Yeah, I know that, but don't they usually suffer a bit as a result versus if they had opened closer to day and date? Like Robin Hood only made $7m in Japan, which was the worst by far of any of the "big markets" (ex. even in Brazil it made $8m).

Thanks for your estimates Corpse, $12-18m would be great as along with China it could help the movie hit $200m+ overseas.

Have you seen Crows zero I and II?

The actuals for the openers have been released, but I'm still waiting on the weekend actuals for the holdovers (though the totals have been released, oddly enough). So with that, I'm able to fully update the 2011 Charts.

Top 10 Opening Weekends of 2011 by Gross




Top 10 Opening Weekends of 2011 by Admissions




Top 10 Films of 2011 by Gross




Top 10 Films of 2011 by Admissions



The Social Network debuts at #10 on the Top Grossing Films of 2010 Charts after five weeks in release.

Notes:

1. Some films are no longer being tracked (if they no longer have weeks in release), but are still in release. This always happens, and updated totals are eventually reported later on (this is when BOM makes it's mistakes in total grosses) so I'll update accordingly when the time comes.

2. I will be rounding the totals from this point on. Doing so makes it easier to update.

Japanese novelist Genichirō Takahashi (Sayonara, Gangsters) posted on his Twitter account that he talked with acclaimed anime director Hayao Miyazaki at Studio Ghibli on Thursday and revealed that he learned about the next work that Miyazaki is planning to direct.

Takahashi added that he learned about the story of Miyazaki's next work, and even though the story is still secret, Takahashi said that he thought it might become Miyazaki's finest masterpiece. He talked with Miyazaki for three hours; Miyazaki had been waiting for him in the middle of the road while wearing an apron, and Takahashi joked that it reminded him of the moment that the main characters meet Totoro in the film My Neighbor Totoro. (why does he have to be so cool?)

Ghibli's producer and former president Toshio Suzuki had previously revealed "The Five-Year Plan for the Management of Studio Ghibli," after Miyazaki presented part of the plan to the Ghibli production staff in November of 2008. The first three years are devoted to works by young creators, while the last two years will be devoted to the production of "epics."

The first work in the five-year plan was last year's Karigurashi no Arrietty from first-time director Hiromasa Yonebayashi. The second work is Kokuriko-Zaka Kara, with which Suzuki said that director Goro Miyazaki (Hayao Miyazaki's son) will demonstrate his "true worth" since his first film (Tales from Earthsea) involved "beginner's luck." Suzuki did not specifically say how many "epics" will be made in the last two years of the five-year plan, nor did he say at the time that Hayao Miyazaki would direct one of those epics. Suzuki did predict in October of 2009 that Miyazaki's next feature film might open in four years.

http://www.animenewsnetwork.com/interes ... -next-work

Unless Studio Ghibli has some unexpected surprises, Hayao Miyazaki's next film (and probably last) looks to be the third and final film in their five-year plan introduced in 2008.

And given the above, it's safe to predict a huge performance at the box-office, even by Miyazaki and Ghibli expectations.

Um, doesn't Miyazaki say about each of his films that it'll be his last?

He does, but considering he'll be 72 or 73 when his next film is released, it's more likely this time around. Their five-year plan was also meant to give experience to the younger staff of Studio Ghibli, and so far it's been a big success with Arrietty becoming the most attended film (7.7 million admissions) in Japan by a first time director. We'll see how Goro Miyazaki's second film does this Summer, and if that success continues for the younger generation.

I guess we'll know for sure when he doesn't say his next work will be his last, haha.

Weekend Forecast
February 19-20, 2011

1 1 Gantz (Toho) 4
2 2 Miracle Man of the Pacific (Toho) 2
3 3 Tomorrow's Joe (Toho) 2
4 - Hereafter (Warner Bros.) NEW
5 4 Red (Disney) 4
6 - A Better Tomorrow (TOEI) NEW
7 5 Wall Street: Money Never Sleeps (Fox) 3
8 7 Mom's Daily Life (Shochiku) 3
9 8 The Social Network (Sony) 6
10 6 Paranormal Activity 2 (Paramount) 2

Eastwood's previous three films opened between 129-178 million yen, so something similar should be expected from Hereafter. But I'm going to predict a little below the range with 120 million yen ($1.45 million) though.

