I think Collateral was a decent choice...
...but his choices for best and worst poster are always mis-thought. I don't think the owner of IMP has a good sense of design.
Example... Terminal...
Quote:
"After the lame poster designs for Catch Me If You Can one would think Hanks and Spielberg would have a better design this time around. But, no, it's even worse. A meaningless poster of a befuddled looking Hanks staring at - the next poster on the wall, I suppose."
Surely, it is not the best poster of the year, but "meaningless"... I don't know if it's meaningless, the guy here seems to have gotten the point about the movie from the poster, and he understands Hanks being befuddled... the movie communicated the central point of the film from the poster, so I don't think it should be classified as "worse".
The AVIATOR'S poster as one of the Best of the year? Come on...
http://www.impawards.com/2004/aviator_ver2.html
He even picked the WORST The Day After Tomorrow and Spider-Man 2 posters of the lot.
If we really want great posters... what about the striking green of Sideways, which has almost become iconic. The well laid out posters for Before Sunset. The Passion poster which expressed so much. The Door In the Floor. The teasers for Eternal Sunshine of the Spotless Mind, Friday Night Lights, I Heart Huckabees, Mean Creek, Mean Girls, Ray's first poster, Spartan, The Sky Captain one sheet with just the robot, etc...
