfectly reasonable and expected performance, but it will sell considerably less tickets than the 98 "bomb" version and by using those adjusted figures 2014 version should be considered an ever bigger failure then, right?
Throwing away large numbers just because there's some potential for a movie to do really well only leads to unnecessary WWW threads. I don't mind comparing stuff but we really do need to start putting things in today's perspective.