Picture of the Year
Award Winner: "Confessions"
Nominees:
"Villain"
"About Her Brother"
"Confessions"
"A Lone Scalpel"
"13 Assassins"

Animation of the Year
Award Winner: "The Borrower Arrietty"
Nominees:
"Colorful"
"The Borrower Arrietty"
"Doraemon: Nobita's Great Battle of the Mermaid King"
"Detective Conan: The Lost Ship in the Sky"
"One Piece Film: Strong World"

Director of the Year
Award Winner: Tetsuya Nakashima ("Confessions")
Nominees:
Tetsuya Nakashima ("Confessions")
Izuru Narushima ("A Lone Scalpel")
Takashi Miike ("13 Assassins")
Yoji Yamada ("About Her Brother")
Sang-il Lee ("Villain")

Screenplay of the Year
Award Winner: Tetsuya Nakashima ("Confessions")
Nominees:
Masato Kato ("A Lone Scalpel")
Daisuke Tengan ("13 Assassins")
Tetsuya Nakashima ("Confessions")
Yoji Yamada, Emiko Hiramatsu ("About Her Brother")
Shuichi Yoshida, Sang-il Lee ("Villain")

Outstanding Performance by an Actor in a Leading Role
Award Winner: Satoshi Tsumabuki ("Villain")
Nominees:
Tsurube Shofukutei ("About Her Brother")
Shinichi Tsutsumi" ("A Lone Scalpel")
Satoshi Tsumabuki ("Villain")
Etsushi Toyokawa ("Sword Of Desperation")
Koji Yakusho ("13 Assassins")

Outstanding Performance by an Actress in a Leading Role
Award Winner: Eri Fukatsu ("Villain")
Nominees:
Shinobu Terajima ("Caterpillar")
Eri Fukatsu ("Villain")
Takako Matsu ("Confessions")
Hiroko Yakushimaru ("A Good Husband")
Sayuri Yoshinaga ("About Her Brother")

Outstanding Performance by an Actor in a Supporting Role
Award Winner: Akira Emoto ("Villain")
Nominees:
Renji Ishibashi ("A Good Husband")
Akira Emoto ("Villain")
Masaki Okada ("Villain")
Masaki Okada ("Confessions")
Koji Kikkawa ("Sword Of Desperation")

Outstanding Performance by an Actress in a Supporting Role
Award Winner: Kirin Kiki ("Villain")
Nominees:
Yu Aoi ("About Her Brother")
Kirin Kiki ("Villain")
Yoshino Kimura ("Confessions")
Yui Natsukawa ("A Lone Scalpel")
Hikari Mitsushima ("Villain")

Outstanding Achievement in Music
Award Winner: Joe Hisaishi ("Villain")
Nominees:
Koji Endo ("13 Assassins")
Joe Hisaishi ("Villain")
Grand Funk ("Beck")
Joe Hisaishi ("Villain")
Meina Co. ("A Good Husband")

Outstanding Achievement in Cinematography
Award Winner: Nobuyasu Kita ("13 Assassins")
Nominees:
Shoichi Ato, Atsushi Ozawa ("Confessions")
Koichi Ishii ("Sword Of Desperation")
Norimichi Kasamatsu ("Villain")
Nobuyasu Kita ("13 Assassins")
Shinji Chikamori ("About Her Brother")

Outstanding Achievement in Lighting Direction
Award Winner: Yoshiya Watanabe ("13 Assassins")
Nominees:
Susumu Takakura ("Confessions")
Noritaka Chihara ("Sword Of Desperation")
Kazuhiro Iwashita ("Villain")
Yoshiya Watanabe ("13 Assassins")
Koichi Watanabe ("About Her Brother")

Outstanding Achievement in Art Direction
Award Winner: Yuji Hayashida ("13 Assassins")
Nominees:
Towako Kuwashima ("Confessions")
Yohei Taneda, Ryo Sugimoto ("Villain")
Hidefumi Hanatani ("The Lady Shogun and Her Men")
Yuji Hayashida ("13 Assassins")
Toshiyuki Matsumiya (Sakuradamongai No Hen)

Outstanding Achievement in Sound Recording
Award Winner: Jun Nakamura ("13 Assassins")
Nominees:
Kazumi Kishida ("About Her Brother")
Mitsugu Shiratori ("Villain")
Yasushi Tanaka ("Sword Of Desperation")
Jun Nakamura ("13 Assassins")
Masato Yano ("Confessions")

