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 Blue Velvet 

What grade would you give this film?
A 86%  86%  [ 12 ]
B 7%  7%  [ 1 ]
C 7%  7%  [ 1 ]
D 0%  0%  [ 0 ]
F 0%  0%  [ 0 ]
Total votes : 14

 Blue Velvet 
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Post Blue Velvet
Blue Velvet

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Blue Velvet is a 1986 American mystery film written and directed by David Lynch. The movie exhibits elements of both film noir and surrealism. The film features Kyle Maclachlan, Isabella Rossellini, Dennis Hopper, and Laura Dern. The title is taken from the 1963 Bobby Vinton song of the same name. Although initially detested by some mainstream critics, the film is now widely acclaimed, and earned Lynch his second Academy Award nomination for Best Director. As an example of a director casting against the norm, Blue Velvet is also noted for re-launching Hopper's career and for providing Rossellini with a dramatic outlet beyond the work as a fashion model and a cosmetics spokeswoman for which she had until then been known.

After the commercial and critical failure of Lynch's Dune (1984), he made attempts at developing a more "personal story", somewhat characteristic of his surreal style he displayed in his debut Eraserhead (1977). The screenplay of Blue Velvet had been passed around multiple times in the late 1970s and early 1980s, with many major studios declining it because of its strong sexual and violent content. The independent studio De Laurentiis Entertainment Group, which was owned at the time by Italian film producer Dino De Laurentiis, agreed to finance and produce the film. Since its initial theatrical release, Blue Velvet has achieved cult status, significant academic attention and is widely regarded as one of Lynch's finest works, alongside Eraserhead and Mulholland Drive (2001). It is also seen by many critics as representing a modern-day version of film-noir, "neo-noir", present in many thrillers from the early 1980s to the mid 1990s.

The film centers on college student Jeffrey Beaumont (Maclachlan), who, returning from visiting his ill father in the hospital, comes across a human ear in a field in his hometown of Lumberton. He proceeds to investigate the ear with help from a high school student, Sandy Williams (Dern), who provides him with information and leads from her father, a local police detective. Jeffrey's investigation draws him deeper into his hometown's seedy underworld, and sees him forming a sexual relationship with the alluring torch singer, Dorothy Vallens (Rossellini), and uncovering criminal Frank Booth (Hopper), who engages in drug abuse, kidnapping, and sexual violence.

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Mon Nov 26, 2007 2:18 am
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Post Re: Blue Velvet
On my all-time top ten list.

Brilliant.


Mon Nov 26, 2007 2:21 am
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Post Re: Blue Velvet
I really like the way that Lynch takes all these noir conventions and twists and toys with them until they're nearly unrecognizable. They're all there - the hardboiled hero, the femme fatale, the monstrous villain - but they're hidden under the director's surreal fantasies and post-modern ideas. Jeffrey's transformation from merely idolizing the famous private dicks to full-on becoming one is genuine and supremely satisfying. Combined with Lynch's superb symbolism and some great performances, it's probably one of the best subversions of the noir genre. Still, I was a little disappointed at the end. After all the praise I heard heaped on this, I think I expected something a bit more. The actual story was lacking - certainly not up to the heights of the great noir works - and made the whole film feel a bit shallow. Overall, though, it's pretty great.

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Last edited by trixster on Thu Jul 31, 2008 12:39 am, edited 1 time in total.



Wed Nov 28, 2007 9:33 pm
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Post Re: Blue Velvet
Not too thrilled by the movie as a whole, but LOVE Dean Stockwell's iconic scene as Ben.

I'm not going to bother with a grade for the whole movie, since I haven't seen it in a few years and don't care to see it again, but I watch Dean's scene from time to time, just 'cause it's so entertaining.

So, I give Dean Stockwell's Ben scene an A grade.

:D

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Wed Nov 28, 2007 11:36 pm
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Post Re: Blue Velvet
This is a weird movie. One of the more "say what?????" I've ever seen.

