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 dolce's Official Reviews: (All Reviews Have Been Deleted) 
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:lol: Judging by movies you were forced to sit through in your youth, I could guess why. Tell her she'll like it. I had a tough time evaluating this one, because as a simple love story its fine, but as a version of Pride and Prejudice.....its not. Ultimately I settled for a C+ over a B/B- becuase Chadha herself said how it was supposed to have broader cultural resonance...which it doesn't. So I couldn't give it points for that.

On the record, I recommend everything C+ or over, its just that the C+ ones I would recommend with serious hesitation, and only knowing the tastes of the person suggesting it too. I would have no problems sending my mother to this film, just as I would recommend House of Flying Daggers to martial arts fanatics I knew. On the other hand, I wouldn't recommend HOFD to my mother, even though she saw and loved Crouching Tiger Hidden Dragon. SOmewhere in the B to B+ range I start to believe a movie has broader appeal, and would recommend it to most people, and of course, anything in the A's everyone should see.

Let me know what your mom thought Zingy. :wink:


Wed Mar 09, 2005 12:36 pm
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Downfall (Der Untergang)

http://www.worldofkj.com/Galia-Downfall.php

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Oliver Hirschbiegel chronicles the mass hysteria and suicide wave of Hitler’s inner circle in Downfall’s examination of a claustrophobic Berlin under the pressure of its impending fall. Downfall is unquestionably an ambitious project. Hirschbiegel manages to avoid the typical melodrama associated with Hitler’s actions and opts instead to investigate the confusion and desperation of the final days of the Third Reich. Hirschbiegel explores some of the desperate actions of the dieing beast, both the man and the system, gasping for its last bit of air. Downfall conveys that confusion and desperation but what it does not address directly is the Holocaust...

In what is clearly a groundbreaking moment, the central character of Downfall is Hitler himself. Rarely is so much actual screen time dedicated to the leaded, and even such films as Schindler’s List and The Pianist hesitate to depict his figure directly. Considered untouchable in the mainstream film world, Hitler is often represented through archival footage of public appearances if at all. Downfall dives straight into his character with the veteran Bruno Ganz turning in a noble if not entirely successful performance...

Ultimately, Downfall had problems with its depiction of Hitler, but its attempt to even portray the man in such a fashion had no precedence on which Hirschbiegel could ride on. The minor characters are all more cloaked in a lack of comprehension that suits their situation if not our satisfaction of questions of their knowledge. Still, having such a problem in the first place distinguishes Downfall from every other WWII and Holocaust drama feature to grace the big screen. The choice of discussion alone already makes Downfall worthy of interest.


B+


Last edited by dolcevita on Tue Mar 15, 2005 2:35 pm, edited 1 time in total.



Sun Mar 13, 2005 2:37 am
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Very well-written review, as always, Dolce, even though I disagree with Ganz' performance being not entirely successful. I thought it was top-notch.

What did you think of the insertion of documentary shots of Hitler's secretary in the beginning and the end of the movie?

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Sun Mar 13, 2005 8:21 am
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Well, Ganz performance for me was tricky to talk about, because I can't realy seperate his performance from the role. As in, I think he did the best he possibly could given the material he was supposed to work with. So, as I mentioned I had problems with the director's desire to externalize Hitler's mental collapse. That externalization was not so succesfful, Ganz portrayel of it was best of the best. That's why its tough to talk about. Can't seperate the character from the actor (and vice-versa). Don't know if I'm making that much sense, but anyways, I do think no one could have done it better than Ganz, and it was a very gutsy role to take up.

The clippings from Traudl were interesting, but that's why I wish they hadn't skipped the two and a half years she was actually his secretary (in the movie). It means the director didn't care to challenge her statement that she had no idea what was going on, which I find hard to believe. I had a section about that in the original review but chose to remove it, since it seemed a little to opinion based rather than a movie review. It was an interesting way to narrate though, and it prepared us for the kind of character Traudl (and everyone else) where. That is, we really have no idea what their sentiments or thoughts, or how they connected themselves with everything around them was.