Outstanding Achievement in Film Editing
Award Winner: Yoshiyuki Koike ("Confessions")
Nominees:
Iwao Ishii ("About Her Brother")
Tsuyoshi Imai ("Villain")
Yoshiyuki Koike ("Confessions")
Chieko Suzaki ("Sword Of Desperation")
Kenji Yamashita ("13 Assassins")

Outstanding Foreign Language Film
Award Winner: "Avatar"
Nominees:
"Avatar"
"Inception"
"Invictus"
"Toy Story 3"
"The Hurt Locker"



Confessions w ins all the big awards, Villain wins all the acting wins (Eri Fukatsu beating Shinobu Terajima ANDTakako Matsu for Best Actress was quite the surprise), and 13 Assassins the techs. All three films were released by distributor, Toho.

No actuals this time?

Whoops, had a busy week, here:

February 12-13, 2011
Weekend Summary

USD
1. Gantz Toho $3,162,578 3 410 $7,714 -33% $26,061,977
2. Miracle Man of the Pacific Toho $3,118,226 1 300 $10,394 0 $4,707,576
3. Tomorrow's Joe Toho $2,356,798 1 277 $8,508 0 $3,703,487
4. Red Walt Disney Int'l 1,366,040 3 297 $4,599 -27% $11,005,145
5. Wall Street: Money Never Sleeps Sony Int'l $922,246 2 349 $2,643 -37% $4,358,182
6. Paranormal Activity 2 Paramount $899,878 1 169 $5,324 0 $1,451,376
7. Mom's Daily Life Shochiku $871,397 2 134 $6,503 -10% 2 $3,210,366
8. Social Network, The Sony Int'l $775,695 5 320 $2,424 -22% $13,981,761
9. 1,778 Stories of Me and My Wife Toho $498,696 5 315 $1,583 -34% $12,688,002
10. Partners, the Movie 2 TOEI $430,776 8 306 $1,408 -19% $37,449,320



YEN
今 先 　　週末 　　 　　 累計　 screens　週 題
1　1　257,920,175　2,124,044,433　410　3　GANTZ
2　-　255,100,665　*,390,448,436　300　1　太平洋の奇跡　フォックスと呼ばれた男
3　-　194,494,183　*,302,321,656　277　1　あしたのジョー
4　2　110,755,910　*,902,302,962　297　3　RED
5　3　*76,177,767　*,362,222,996　349　2　ウォール・ストリート
6　-　*73,782,742　*,117,430,189　169　1　パラノーマル・アクティビティ２
7　5　*71,041,979　*,259,912,111　134　2　毎日かあさん
8　4　*63,679,967　1,144,436,274　320　5　ソーシャル・ネットワーク
9　6　*40,896,597　1,045,052,444　315　5　僕と妻の1778の物語
0　9　*35,412,875　3,046,974,337　306　8　相棒　劇場版II　警視庁占拠！特命係の一番長い夜

Saturday Results from the usual locations (15% of the market):

Openers,

Hereafter: 62.4% of Red's first day in release.
-If this represents the weekend as a whole, then Hereafter should have an opening with 115-120,000 admissions or 130 million yen ($1.6 million) or so. This is right in line with Eastwood's previous films.

Top Holdovers,

Gantz: -36.2% compared to last Saturday.
-That would give Gantz a fourth weekend of about 165 million yen ($2 million).

Miracle Man of the Pacific: -44.2% compared to last Saturday.
-That would give Miracle Man a second weekend of about 145 million yen ($1.75 million).

Tomorrow's Joe: -45.8% compared to last Saturday.
-That would give Joe a second weekend of about 110 million yen ($1.35 million).

Red: -51% compared to last Saturday.
-That would give Red a fourth weekend of about 60 million yen ($.75 million).

Wall Street: Money Never Sleeps: -58.6% compared to last Saturday.
-That would give Wall Street 2 a third weekend of about 35 million yen ($.425 million).

Mom's Daily Life: - 33.4% compared to last Saturday.
-That would give Mom a third weekend of about 45 million yen ($.55 million).

Paranormal Activity 2: -37.7% compared to last Saturday.
-That would give Paranormal Activity 2 a second weekend of about 45 million yen ($.55 million).

