Leonard Cohen doc update! Forum members' comments.
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dolcevita
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Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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 Leonard Cohen doc update! Forum members' comments.
http://www.the-numbers.com/movies/2006/LCIYM.php
Don't laugh. I grew up on his albums, own seven of his cd's, and have listened to him for more combined hours than any other musician. He has the best lyrics, and has written a couple books. One of them, Beautiful Losers, I even read. He's a total self entitled Montreal mysogenist intellectual, and I love him.
I can't believe they are doing a documentary about him. I will be waiting two hours before the doors unlock for the first screening to see this.
I will feed this page with album reviews, favorite lyrics, urban myths, everything.
<center> **The Wonderful Trailer!**</center>
Last edited by dolcevita on Wed Jul 26, 2006 11:18 am, edited 6 times in total.
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Thu Mar 30, 2006 11:58 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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<center>
Early love! 100% ! http://www.rottentomatoes.com/m/1000584 ... _your_man/
"A funny, frank and incisive look at the philosophical singer and poet." - Shlomo Schwartzberg, BOXOFFICE MAGAZINE
An affectionate and intimate celebration of the acclaimed troubadour in stirring music and words. - Michael Rechtshaffen, Hollywood Reporter
"Cohen's songs have always had a epic quality ('Anthem' for the most obvious), and going in I couldn't imagine there being any way to elevate them higher... but the film does." - Mark Bell, FILM THREAT</center>
This is going to be THE Musician Doc of my life.
In celebration I am going to talk about each album I have of his and haggle poor Eagle to upload some of my favorite songs to post in this thread. 
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Tue Apr 04, 2006 10:13 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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My love for Mr. Cohen: Part I
<center>  </center>
Songs of Leonard Cohen: 1968
1. Suzanne
2. Master Song
3. Winter Lady
4. The Stranger Song
5. Sisters Of Mercy
6. So Long, Marianne
7. Hey, That's No Way To Say Goodbye
8. Stories Of The Street
9. Teachers
10. One Of Us Cannot Be Wrong
Quote: Amazon.com essential recording Time has been extraordinarily kind to Songs of Leonard Cohen. While it attracted considerable fanfare upon its release in 1968, not everyone was immediately captured by its dusky charms. Randy Newman, for one, couldn't resist the temptation to parody "Suzanne," the album's brooding opener, on his 12 Songs album. (Conversely, director Robert Altman brilliantly drew upon the dirges here for the soundtrack to his classic anti-western, McCabe and Mrs. Miller.) But what some once found to be pretentious and affected has come to feel penetrating and ageless. Seeded with what have become signature songs of the Canadian wordsmith ("Sisters of Mercy," "Hey, That's No Way to Say Goodbye," "So Long, Marianne"), the album has a narcotic quality that owes as much to producer/musical director John Simon's inspired folk-baroque soundscapes as to Cohen's lofty lyrics and earth-bound vocals.
Songs of Leonard Cohen is one of Three records my parents had when I was growing up, so I heard it over and over and over and over and over again. I loved it. I would choreograph dance routines to it in our living room. It was one of the first five CDs I went out and purchased my senior year in high school before going off to college. Suzanne is by far the most famous song, and Cohen writes about it often. Apparently he doesn't own the copyright on it. He heard sailors singing it on the Caspian Sea some years after its release...or something like that. :-) Peter Gabriel did a cover for it decades later when a group of artists produced Tower of Song: Songs of Leonard Cohen in homage to him. Other artists included Sting, Tori Amos, Bono, Suzanne Vega, Billy Joel, Willie Nelson, Elton John, Aaron Neville Jann Arden, Martin Gore, Trisha Yearwood and Don Henley. See. Everyone loves him! Sisters of Mercy, from this album, is also covered in that album.
My favorite songs are Suzanne, Stories of the Street, The Stranger Song, and Hey, That's no way to say Goodbye.
Last edited by dolcevita on Wed May 10, 2006 8:52 pm, edited 1 time in total.
