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 Inception 

What grade would you give this film?
A 70%  70%  [ 45 ]
B 14%  14%  [ 9 ]
C 3%  3%  [ 2 ]
D 2%  2%  [ 1 ]
F 11%  11%  [ 7 ]
Total votes : 64

 Inception 
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Post Re: Inception
only my third 10/10 film ever

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Sun Jul 18, 2010 12:38 pm
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Post Re: Inception
A-

It didn't suck. The top wobbled. Cobb made it back to the real, real world.
The whole Zero G sequence was my fav part.

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Sun Jul 18, 2010 1:13 pm
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Post Re: Inception
A theory online that much better expresses the idea that everything was in the movie was a dream than my rambling post-movie thoughts yesterday:

http://www.imdb.com/title/tt1375666/boa ... 070198?p=1

Even if you disagree with this particular reading of the film, it's still worth exploring multiple layers and symbolism rather than take film at face value.


Sun Jul 18, 2010 2:47 pm
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Post Re: Inception
Alex Y. wrote:
A theory online that much better expresses the idea that everything was in the movie was a dream than my rambling post-movie thoughts yesterday:

http://www.imdb.com/title/tt1375666/boa ... 070198?p=1

Even if you disagree with this particular reading of the film, it's still worth exploring multiple layers and symbolism rather than take film at face value.

very possible indeed, perhaps I am taking the film to literally....

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Post Re: Inception
redfirebird2008 wrote:
Magception wrote:
The setting of the third level is very cool and I love all the snow outfits they wore. Just the sequences themselves were average.

The zero gravity scene was just cinematic bliss.


The camerawork for Nolan's action scenes isn't that great. It's just a general flaw in his filmmaking style. He's in the Greengrass mold, although not as good at the quick cuts as Greengrass.


Nolan shoots his action sequences very straight forward and directly; it certainly limits the flair and creativity of the scenes.

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Sun Jul 18, 2010 6:18 pm
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Post Re: Inception
fyi....Nolan incepted an idea in the audiences head!!!!

The idea was....you do not understand this movie, you must pay to see it again to understand it!


Sun Jul 18, 2010 7:40 pm
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Post Re: Inception
Except we know that Nolan planted the idea. Thus, it's not Inception.

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Sun Jul 18, 2010 7:47 pm
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Post Re: Inception
Chipo DiCaprio wrote:
Except we know that Nolan planted the idea. Thus, it's not Inception.


but you didn't know, until I told you! or where did anyone say it.


Sun Jul 18, 2010 7:52 pm
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Post Re: Inception
I put my mini-review and my interpretation of the movie in spoilers. When I am interested in a movie, I like to read these sections, and I don't want to spoil anyone's enjoyment. Grade A+
Spoiler: show
The movie itself: Matrix+ Heat/Dreamscape+Eternal Sunshine of the Spotless Mind+Shutter Island

A+


As far as I can tell there are three valid interpretations:

1. Straightforward-Cobb works as an extractor and does an inception for Saito. When Saito gets pulled into limbo, while Cobb performs his inception, Cobb goes deeper than originally planned and saves Saito. Saito compensates Cobb with the prearranged payment.

2. From the inception of the film, Cobb is in limbo and finally returns to reality.

3. From the inception of the film, Cobb is in limbo and enters another level or layer.

All have flaws, due to Cobb being an unreliable narrator.

I am suprised that no one has mentioned that two of the main characters are named Emes and Fischer, which to me recall this guy:

Image

M.C. Escher

He was probably most widely known for impossible objects-

Quote:
In most cases the impossibility becomes apparent after viewing the figure for a few seconds. However, the initial impression of a 3D object remains even after it has been contradicted. There are also more subtle examples of impossible objects where the impossibility does not become apparent spontaneously and it is necessary to consciously examine the geometry of the implied object to determine that it is impossible.


http://en.wikipedia.org/wiki/Impossible_object

Image

Image


I don't think there is one unifying theory to point to as "Aha, this is the answer." To me this is Nolan's love letter to Escher, movies, and especially moviegoers. Like Powell's Peeping Tom and some of Hitchcock's more sublime work, he has inverted the passive viewer and made him or her implicit in their own deception. By planting in our minds there is logic and reason to be had, we deny or discount we are in a dream state. Like Cobb's washing up on the beach (which I continuosly reminded myself throughout the movie to remember how the dream/movie began), each moviegoer has no recollection of what has transpired beforehand and rapidly has to catch up to the situation in a hurried, frenzied state. Some things seem so important to piece together this seemingly logical puzzle. Then, just as it is all coming together, and you are about to come to the amazing revelation of what it all means-"Will the dradle topple or not?"- The dreams ends, and it is all lost forever never to be regained what exactly it meant. Yet you are drawn to somehow relive the dream in order to recapture that spirit...