A Look Ahead over the next month of release:

February 25th: The Chronicles of Narnia: Chapter 3: Aslan the King and the Island of Magic/The Voyage of the Dawn Treader 3D (Walt Disney Int'l), How To Make Love and News/Morning Glory (Paramount)

February 26th: The King's Speech (GAGA), Journey of a Dying Wife (Gate Elementary), Macross Frontier The Movie: The Wings of Goodbye (Klock Worx)

March 5th: Doraemon: Nobita and the New Steel Troops: ~Angel Wings~ 3D (Toho), The Tourist (Sony)

March 12th: SP: The Motion Picture 2 (Toho), Rapunzel/Tangled 3D (Walt Disney Int'l)

March 18th: True Grit (Paramount)

March 19th: Toriko and One Piece Double Feature 3D (TOEI), Fantastic Mr. Fox (Gate Elementary), Comic Gang (Kadokawa Pictures)

March 26th: The Fighter (GAGA), Life as We Know It (Warner Bros.), Jackass 3D (Paramount)


Top 5 Predictions:

1. Doraemon: Nobita and the New Steel Troops: ~Angel Wings~ 3D (Toho) - 3.6 billion yen ($43.5 million).
2. SP: The Motion Picture 2 (Toho) - 3.3 billion yen ($40 million).
3. The Chronicles of Narnia: The Voyage of the Dawn Treader 3D (Walt Disney Int'l) - 2 billion yen ($24 million).
4. Tangled 3D (Walt Disney Int'l) - 1.75 billion yen ($21.5 million).
5. The Tourist (Sony) - 1.5 billion yen ($18 million).

The Doraemon films always gross around 3-3.5 billion yen every March, so this one should be no different. It's also the first one to be released in 3D, so there may be some extra potential here explaining the slight increase from the usual gross.

SP: The Motion Picture grossed 3.63 billion yen last year, and 3 billion is assured for the sequel next month. Sequels released this close to one another can be tricky though, in a positive and negative way, so going somewhat safe here by not predicting an increase.

Prince Caspian saw an extreme drop from the original Narnia, and poor WOM and legs. Another substantial drop is in store for the newest films, regardless of any 3D boost. The 3D competition in March will only shorten it's legs, too. And for a big release, it's current the 42nd Most Searched for Film on Eiga.com with only 6 days before it's release.

Tangled should gross a bit above the usual 1-1.5 billion range for non-Pixar foreign animated films.

The Tourist has Depp and Jolie, the two biggest Hollywood draws in the market. Obviously this didn't help it in some places, but both stars have yet to have a film gross below 1 billion yen (that was wide) to my knowledge over the last decade.


Wild Cards: Toriko and One Piece Double Feature 3D (TOEI) and The King's Speech (GAGA) (with a BP win) are potential 1 billion yen contenders.

Weekend Results from the usual locations (15% of the market):

Openers,

Hereafter: 83.6% bigger than Wall Street 2's 2-day opening weekend.
-A very strong Sunday now points toward Hereafter opening with 160-170,000 admissions or 205-215 million yen (about $2.5 million). This would be Eastwood's best opening in years, beating even the Jolie's Changeling's opening of 178 million yen.

Top Holdovers,

Gantz: -20.5% compared to last Weekend.
-That would give Gantz a fourth weekend of 205-210 million yen ($2.5 million), which puts it in fierce competition with Hereafter's opening for the top spot this weekend. If Gantz succeeds this weekend, it'll have spent 4 straight weeks on top.

Miracle Man of the Pacific: -34.1% compared to last Weekend
-That would give Miracle Man a second weekend of about 155-165 million yen ($2 million).

Tomorrow's Joe: -32.9% compared to last Weekend.
-That would give Joe a second weekend of about 125-130 million yen ($1.6 million).

Red: -40.1% compared to last Weekend.
-That would give Red a fourth weekend of about 65 million yen ($.80 million).

Wall Street: Money Never Sleeps: -49.3% compared to last Weekend.
-That would give Wall Street 2 a third weekend of about 40 million yen ($.50 million).

Mom's Daily Life: -6.1% compared to last Weekend.
-That would give Mom a third weekend of about 65 million yen ($.80 million).

Paranormal Activity 2: -29% compared to last Weekend.
-That would give Paranormal Activity 2 a second weekend of about 50 million yen ($.60 million).