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Mon Apr 24, 2006 2:14 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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So I went on a short trip with my parents this weekend, and we listened to Leonard Coeh the whole way back. :-) My mom three-peated I'm Your Man, and I got Halleluja in twice before we made it home. But that's still awhile down the album road. Up next, Songs from a Room, Cohen's second album, and another oe of the good 'ol vinyls I grew up on. Bird on a Wire is probably the most famous, but its not my favorite. My two favorites are A Bunch of Lonesome Heroes and The Old Revoultion.
I have a weakness for Lady Midnight too, which I might a painting of in high school. My first ever use of acrylic. It wasn't very good. It was a woman's face half in light blue and half in dark blue with blood red lips (yeah...real creative, I know).
Everyone, there are alot of samples of all these songs on the internet, so check them out and I'll try to upload some of them to link to this thread one of these days.
1969
<center>  </center>
1. Bird On The Wire
2. Story Of Issac
3. A Bunch Of Lonesome Heroes
4. The Partisan
5. Seems So Long Ago, Nancy
6. The Old Revolution
7. The Butcher
8. You Know Who I Am
9. Lady Midnight
10. Tonight Will Be Fine
Amazon Editorial Review wrote: Amazon.com essential recording "I choose the rooms that I live in with care / The windows are small and the walls almost bare," Leonard Cohen sings in a particularly telling couplet in "Tonight Will Be Fine," one of the highlights in this aptly titled album from 1969. The Canadian poet-performer's sophomore release has the sub rosa feel of an attic hideaway, thanks in part to Bob Johnston's restrained production. Cohen's near-monotone vocals are suitable for conveying his finely honed, meditative musings but--at this stage in his development--not much else. Johnston's soundscapes aren't as beguiling as the ones John Simon created for Cohen's superior debut, Songs of Leonard Cohen, though lovely orchestral shadings flatter such Cohen classics as the oft-covered "Bird on the Wire" and "Story of Isaac." Songs from a Room is only a secondary effort when it's stacked up against its consummate predecessor, But by any other measurement, it's an exceptionally literate and enigmatic recording by a true original.
Last edited by dolcevita on Sat May 13, 2006 4:12 am, edited 2 times in total.
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Mon May 08, 2006 3:31 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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Next up on my little list here, and the last of the three records I listened to growing up on my parents turntable: The Best of Leonard Cohen.
His first Best of (he's had a couple more) is the album I would recommend anyone get who doesn't know him and wants a brief introduction.
1975
<center>  </center>
1. Suzanne
2. Sisters Of Mercy
3. So Long, Marianne
4. Bird On The Wire
5. Lady Midnight
6. The Partisan
7. Hey, That's No Way To Say Goodbye
8. Famous Blue Raincoat
9. Last Year's Man
10. Chelsea Hotel No. 2
11. Who By Fire
12. Take This Longing
Yes, you might notice Cohen dedicates half his songs to tortured self-destructive enigmatic ladies, but that's half the reason i like him (oddly). The newest additions out side of my faves from his past albums, are Chelsea Hotel No.2 which urban myth whispers had a bit to do with Janis Joplin, and my complete favorite Take This Longing. Of all his older songs, its probably my favorite; even more than Suzanne. Its seriously a very sexy song, even though its miserable. I always had this feeling of Cohen singing it to a woman's backside, when she's on the other side of the room but is vaguely aware he is there.
I did my first etching, conveniently on bathroom paper towel, to my vision of Chelsea Hotel's ruined room in the morning. I still don't know if its upscale or delapitated but I always envisioned it as being a room that is a bit small and cluttered.
Famous Blue Raincoat is good too. In fact, its all good, though Who By Fire is just a little more blunt and less creative than his other songs (lyrically that is).
Amazon Editorial Review wrote: Amazon.com Leonard Cohen is famous as a major seller in much of the world outside the U.S., the Canadian singer-songwriter's adoptive home; in Europe, this album's title is Greatest Hits. Even listeners barely familiar with Cohen's name will know "Suzanne" and "Bird on a Wire," but those oft-covered numbers are the least of it. The former novelist's mission as a wry, resigned troubadour is better reflected in songs like "Chelsea Hotel No. 2," a remembrance of Janis Joplin with a devastating closing line, and "Who by Fire," which updates a Jewish prayer.