INCEPTION

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Last edited by mdana on Sun Jul 18, 2010 8:30 pm, edited 1 time in total.



Sun Jul 18, 2010 8:01 pm
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Post Re: Inception
Inception is what a summer blockbuster should be: a brilliant idea with outstanding execution. The acting was not anything particularly special (except for Marion, who simply blew me away, and Page, who wasn't really good but can do no wrong in my eyes), and the action scenes, apart from the mind-blowing zero g scene, was average, but those little flaws were offset with tight writing and really really good editing. I came in the movie expecting it to be Nolan's best. I was a bit disappointed that it wasn't, but I can't deny that Inception is well made and is an example that Hollywood needs to follow.

Memento and TDK were better, but not by much.

A

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Sun Jul 18, 2010 8:18 pm
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Post Re: Inception
I feel that Inception is a hybrid of TDK and Memento. It's got the complexity and very layered storytelling of Memento and the spectacle and scale of TDK.

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Post Re: Inception
Sure, it seems to make up its rules as it goes along. Sure, it doesn't really capture the feel or look or sense of a dream (I've never had a dream where I was fully aware I was dreaming, let alone felt in control of my actions). Sure, it's perhaps a little too literal and logical and grounded for such an airy subject.

But it's still pretty incredible.

It's quite something to see a film that combines muscular editing, intense action, and genuine existentialism like this, but it does it all relatively freely and with limited exposition. It's a tough subject to sell, both as a work of art and a piece of entertainment, but Nolan pulled it off. Dreams within dreams within dreams would've been a joke in anyone else's hands.

And that ending! He sure loves those smash cuts to black to end his films, eh?

Spoiler: show
I don't think Leo was dreaming at the end, but if he was, he certainly thought it was reality. Besides, it would cheapen his arc (and the entire film) to have it pull out the ol' "it was all a dream" twist. The top was slowing down, after all. I think Nolan was just toying with us.

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Mon Jul 19, 2010 12:39 am
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Post Re: Inception
very serious boy movie give A+ or ur a fag
A+


Mon Jul 19, 2010 1:07 am
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Post Re: Inception
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very serious boy movie give A+ or ur a fag
A+


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Mon Jul 19, 2010 1:14 am
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Post Re: Inception
http://chud.com/articles/articles/24477 ... Page1.html

Very interesting argument from Devin at CHUD. I'm really leaning towards this film being an instant classic although obviously that can't be confirmed until repeat viewings. There's a ton of ambiguity and a lot of red herrings in both directions to the point that either argument can be convincingly made, although Devin is saying he thinks the dream argument is going to be the only accepted one years down the line. Will be interesting to see for sure, but it's definitely a buzzworthy ending. I have never heard a theater react like that before at a movie. And no it wasn't a midnight show.


Mon Jul 19, 2010 1:43 am
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Post Re: Inception
trixster wrote:
Sure, it seems to make up its rules as it goes along. Sure, it doesn't really capture the feel or look or sense of a dream (I've never had a dream where I was fully aware I was dreaming, let alone felt in control of my actions). Sure, it's perhaps a little too literal and logical and grounded for such an airy subject.

But it's still pretty incredible.

It's quite something to see a film that combines muscular editing, intense action, and genuine existentialism like this, but it does it all relatively freely and with limited exposition. It's a tough subject to sell, both as a work of art and a piece of entertainment, but Nolan pulled it off. Dreams within dreams within dreams would've been a joke in anyone else's hands.

And that ending! He sure loves those smash cuts to black to end his films, eh?

Spoiler: show
I don't think Leo was dreaming at the end, but if he was, he certainly thought it was reality. Besides, it would cheapen his arc (and the entire film) to have it pull out the ol' "it was all a dream" twist. The top was slowing down, after all. I think Nolan was just toying with us.