Sun Mar 13, 2005 12:06 pm
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Well, according to the documentary Blind Spot - Hitler's Secretary, she really didn't know much of what went on outside of Berlin during that time.

I agree that it would have been interesting to see what happened in those 2+ years as she was his secretary, but then again, it'd have shifted the focus of the movie and made it a tad too long.

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Sun Mar 13, 2005 2:08 pm
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Gunner Palace

http://www.worldofkj.com/Galia-GunnerPalace.php

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One has to wonder why documenter Michael Tucker would put himself in the middle of Iraq in order to chronicle the experiences of soldiers in the 2nd and 3rd Field Artillery units? Unfortunately, his Gunner Palace will do little to provide insight into so important a question. Months after President Bush called an end to “major combat,” Tucker’s subjects, the “Gunners,” are still engaged in “minor” skirmishes and the experience of daily life in Baghdad. Somehow Tucker manages to avoid toeing any possibly controversial line in his resolve to allow the soldiers to speak for themselves. Gunner Palace is an hour and a half of footage from one of the most conflict-ridden hot spots in the world and yet it goes nowhere, not giving the situation or the interviewed soldiers the service they deserve as an international subject...

Gunner Palace dwells on the death of half its initial interviewees but can do little more than provide a sad voiceover about the horrors of dead American soldiers...Sorry Mr. Tucker, its nearly impossible to remain neutral on a moving train, and achieving such a feat in Gunner Palace does nothing for anyone on either side of the screen.


C+


Last edited by dolcevita on Fri Apr 01, 2005 10:57 am, edited 1 time in total.



Thu Mar 17, 2005 4:04 am
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Great conclusion Dolce :D

How long was this documentary exactly?


Thu Mar 17, 2005 8:17 pm
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85 mintutes, it just felt like three times as long.

Did you have an ok time looking it over? I felt like my review bordered on mimicking the movie. All over the place, bleh.

This is just the roughie because I haven't had anything up in awhile, I'll switch it up later.


Thu Mar 17, 2005 11:09 pm
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dolcevita wrote:
85 mintutes, it just felt like three times as long.

Did you have an ok time looking it over? I felt like my review bordered on mimicking the movie. All over the place, bleh.

This is just the roughie because I haven't had anything up in awhile, I'll switch it up later.


I looked over it and emailed you back

Did you get it?


Thu Mar 17, 2005 11:22 pm
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Lookin' at it right now. All these fancy red marks and parenthesis, feels all professional. :P Thanks, and peek at the first post of this thread.


Thu Mar 17, 2005 11:33 pm
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dolcevita wrote:
Lookin' at it right now. All these fancy red marks and parenthesis, feels all professional. :P Thanks, and peek at the first post of this thread.


Thanks for my mentioning :) Even though i've only edited 3 so far. But wow Dolce you have reviewed many movies! Great job :D

Looking forward to reading more, might actually watch some of them. :wink: Like right now i feel like watching Gunner Palace bc i want to see how bad his music choice was.


Thu Mar 17, 2005 11:36 pm
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Doooooooooooo it! I need to be validated in my bickering about how bad it was.

I do that sometimes actually. I do follow the critics more than alot of people, and sometimes go see stuff with bad reviews just to see if I agree or not. I still might sneak in Diary of a Mad Black Woman this weekend for that very reason. I just have to know about this Medea character that has been such a point of disscussion. Please if you see it, lie and say you agree, and later when I'm feelin' all good about how right I was in how wrong the soundtrack was, tell me its not true, and that the movie was perfect, and crush my sense of critical review ability. :P


Thu Mar 17, 2005 11:43 pm
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dolcevita wrote:
Doooooooooooo it! I need to be validated in my bickering about how bad it was.