2/19-20, 2011
Weekend Admission Rankings by Location (Toho, Shikoku, Warner):

TOHO


1 1 Gantz (Toho) 4
2 2 Miracle Man of the Pacific (Toho) 2
3 - Hereafter (Warner Bros.) NEW
4 3 Tomorrow's Joe (Toho) 2
5 4 Red (Disney) 4
6 7 Mom's Daily Life (Shochiku) 3
7 6 Paranormal Activity 2 (Paramount) 2
8 5 Wall Street: Money Never Sleeps (Fox) 3
9 8 The Social Network (Sony) 6
10 9 1,778 Stories of Me and My Wife (Toho) 6

Warner and Shikoku later tonight.

Shikoku



1 - Hereafter (Warner Bros.) NEW
2 1 Miracle Man of the Pacific (Toho) 2
3 2 Gantz (Toho) 4
4 3 Tomorrow's Joe (Toho) 2
5 - Railroad Train Best Star The Movie (Presido) NEW
6 5 Mom's Daily Life (Shochiku) 3
7 - Documentary of AKB48 (Toho) NEW
8 4 Red (Disney) 4
9 10 Paranormal Activity 2 (Paramount) 2
10 - A Better Tomorrow (TOEI) NEW

Documentary of AKB48 has actually been in release (exclusively at Toho locations) for 5 weeks.

It looks like Warner is in the process of changing their site, so I doubt they'll update the top films at their locations this weekend.

But, information has Gantz exceeding 2 million admissions (which should be about 2.5/2.6 billion yen or $31 million) after 23 days in release and ranks 1st this weekend to make it four consecutive now.

The National Top 10 and select numbers will be released between now and the morning.

February 19-20, 2011
Weekend Admission Ranking



1 2 Gantz (Toho) 4
2 - Hereafter (Warner Bros.) NEW
3 1 Miracle Man of the Pacific (Toho) 2
4 3 Tomorrow's Joe (Toho) 2
5 4 Red (Disney) 4
6 6 Mom's Daily Life (Shochiku) 3
7 7 Paranormal Activity 2 (Paramount) 2
8 5 Wall Street: Money Never Sleeps (Fox) 3
9 8 The Social Network (Sony) 6
10 9 1,778 Stories of Me and My Wife (Toho) 6

Gantz exceeded 2 million admissions, and 2.5 billion yen ($30.5 million) after 23 days in release.

Hereafter opens with 142,094 admissions for 168,791,500 yen ($2.02 million). This is Eastwood's second best opening in years, behind only Changeling's 178 million yen opening.

I'll update tonight when/if more numbers are made available.

February 19-20, 2011
Weekend Estimates

1 1 Gantz (Toho) - 181 million yen ($2.19 million), -30%, Week 4
2 - Hereafter (Warner Bros.) - 169 million yen ($2.02 million), 0, NEW
3 2 Miracle Man of the Pacific (Toho) - 165 million yen ($1.99 million), -35%, Week 2
4 3 Tomorrow's Joe (Toho) - 133 million yen ($1.61 million), -32%, Week 2
5 4 Red (Disney) - 64 million yen ($.77 million), -41%, Week 4
6 7 Mom's Daily Life (Shochiku) - 57 million yen ($.69 million), -18%, Week 3
7 6 Paranormal Activity 2 (Paramount) - 52 million yen ($.63 million), -29%, Week 2
8 8 The Social Network (Sony) - 39 million yen ($.47 million), -37%, Week 6
9 5 Wall Street: Money Never Sleeps (Fox) - 38 million yen ($.46 million), -50%, Week 3
10 9 1,778 Stories of Me and My Wife (Toho) - 26 million yen ($.31 million), -37%, Week 6

Gantz - 2,023,568 admissions; 2,530,940,850 yen ($30.6 million) after 23 days in release.

Updated RoundedTotals

Space Battleship Yamato (Toho) - 4.04 billion yen ($49.7 million) after 82 days in release.
Partners, The Movie 2 (TOEI) - 3.09 billion yen ($38 million) after 60 days in release.
Gantz (Toho) - 2.53 billion yen ($30.6 million) after 23 days in release.
Inazuma Eleven (Toho) - 1.73 billion yen ($21.3 million) after 60 days in release.
The Social Network (Sony) - 1.24 billion yen ($15.1 million) after 37 days in release.
1,778 Stories of Me and My Wife (Toho) - 1.11 billion yen ($13.5 million) after 37 days in release.
Red (Disney) - 1.06 billion yen ($12.9 million) after 23 days in release.