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Wed May 10, 2006 8:51 pm |
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Ripper
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Joined: Mon Oct 11, 2004 9:16 pm Posts: 7827 Location: please delete me
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I had an orgasm when I saw this was coming out. Cohen has written so many great songs, it amazes how many people don't realize songs they love were actually written by him.
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Thu May 11, 2006 12:13 am |
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Dkmuto
Forum General
Joined: Fri Oct 22, 2004 1:00 am Posts: 6502
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This is the year of the musician doc.
What's one to do.
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Thu May 11, 2006 1:02 am |
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littlebigshot
Hooray for Jensen Button
Joined: Fri Jan 13, 2006 7:10 pm Posts: 332 Location: Playing with Sleepy Bird
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Cohen rules! I hope I get to see this at some point.
Chelsea Hotel No. 2 is an awesome song! I especially love it for the last verse - like he suddenly realises he's opened up and quickly builds a macho wall again 
_________________ This too, shall pass.
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Thu May 11, 2006 5:32 am |
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kypade
Kypade
Joined: Sat Oct 30, 2004 10:53 pm Posts: 7908
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Meh. Jeff Buckley's Hallelujah is a extraordinarily beautiful song.
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Thu May 11, 2006 5:43 am |
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makeshift
Teenage Dream
Joined: Tue Oct 12, 2004 12:20 am Posts: 9247
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kypade wrote: Meh. Jeff Buckley's Hallelujah is a extraordinarily beautiful song.
Yeah, it is. I had no idea Cohen did it, too. I knew Buckley's version was a cover of some sort, but I didn't know it was from Cohen. Is it?
But yeah, Buckley's version is one of my top five favorite songs of all time.
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Thu May 11, 2006 4:34 pm |
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littlebigshot
Hooray for Jensen Button
Joined: Fri Jan 13, 2006 7:10 pm Posts: 332 Location: Playing with Sleepy Bird
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makeshift wrote: kypade wrote: Meh. Jeff Buckley's Hallelujah is a extraordinarily beautiful song. Yeah, it is. I had no idea Cohen did it, too. I knew Buckley's version was a cover of some sort, but I didn't know it was from Cohen. Is it? But yeah, Buckley's version is one of my top five favorite songs of all time.
Yup, Cohen originally
IMHO, he gets better too 
_________________ This too, shall pass.
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Thu May 11, 2006 7:24 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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little_big_shot wrote: Cohen rules! I hope I get to see this at some point. Chelsea Hotel No. 2 is an awesome song! I especially love it for the last verse - like he suddenly realises he's opened up and quickly builds a macho wall again  That's all. I don't think of you that often.little_big_shot wrote: makeshift wrote: Yeah, it is. I had no idea Cohen did it, too. I knew Buckley's version was a cover of some sort, but I didn't know it was from Cohen. Is it?
But yeah, Buckley's version is one of my top five favorite songs of all time. Yup, Cohen originally  IMHO, he gets better too 
I love the Cohen version. Is that what you meant by "he" gets better? Cohen does the best version of it. You guys should try to find somewhere to listen to it online. But I haven't reached that CD I own yet.
*ahem*
1977
<center> Death of a Ladies Man</center>
<center>  </center>
1. True Love Leaves No Traces
2. Iodine
3. Paper thin Hotel
4. Memories Listen
5. I Left A Woman Waiting
6. Don't Go Home With Your Hard-On
7. Fingerprints
8. Death Of A Ladies Man
Seriously, a very overlooked album. But to be taken with a grain of salt. He collaborated with Phil Specter, and som of the songs, including Don't Go Home With Your Hard-On (a guilt pleasure of mine) has that wall-of-sound Specter feel. But Cohen doesn't let it become to generic. He manages to make that "wall" sound an awful lot like bawdy drunks in a tavern.