In my eyes, it's always very good, but has moments where it flirts with brilliance. Dennis Hopper and Isabella Rossellini are tremendous. A- or so.


Wed Nov 28, 2007 11:44 pm
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Post Re: Blue Velvet
It's certainly not a happy movie. As a matter of fact, it's quite twistedly perverse and sick. It's not a movie where an audience ever stood up and cheered at the end, but rather each skulked off to the washroom to clean the filth from their souls. But as a meditation on the potential darkness of even decent human beings, it is a resounding success. Bleccch...


Thu Nov 29, 2007 2:34 am
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Post Re: Blue Velvet
Like all Lynch movies, it is weird. But also like most Lynch movies, it is very good. I especially loved Isabella Rossellini in this.

A-


Thu Nov 29, 2007 2:09 pm
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Post Re: Blue Velvet
Hmm, I thought it was a masterpiece.

I love how Lynch mixes the happy innocent world with the bad and dirty. It's like he took the characters and setting from an 80s teen movie, and decided to show at what would happen if they got mixed up with the "wrong crowd" and exposed their sexually-deprived black voyeur side.

The whole thing is just this... experience. It's visceral, with the Frank scenes and the criminal underbelly discovered being as shocking and memorable as they are to Jeffrey. The violence, blood, and sex is captured perfectly by Lynch's camera, the movie never slows down or lets its grip go. It's definitley one of the best directed films I've seen in some time, little things like the way the camera shows Jeffrey looking out the closet, or the red aura of the rooms, or the audience going into the ear numerous times are just perfect. And away from it all, it's a really suspensful and entertaining noir story. It's a fun watch (as sick as that may sound. :funny:)

Hopper is brilliant and terrifying as Frank, MacLachlan nails the innocent detective, Stockwell's short role is fantastic, Rossellini and Dern fit their parts perfectly among the cast.

What can you say more about Blue Velvet. I wish I could, it's hard to describe a truly stunning film, you just have to watch it. I've now seen two Lynch films - This and Mulholland, and I LOVED them both. I'm definitley looking forward to tracking down Eraserhead and some of his other movies.

5/5

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Fri Jan 04, 2008 6:00 pm
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Post Re: Blue Velvet
It started off a bit weird (and no, i don't mean the kind of weird the movie permeates with, just... off, like some of the dialog), but after about when Dennis Hopper shows up for the first time I became engrossed in the movie. I was waiting for the movie to derail itself, but it didn't happen.

***1/2

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Sat Jan 05, 2008 1:37 am
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Post Re: Blue Velvet
Magnus wrote:
trixster wrote:
I really like the way that Lynch takes all these noir conventions and twists and toys with them until they're nearly unrecognizable


That's the only way film-noir is enjoyable ;)

Boo-urns. :nono:

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Magic Mike wrote:
zwackerm wrote:
If John Wick 2 even makes 30 million I will eat 1,000 shoes.


Same.


Algren wrote:
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Sat Jan 05, 2008 10:38 pm
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Post Re: Blue Velvet
Meh, it was too strange for me. And boring.

B-

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Sun Jan 06, 2008 12:44 am
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Post Re: Blue Velvet
Wind Waker wrote:
Meh, it was too strange for me. And boring.

B-

Strange I can understand, but boring?!?

:blink:


Sun Jan 06, 2008 8:18 am
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Post Re: Blue Velvet
It's really a perfect film, but it takes a lot of digestion and repeat viewings to fully appreciate it. I think I gave it a 7/10 for years until my last two viewings of it.

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Sat Aug 02, 2008 11:27 am
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Post Re: Blue Velvet
Fantastic movie.

9/10 (A-)

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Sat Aug 02, 2008 7:31 pm
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Post Re: Blue Velvet
Agreed. Not a feel good movie, but an amazing piece of cinema. Dennis Hopper will always be Frank Booth to me, one of the best villians of the screen ever.