I do that sometimes actually. I do follow the critics more than alot of people, and sometimes go see stuff with bad reviews just to see if I agree or not. I still might sneak in Diary of a Mad Black Woman this weekend for that very reason. I just have to know about this Medea character that has been such a point of disscussion. Please if you see it, lie and say you agree, and later when I'm feelin' all good about how right I was in how wrong the soundtrack was, tell me its not true, and that the movie was perfect, and crush my sense of critical review ability. :P



Noooo, Reading your review i'm sure i'll agree. I just want to laugh at those parts. LOL i'll be anticipating them :D


Thu Mar 17, 2005 11:45 pm
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dolce, I read all of your reviews, and should actually comment in your thread here afterwards to support the good job you do. I'm glad the site has you doing reviews, because it really represents us well. :smile:


Thu Mar 17, 2005 11:46 pm
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Nice review dolce. I think I'm going to check this one out over the weekend, though I'm hoping I like it a tad more... out of question, what did you think of Fahrenheit 9/11? Because in general I'm really sick of these political documentaries, they all seem like feature length marketing campaigns, but this one caught my interest for how it seems to not be taking a stance but show what it's like to be in there. Since a number of people I know, two of them of whom are my friends, are in Iraq right now, it's definitely appealing for me.


Fri Mar 18, 2005 1:25 am
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I have an F9/11 review, so you can read the whole thing. There's a link from the first post in this thread I believe. I gave it a B+. I don't mind a "political" view. I don't think there is such a thing as nuetrality in this issue, and anyone who aims for it will have the kind of discussions that could be democritized (or should I say bastardized) amongst the masses. The one thing here "Oh the poor soldiers" could easily be used in many ways, including considering anti-war sentiment to be anti-soldier sentiment, which are two very different things. Having some criticism (one way or the other, not necessarily saying against) is what is going to make people "think" about it longer. That's what my last line was implying. The soldier comments about how he is just a movie to us, and as far as Gunner Palace goes, he is. You get little lasting discussion from this movie. You don't go home questioning funding, tactics, patriotism, socio-economic class, length-of-stay....ANYTHING. So there is little to no lasting impression in your mind except for *Oh, how horrible.* Like, *Oh, how horrible...people are starving in Africa* That's what it amounts to. Unfortunately, if you don't tie the suffering to any bigger question (rather it be support and competency, support but lack of competency, or lack of support) it loses all sense of power.

F9/11 was not a bad movie. As I mentioned in the Gunner Palace thread in the OverSeas Indie forum http://worldofkj.com/forum/viewtopic.php?t=5159 , at least it is technically a very smart movie. The music there is tame and intelligent compared to here, and Moore spends his time weaving an actual narrative (granted a political dissent one) with his footage and interview. It doesn't just seem like random clips. Moore is a good director, even if you don't agree with his position. Heh, I saw some damn crummy political docs last year that were really manufactured just in an attempt to swing the elections. That's fine, i don't have to go see them, but Moore had written an entire book for two years first, so he'd done the leg work before filming. Half the films seemed like last-minute jammed together jokes that were the equivalency of phone-banking. I have trouble evaluating some of those, because I cannot completely condemn a film that was attempting to discuss a viewpoint I shared, but some of them like The Corporation got as pretty low as I could take it without feeling bad about failing movie trying to shed light on big corporate faults. That review is up too, it got a C-. Mind you, I reserve D for the worst of the worst, and stuff I don't even agree with (Hence why only The Night Porter has gotten it thus far). F is reserved for the movies that are so bad I end up enjoying them, so in essence, have some redeeming qualities.