There's also some remarkably soft and "quiet" songs here, including I Left a Woman Waiting, which is a small gem. The album changes up the typical amount of Cohen's voice vs. background instruments and vocals. His earlier work is usually driven by the man's crooning (and tortured voice box) and now there's a huge campy aspect as the music gets all loud and jolly and there is women's vocal accompanyment throughout. The entire album sounds like it was recorded in someones basement, or a barroom, which makes it a bit more raunchy.
An interesting turn for Cohen, and it would leave it mark, as all his later songs including I'm Your Man, Everybody Knows, Hallelujah, etc all have "bigger bands" supporting him, and alot more background vocals. So this album is like a turning point that can't decide if it wants to go big or settle for the soft wailing and guitar of the early seventies.
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Thu May 11, 2006 9:15 pm |
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littlebigshot
Hooray for Jensen Button
Joined: Fri Jan 13, 2006 7:10 pm Posts: 332 Location: Playing with Sleepy Bird
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dolcevita wrote: I love the Cohen version. Is that what you meant by "he" gets better? Cohen does the best version of it.
I agree his version is the best, but what I mean is I don't think it is his best song (though I don't have a comprehensive knowledge by any means  ). It is very pretty, but there's not really a great deal to it and I couldn't listen to it a lot without getting fed up of it.
Hmm you've inspired me to go buy an album Dolce - I like the sound of songs from a room and death of a ladies man, any advice between the two?
_________________ This too, shall pass.
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Sat May 13, 2006 4:03 am |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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little_big_shot wrote:
Hmm you've inspired me to go buy an album Dolce - I like the sound of songs from a room and death of a ladies man, any advice between the two?
Really depends on what you like. They're very different. One still has that early folk-y feel to it. A man and his guitar. The second is more "big band," and a little less musically complicated, but a bit faster. If you really don't have any album of his and where going to get one, I would recommend starting with his first greatest hits, actually. Its a great selection. Plus its got your Chelsea Hotel on it.
I will try to have Eagle link up some songs for me before this movie actually hits theatres, so you can hear them and pick and choose.
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Sat May 13, 2006 2:06 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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OKAY GUYS! HERE'S THE MUSIC!
<center> Songs of Leonard Cohen
Suzanne
Master Song
Stories of the Street
Songs from a Room
A Bunch of Lonesome Heroes
The Old Revolution
Best of Leonard Cohen
So Long Marianne
Chelsea Hotel No.2
Take this Longing
Death of a Ladies Man
I Left a Woman Waiting
http://www.worldofkj.com/Pictures/Eagle ... ard-On.m4a <------Don't Go Home With Your Hard-On (You will have to copy and paste the link due to punctuation)
More Best of Leonard Cohen
Everybody Knows
http://www.worldofkj.com/Pictures/Eagle ... ourMan.m4a <-------I'm Your Man (You will need to copy and paste the link due to punctuation)
Hallelujah</center>
These are a selection of favorites from each album I own. :-) Please enjoy and feel free to comments on the ones that you love or dislike (Impossible as that may sound), and let me know how much more excited you now are for this documentary.
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Sun May 14, 2006 1:16 pm |
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zennier
htm
Joined: Sun Oct 23, 2005 2:38 pm Posts: 10316 Location: berkeley
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Those links sort of destroy my computer. Crrrrrash.
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Sun May 14, 2006 6:00 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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lennier wrote: Those links sort of destroy my computer. Crrrrrash.
What do you mean? They work ok for me. They are m4a, which is itunes. Is there a way I can make them easier to access? I want to make sure everyone can hear Cohen's genius. Is everyone else having trouble too? It should let you open or save them.
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Sun May 14, 2006 7:19 pm |
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zennier
htm
Joined: Sun Oct 23, 2005 2:38 pm Posts: 10316 Location: berkeley
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dolcevita wrote: lennier wrote: Those links sort of destroy my computer. Crrrrrash. What do you mean? They work ok for me. They are m4a, which is itunes. Is there a way I can make them easier to access? I want to make sure everyone can hear Cohen's genius. Is everyone else having trouble too? It should let you open or save them.