This. 9/10.

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Mon Jul 19, 2010 3:10 am
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Post Re: Inception
I'm not sure how great it was, but it was a very good film. I'm not sure what grade I can quantify it with, or how it compares to TDK, imo these movies are actually incredibly different. Inception, all in all, is simply not akin to any film I have ever seen. There may be similar movies out there, or perhaps some feel it does have relation to TDK or Memento, or various other films. To me it really is one of the most original pieces of cinema I've seen made in at least a decade. The combination of events sounds so ludicrous on the surface: a close personal drama about a guy struggling to grasp reality and the loss of his wife, wrapped in 5 different layers of storytelling, done to a blockbuster scale roving through different worlds. It is a bizarre concept and yet it unfolded rather beautifully.

I'm still not sure what to do with it. Another viewing is certainly needed to clarify. It is at least the 2nd best film this year, but I'm not sure if it surpasses Toy Story or not.

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Mon Jul 19, 2010 3:14 am
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Post Re: Inception
^Is the best Toy Story or is Toy Story 2nd?

Anyway, IMO, why it shouldn't be a dream is because it, as others have stated, cheapens Leo's story arc, his character etc. that after making such a declaration to Mal, he does what he said not to do. Yes, Arthur (JGL) says that's what Cobb tends to do but his kids have grown up and like I said, within moments Cobb would know if he were in a dream after meeting them.

Furthermore, if we are to believe that Cobb is still dreaming then we are saying that Mal is possibly alive/not dreaming/earlier state or whatever, but, and this is key, Cobb planted that 'idea' in Mal's mind that her world is not real and that made her jump and that will always make her jump again and again and again because it's a parasite that she cannot be rid of. So, technically, she's not in the right state of mind to be the 'truth' in the movie.

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Mon Jul 19, 2010 3:44 am
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Post Re: Inception
OMG, I just woke up from a dream and it came to me. :shock:

Spoiler: show
The movie has elements of all the movies I listed in my previous post, but the movie that is the baseline for the film is really Dead of Winter (1945). Perhaps the greatest horror film (IMHO), it was the first film I saw (I was 12) that was a real mindf*%k.

Quote:
Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare.


http://www.imdb.com/title/tt0037635/

It's got the dream loop, its got the totem (broken glasses), and it improves on one of the best endings ever. It's got other similarities, but I have to get back to REM, to see if I can figure out which ones.:sleeping:

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Post Re: Inception
redfirebird2008 wrote:
http://chud.com/articles/articles/24477/1/NEVER-WAKE-UP-THE-MEANING-AND-SECRET-OF-INCEPTION/Page1.html

Very interesting argument from Devin at CHUD. I'm really leaning towards this film being an instant classic although obviously that can't be confirmed until repeat viewings. There's a ton of ambiguity and a lot of red herrings in both directions to the point that either argument can be convincingly made, although Devin is saying he thinks the dream argument is going to be the only accepted one years down the line. Will be interesting to see for sure, but it's definitely a buzzworthy ending. I have never heard a theater react like that before at a movie. And no it wasn't a midnight show.


Spoiler: show
I really enjoyed that article, and I think he raises some valid interpretations. However, I still think Escher's distorted perspectives (the compass for viewing this film's terrain) invalidate any one specific interpretation. Nothing holds up to a logical reality, if you look at it from another angle. For instance seen from another viewpoint, I would argue the mark is more likely the studio (I just stole $160m from you to make a big budget symbolic mindf*#k, you dumbass) than the audience. That it might make money for the studios in the long run or works as an allegory in the dynamics of filmaking might just be serendipity.

I am not that smart. What do I know?

Thanks for sharing the piece.

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Mon Jul 19, 2010 4:34 am
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Post Re: Inception
redfirebird2008 wrote:
http://chud.com/articles/articles/24477/1/NEVER-WAKE-UP-THE-MEANING-AND-SECRET-OF-INCEPTION/Page1.html

Very interesting argument from Devin at CHUD. I'm really leaning towards this film being an instant classic although obviously that can't be confirmed until repeat viewings. There's a ton of ambiguity and a lot of red herrings in both directions to the point that either argument can be convincingly made, although Devin is saying he thinks the dream argument is going to be the only accepted one years down the line. Will be interesting to see for sure, but it's definitely a buzzworthy ending. I have never heard a theater react like that before at a movie. And no it wasn't a midnight show.