Miracle Man of the Pacific (Toho) - 840 million yen ($10.3 million) after 10 days in release.
Tomorrow's Joe (Toho) - 610 million yen ($7.5 million) after 10 days in release.
The Green Hornet (Sony) - 550 million yen ($6.7 million) after 30 days in release.
Wall Street: Money Never Sleeps (Fox) - 460 million yen ($5.6 million) after 17 days in release.
Mom's Daily Life (Shochiku) - 375 million yen ($4.5 million) after 16 days in release.
White Night (GAGA) - 370 million yen ($4.4 million) after 23 days in release.
Tensou Sentai Goseiger vs Shinkenger: Epic on the Silver Screen (TOEI) - 350 million yen ($4.3 million) after 30 days in release.
Paranormal Activity 2 (Paramount) - 240 million yen ($3 million) after 10 days in release.
The Town (Warner Bros.) - 190 million yen ($2.3 million) after 16 days in release.
Jeanne Waltz (TOEI) - 160 million yen ($1.9 million) after 16 days in release.

2011 Charts Updated:

Top 10 Opening Weekends of 2011 by Gross




Top 10 Opening Weekends of 2011 by Admissions




Top 10 Films of 2011 by Gross




Top 10 Films of 2011 by Admissions

Sorry for the lack of updates this week.

I'll post this past Weekend's Summary and a much needed update of Eiga's Most Popular Films later tonight.

Eiga's Most Popular Films (2/25/2011)

1. Hereafter (opened 2/19/2011)
2. The King's Speech (opens 2/26/2011)
3. The Social Network (opened 1/15/2011)
4. Red (opened 1/29/2011)
5. Wall Street: Money Never Sleeps (opened 2/4/2011)
6. Gantz (opened 1/29/2011)
7. Mom's Daily Life (opened 2/5/2011)
8. Miracle Man of the Pacific (opened 2/11/2011)
9. Black Swan (opens 5/13/2011)
10. Cowboys & Aliens (opens September 2011)

11. The Town (opened 2/5/2011)
12. Caterpillar (opened 8/14/2010)
13. The Chronicles of Narnia: The Voyage of the Dawn Treader (opened 2/25/2011)
14. Sheath Samurai (opens 6/11/2011)
15. Tomorrow's Joe (opened 2/11/2011)
16. My Back Pages (opens 5/28/2011)
17. Journey of a Dying Wife (opens 2/26/2011)
18. Inception (opened 7/23/2010)
19. True Grit (opens 3/19/2011)
20. Paranormal Activity 2 (opened 2/11/2011)

Oscar Buzz is in full effect right now.

Glad Gantz is doing well. Any projections?

Interesting that Confessions won the main prizes while Villain swept the acting category. Was the acting really that good in Villain or are those considered consolation prizes?

I have Gantz finishing with about 3.3 billion yen ($40.5 million). 3.5 billion yen ($43 million) should be the ceiling for it.

I haven't seen Villain, but I'm pretty sure the acting and the overall film were very good because of the reviews I read when it was released last fall.

Weekend Summary

February 19-20　
今 先 　　週末 　　 　　 累計　 screens　週 題
1　1　180,828,522　2,530,940,212　410　4　GANTZ
2　-　168,791,488　*,168,791,488　291　1　ヒアアフター
3　2　164,688,926　*,842,250,066　300　2　太平洋の奇跡　フォックスと呼ばれた男
4　3　132,912,396　*,617,434,135　277　2　あしたのジョー
5　4　*64,404,876　1,064,741,015　297　4　RED
6　7　*57,365,010　*,376,932,378　134　3　毎日かあさん
7　6　*51,837,847　*,245,338,665　169　2　パラノーマル・アクティビティ２
8　8　*39,278,790　1,238,282,855　314　6　ソーシャル・ネットワーク
9　5　*37,901,128　*,466,604,320　349　3　ウォール・ストリート
0　9　*25,514,614　1,117,447,192　315　6　僕と妻の1778の物語

I'll edit this post later to include figures in USD.