Oh, I have itunes... but no dice. I don't get the open or save option, this is a Mac.
I tried to understand the genius, but you failed me, dolce.
I'll try again or just find links elsewhere..... 
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Sun May 14, 2006 9:32 pm |
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zennier
htm
Joined: Sun Oct 23, 2005 2:38 pm Posts: 10316 Location: berkeley
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Oh, I've heard Suzanne before. Great song!
Dolce choreographing moves to Suzanne? *writes this down quickly*
One day, when you're good and old and I'm hot rich stuff making movies like mad, wait and see a scene with ^^ that playing.
I'm guided by a signal in the heavens I'm guided by this birthmark on my skin I'm guided by the beauty of our weapons First we take Manhattan, then we take Berlin

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Sun May 14, 2006 9:38 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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Aaaaaaaaand, the last CD I own with the exception of his Ten New Songs which I purchased and then dumped (Hey, everyone has to make a couple erorrs in their lives).
<center> More Best of Leonard Cohen, 1997</center>
<center>  </center>
Some of the songs included here are probably those with his widest reach due to their inclusion in films. Everybody Knows was in Atom Egoyan's Exotica, I'm Your Man was in Secretary and Hallelujah just seems to be the song everyone here as already hear.
I also really like Dance Me To The End of Love. In fact, the whole collection is pretty good, and indicates his continued creativity, activity, and ability to change. The lyrics have become a bit more sarcastic at times, and these songs have a much stronger background compared to his upfront vocals. Democracy (is coming to the USA) is pretty mean (in a good way), and there's a great live version fo Suzanne on it.
1. Everybody Knows
2. I'm Your Man
3. Take This Waltz
4. Tower Of Song
5. Anthem
6. Democracy
7. The Future
8. Closing Time
9. Dance Me To The End Of Love
10. Suzanne
11. Hallelujah
12. Never Any Good
13. The Great Event
Editorial Reviews Amazon.com wrote: Canadian poet Leonard Cohen sings with great weight and authority and his lyrics are among the most elegant and scripted of the rock era. This collection is culled from his past three albums (1988's I'm Your Man, 1992's The Future, and 1994's Cohen Live) and shows a man whose voice has deepened to the point of grim, foreboding death with lyrics sharpened to masterful precision. The arrangements are deliberately clunky--the cheese- whiz female back-ups lend unusual tension bordering on parody--but the sentiments are for real. Two previously unreleased cuts, "Never Any Good" and the non-event, "The Great Event" suggest his well is currently dry. But the unrelenting bleakness of "The Future" and uneasy celebration of "Democracy" are among the past decade's most challenging pop works.
I like it, and the last three songs I included are from here. You can sense the changes. Less one-man accoustic guitar and more inclsion of eerie sounding instruments which I'm guessing are synthesizers and maybe keyboards?
Last edited by dolcevita on Mon May 15, 2006 11:10 pm, edited 1 time in total.
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Mon May 15, 2006 10:02 pm |
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kypade
Kypade
Joined: Sat Oct 30, 2004 10:53 pm Posts: 7908
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Hm. I will give it another go, but, initially, I would have to call the " Essential Leonard Cohen [CD1]" boring as cluff.
And I prefer pretty much every cover of Hallelujah I've heard (Jeff Buckley, Allison Crowe, Rufus Wainwright, John Cale, Gavin DeGraw, Bono - What can I say, big fan of covers :O) to the Cohen version on this disc.