Interesting but he still fails to prove anything. The metaphors about the dreamer's jobs and how real movies are made is very cool but his point about everything being a dream does not.

There is logic to Watanabe's character being there if he so badly wants to stop Fischer from consolidating his company and it is possible for alleys as such to exist in a place like Mombasa but it also is an homage to problems/panic in dreams. Also, how is it more realistic for the sequence to represent the gap etc? Metaphorically, yes, but realistically it's obvious she rented the room since she planned all the way down to estranging him from their kids. He's getting absorbed into his own fanboyism there. A movie's like literature, everything can be seen as to mean something else if you analyze hard enough and have enough 'proof'.

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Mon Jul 19, 2010 6:02 am
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Post Re: Inception
After watching it again I'm believing that Cobb actually did make it out and that he made it to reality. Since, we don't know how much time passed in real life between his wife's death and him reuniting with his kids it doesn't matter how old they were and even though his memory of his kids is almost exactly how it appears when he does finally see them I can get over that. It's possible his kids would be outside playing just like his memory. So I do think Cobb made it out of that limbo he and Saito were in. I really like this film but on the second viewing I really didn't notice much anything new other than me trying to keep track of who's dream the levels were in and how far they were going. I did enjoy the relationship story of Mal and Cobb more the 2nd time as it all gelled together better.

The 2nd time I saw it with the non-midnight crowed the audience seemed to really enjoy how it ended. Maybe the groan I heard during the midnight show was more of an "aww damn, he left us hangin'" type of groan.

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Mon Jul 19, 2010 9:31 am
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Post Re: Inception
BK wrote:
^Is the best Toy Story or is Toy Story 2nd?

Anyway, IMO, why it shouldn't be a dream is because it, as others have stated, cheapens Leo's story arc, his character etc. that after making such a declaration to Mal, he does what he said not to do. Yes, Arthur (JGL) says that's what Cobb tends to do but his kids have grown up and like I said, within moments Cobb would know if he were in a dream after meeting them.

Furthermore, if we are to believe that Cobb is still dreaming then we are saying that Mal is possibly alive/not dreaming/earlier state or whatever, but, and this is key, Cobb planted that 'idea' in Mal's mind that her world is not real and that made her jump and that will always make her jump again and again and again because it's a parasite that she cannot be rid of. So, technically, she's not in the right state of mind to be the 'truth' in the movie.

I think the "open ending" was included not as a further arch for the story, but rather to push the theme of the film, namely what is reality and sanity. Furthermore I believe Nolan simply is not content with a happy ever after ending. Memento, the ending is anything but. Prestige, again, the ending is probably the most devastating piece of it. Batman Begins leaves off for a sequel. TDK he has to bear the weight of a murderer to cover for Dent, again not exactly all joys and smiles. He couldn't just have Cobb overcome his guilt and be happy with his children. So he decided to push his motifs a little further.

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Mon Jul 19, 2010 11:26 am
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Post Re: Inception
nghtvsn wrote:
After watching it again I'm believing that Cobb actually did make it out and that he made it to reality.


I agree as well after second viewing. There were a couple of occasions earlier in the film where the totem did fall after all, like when he first explained its usage to Page, and it was slowing down at the last second of the film. I think it's simply that Nolan is teasing us audience in trying to see if we could remember anything prior and how we got to that point, mirroring the whole subject of dream. Unlike say The Sixth Sense or Usual Suspects, the film isn't built toward or around that last premise, that a-ha moment, as it has successfully explored the theme and world it's trying to build, so I don't think Nolan is intending to go for that one shocking effect but rather generating more conversations.

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Mon Jul 19, 2010 1:15 pm
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Post Re: Inception
Magception wrote:
This is a MUST-READ article:

http://nymag.com/daily/entertainment/20 ... swers.html

Explains everything about the "rules" and discusses all the theories.

It's been a long-time since we've had a mass-appealing film create such debate. The Matrix was probably the last film to do so IMO.


Wouldn't the Sixth Sense be more recent?

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