Sun Aug 03, 2008 10:33 pm
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Post Re: Blue Velvet
Libs wrote:
In my eyes, it's always very good, but has moments where it flirts with brilliance. Dennis Hopper and Isabella Rossellini are tremendous. A- or so.


I agree with Libs?
I guess it's just a little bit more obvious/simple than I expected? It's certainly good, fairly thoughtful, and made with a definitive style, but, I do feel like its reputation is earned mostly from its "controversy." And to some extent, it does deserve credit for "going there" with its plot and innovative-ish techniques, but it seems a case of a film's influence exceeding its own quality, paling and become date in comparison to what it inspired in independent cinema.

It's quite funny how the Academy practically ignored this, but went gaga over American Beauty, essentially a lesser, but cleaner around the edges ripoff of this just about a decade later. Always keeping up with the times, those AMPAS. Something quite fantastic that it did, that very little the suburbia genre it partly created succeeds with, is actually providing a satisfactory conclusion in its ironic final scene [aka it's conclusion isn't the always brilliant "people in suburbia are unhappy"]

Only my second Lynch, and I'm not quite sure how to grade it, but I'm pretty sure it was better before dozens of movies did the same thing. I liked Elephant Man better [loved Elephant Man, actually]


Sun Jan 11, 2009 11:02 am
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Post Re: Blue Velvet
Waker of Winds wrote:
Meh, it was too strange for me. And boring.

No, vice versa. You were too immature for it. And small-minded.

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Sun Jan 11, 2009 12:09 pm
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Post Re: Blue Velvet
Cabuche wrote:
Waker of Winds wrote:
Meh, it was too strange for me. And boring.

No, vice versa. You were too immature for it. And small-minded.

I have spoken to you already. This forum is for reviews of films, not insults.


Sun Jan 11, 2009 12:46 pm
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Post Re: Blue Velvet
Bradley Witherberry wrote:
I have spoken to you already.

Yes, you have -- but I don't care...

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Tue Jan 13, 2009 5:19 pm
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Post Re: Blue Velvet
Cabuche wrote:
Bradley Witherberry wrote:
I have spoken to you already.

Yes, you have -- but I don't care...

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Tue Jan 13, 2009 5:30 pm
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Post Re: Blue Velvet
Bradley Witherberry wrote:
Cabuche wrote:
Bradley Witherberry wrote:
I have spoken to you already.

Yes, you have -- but I don't care...

Image

This forum is for discussion, not images.

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Tue Jan 13, 2009 5:42 pm
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Post Re: Blue Velvet
Cabuche wrote:
Bradley Witherberry wrote:
Cabuche wrote:
Bradley Witherberry wrote:
I have spoken to you already.

Yes, you have -- but I don't care...

Image

This forum is for discussion, not images.


If by discussion you mean one-line quips, coitanly.

God there are some wonderful moments here. The pictureseque suburbia, only for the camera to zoom into the grass and the loud noise of beetles swarming. Dennis Hopper in his terrifying brilliance - "Baby want to fuck!" David Lynch's direction, great as ever, yet appropriately reined in compared to some of his loopier stuff.

I was sort of convinced that the detective was going to be working with the villians, and our hero would get fucked. And these days, that's probably what would have happened. But Lynch understands that after dragging an audience to hell and back, it's not a cheat to leave them with the sunny side up. On some level, I can see how some people found the story to be deceptively simple; but it's all about the journey, not the destination, and Lynch's evocative moods and subversive themes make it one hell of a ride.


Thu Apr 09, 2009 6:06 am
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Post Re: Blue Velvet
David Lynch really knows how to make something out of nothing. I'm still not sure how such a boring-sounding premise and story could result in such a fascinating film.

A+

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Post Re: Blue Velvet
BOOOOOOOOOOORIIIIIIIIIIIIIIING...

A+


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Softer than satin was the light...

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Post Re: Blue Velvet
LeSamurai de Besenstiel hat sein Gift in cottonmouth getan.

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