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Mon May 15, 2006 10:33 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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kypade wrote: Hm. I will give it another go, but, initially, I would have to call the " Essential Leonard Cohen [CD1]" boring as cluff. And I prefer pretty much every cover of Hallelujah I've heard (Jeff Buckley, Allison Crowe, Rufus Wainwright, John Cale, Gavin DeGraw, Bono - What can I say, big fan of covers :O) to the Cohen version on this disc. Regardless, that must mean you find him to be an interesting song writer, no? A good mind if not a great voice? Yes, the version of Hallelujah I linked in this thread is different than the clip I heard on Amazon from essential. Check it out and let me know what you think. Anyways, onto the fabulous lyrics, his poetry, and novels. I've only read Beautiful Losers By him. <center>  </center> Quote: Editorial Reviews From Library Journal Dubbed "an unstructured, free-form, irreverent novel" ( LJ 4/1/66) by LJ 's reviewer, Beautiful Losers seemed too strange even for the Sixties. Nevertheless, the book went on to become a cult hit, selling more than 400,000 copies before going out of print. The novel is now being reissued to coincide with the upcoming publication of Cohen's Stranger Music. With its gay relationships, homages to Canadian Native Americans, and search for the meaning of life, this may now find wider acceptance in the mainstream. For public libraries. Copyright 1994 Reed Business Information, Inc.
Book Description One of the best-known experimental novels of the 1960s, Beautiful Losers is Cohen’s most defiant and uninhibited work. The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint.
By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.
Um, it was interesting to say the least. I don't think I'll read it a second time, but it was very revealing of his thought process. I don't know how else to explain it. Very rough around the edges, but I guess when you read it you see what would be the beginning steps of his lyrics. His lyrics are much more polished and seamless, so you don't catch how he forces language and imagery to ellide. In the book....you do.
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Mon May 15, 2006 11:20 pm |
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Box
Extraordinary
Joined: Sat Oct 16, 2004 12:52 am Posts: 25990
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Let it also be noted that this man is a great poet 
_________________In order of preference: Christian, Argos MadGez wrote: Briefs. Am used to them and boxers can get me in trouble it seems. Too much room and maybe the silkiness have created more than one awkward situation. My Box-Office Blog: http://boxofficetracker.blogspot.com/
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Thu May 18, 2006 2:06 pm |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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Box wrote: Let it also be noted that this man is a great poet 
Have you read any of his poems Box?
Here is a brief compilation of his other works if anyone is interested.
Book of Longing
Stranger Music : Selected Poems and Songs
Book of Mercy
Leonard Cohen Anthology
Dance Me To The End of Love
The Favourite Game
Cohen: Selected Poems
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Sat May 20, 2006 12:36 am |
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dolcevita
Extraordinary
Joined: Tue Oct 12, 2004 11:24 pm Posts: 16061 Location: The Damage Control Table
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Quote: The following article appeared in The Daily Telegraph, April 26, 1993.
The Joking Troubadour of Gloom Leonard Cohen, that master of sexy melancholy, is giving two sell-out concerts in London next month. And, he tells Tim Rostron, he is feeling fairly cheerful. By Tim Rostron
Leonard Cohen has a famous face. He is fond of telling the story of how a fan once stopped him on the street and congratulated him on his performance in Midnight Cowboy. A fan of Dustin Hoffman, that is. The anecdote is old now, and so is the face. At 58, the Canadian songwriter and groaner could be Hoffman's father.
In photographs, the face is a picture of hangdog sadness. In the flesh, he never stops smiling.
It is not a huge surprise. Fans have always found Cohen peculiarly uplifting. For them he is an intellectual bluesman who finds liberation in facing up to the awful mess we're all in. Who finds bleak humour there, too. This aspect of his writing is more conspicuous on his recent records, but for many years he was an underrated purveyor of jokes.
"I'm glad you've introduced that word into the conversation," says Cohen. "I am so often accused of gloominess and melancholy. And I think I'm probably the most cheerful man around. I don't consider myself a pessimist at all. I think of a pessimist as someone who is waiting for it to rain. And I feel completely soaked to the skin."
The troubadour of gloom continues: "I think those descriptions of me are quite inappropriate to the gravity of the predicament that faces us all. I've always been free from hope. It's never been one of my great solaces. I feel that more and more we're invited to make ourselves strong and cheerful." This graduate of McGill University adds: "I think that it was Ben Jonson who said, I have studied all the theologies and all the philosophies, but cheerfulness keeps breaking through."
The touts will be smiling when Cohen's world tour reaches London next month. Tickets for his only two British dates sold out within hours. After years in the doldrums, "I'm hot again," he beams. His album of 1988, I'm Your Man, was a bigger commercial success than his previous nine put together. Last year's The Future was less successful, but still did respectably in the charts.
He says of his material: "I said in 1975, these are the final days, this is the darkness, this is the flood. There has been some kind of interior catastrophe. People no longer feel situated in any recognisable landscape. The landmarks are down, the lights are out. And we find ourselves in some kind of flood, holding on to pieces of orange crate and flag staffs. What is the appropriate salutation in this kind of situation?"
The musical arrangements, though, promise to be upbeat in concert. He is bringing over a band to reproduce the ironically rocking sound of his two latest albums and to remove some of the earlier songs from their stark, nylon-stringed guitar settings. "We have a joke in the band: Orbisonising. That's is, to take Roy Orbison's approach to the old tunes."
With an electric group behind him he will also be able to indulge in another under-celebrated aspect of his work, its sexiness. It is because so many of hyis lyrics come across like chat-up lines, rather than suicide notes, that he became big in bedsits. Lately, this tendency has blossomed in his work. No one growls the word "baby" quite like Cohen.
Cohen, a life-long bachelor and father of two grown-ups, has lately been living in what a press officer calls "an exclusive dating situation" with Rebecca De Mornay, who played the delectable psycho in The Hand that Rocks the Cradle. Dating has always been an important source of comfort in his art.
The money he is now making must be a consolation, too. He gave up a promising early career as a poet and novelist when he found that he could not make a living even as a bestseller. But there were lean times for him as a rock cult, too: the mid-1970s to mid-1982, for example, when his muse became unreliable and the public came to think of Cohen as his own best joke.
"Well, I have always been able to satisfy the dictum that I set myself, which was not to work for pay but to be paid for my work," he says. "So I have always been able to make a modest living and send my kids to school and take care of the things that need taking care of. Also it's protected me from the bitterness that poverty might have engendered.
"As one's family grows and one's sense of responsibility grows, yes, you need more money, but I've always been drawn by the voluptuousness of austerity. I would say that the sole extravagance that I indulge myself in is caviare. Unfortunately I have developed I won't say a need, but a taste for caviare.
When not making a rare tour, Cohen spends his days writing. He takes a novelist's approach to lyrics, producing Wagnerian stacks of verses which then must be pruned down to a performing time of around five minutes. "The verses I discard, I work on as hard as the ones I keep. It's a curious method and I don't recommend it to any songwriters."
Are the records a substitute for the novels he would rather be bringing out? He claims not. He loves songs, he says -- the way their meanings "move swiftly from heart to heart". And come to that, he loves sitting at a desk. "What I liked about the novel was the regime, that foreknowledge of the day, the commitment to the desk."
He doesn't love songs enough to buy records, but then he doesn't need to. "My children (a son, 20, and daughter, 18) buy enormous amounts of them. I do know quite a bit about what's going on. Some of it's through watching MTV. A lot of it comes through the walls from my daughter's room."
When he is left in complete peace, Cohen bolsters his hopeless contentment by practicing something called Za-Zen. "I made the acquaintance of an old Japanese gentleman many years ago, and we've become fast friends, mostly drinking companions of late. And he taught me Za-Zen. It's sitting without a goal. All the versions of yourself arise if you sit long enough. You tire of them. And when they finally vacate the consciousness, free from answer and free from question, you experience peace. And peace is the embrace of the absolute." A newcomer to Los Angeles, he is beginning to sound like a native Californian. But he adds reassuringly, "Of course, you can't stay in that state too long, because you have to eat and you have to go to the washroom."
And you have to smoke a cigarette. Except that Cohen whose vocal chords have become increasingly kippered over the years, has not touched one throughout the interview. Can he have given up? "Yeah, two years now. And of course, when you give up smoking you give up drinking a great deal too. The pleasures of the bar diminish considerably." How is he coping? "It's hell," he says, deadpan.
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Mon May 29, 2006 1:02 pm |
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