Fri Mar 18, 2005 1:41 am
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dolcevita wrote:
I have an F9/11 review, so you can read the whole thing. There's a link from the first post in this thread I believe. I gave it a B+. I don't mind a "political" view. I don't think there is such a thing as nuetrality in this issue, and anyone who aims for it will have the kind of discussions that could be democritized (or should I say bastardized) amongst the masses. The one thing here "Oh the poor soldiers" could easily be used in many ways, including considering anti-war sentiment to be anti-soldier sentiment, which are two very different things. Having some criticism (one way or the other, not necessarily saying against) is what is going to make people "think" about it longer. That's what my last line was implying. The soldier comments about how he is just a movie to us, and as far as Gunner Palace goes, he is. You get little lasting discussion from this movie. You don't go home questioning funding, tactics, patriotism, socio-economic class, length-of-stay....ANYTHING. So there is little to no lasting impression in your mind except for *Oh, how horrible.* Like, *Oh, how horrible...people are starving in Africa* That's what it amounts to. Unfortunately, if you don't tie the suffering to any bigger question (rather it be support and competency, support but lack of competency, or lack of support) it loses all sense of power.

F9/11 was not a bad movie. As I mentioned in the Gunner Palace thread in the OverSeas Indie forum http://worldofkj.com/forum/viewtopic.php?t=5159 , at least it is technically a very smart movie. The music there is tame and intelligent compared to here, and Moore spends his time weaving an actual narrative (granted a political dissent one) with his footage and interview. It doesn't just seem like random clips. Moore is a good director, even if you don't agree with his position. Heh, I saw some damn crummy political docs last year that were really manufactured just in an attempt to swing the elections. That's fine, i don't have to go see them, but Moore had written an entire book for two years first, so he'd done the leg work before filming. Half the films seemed like last-minute jammed together jokes that were the equivalency of phone-banking. I have trouble evaluating some of those, because I cannot completely condemn a film that was attempting to discuss a viewpoint I shared, but some of them like The Corporation got as pretty low as I could take it without feeling bad about failing movie trying to shed light on big corporate faults. That review is up too, it got a C-. Mind you, I reserve D for the worst of the worst, and stuff I don't even agree with (Hence why only The Night Porter has gotten it thus far). F is reserved for the movies that are so bad I end up enjoying them, so in essence, have some redeeming qualities.


I gotcha. I dunno, maybe I should've seen it in the theater, but though I thought Fahrenheit 9/11 had a lot of really good points, I thought it felt more sloppily made then Bowling for Columbine, and particularly lagged at the end, where I started to really lose attention, something that doesn't happen often for me. It really wasn't bad, but I do think the hype made it out to be bigger and better then the end result, so I'd give it about a B-. Oh, and dolce, believe me, if you had heard half the stuff some of my friends and there friends play in the car with the volume and bass turned up to the max, trust me, you'd be desensitized to any music in movies. :lol:


Fri Mar 18, 2005 1:49 am
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MovieDude wrote:

I gotcha. I dunno, maybe I should've seen it in the theater, but though I thought Fahrenheit 9/11 had a lot of really good points, I thought it felt more sloppily made then Bowling for Columbine, and particularly lagged at the end, where I started to really lose attention, something that doesn't happen often for me. It really wasn't bad, but I do think the hype made it out to be bigger and better then the end result, so I'd give it about a B-. Oh, and dolce, believe me, if you had heard half the stuff some of my friends and there friends play in the car with the volume and bass turned up to the max, trust me, you'd be desensitized to any music in movies. :lol:


Its insulting to the audiance is all. I don't mind swears that are on topic. i don't mind if someone says Holy F******g S**t this sucks. But the some the language was useless and actually represented the soldiers in a disrespectfull light. I rarely notice soundtrack, but this was the exception that proved the norm. Yeah, it has to be that bad for me to notice. In the other thread I mention how insulting the songs are to the viewer intelligence. The lyrics were all like "Yo yo yo I be down here in Iraq, we in Iraq no boyz in Iraq." And one has to wonder how dumb the director thought the audiance was that he needed to continuously keep hitting the point home that, yeah, this isn't Brooklyn, its Baghdad.


Fri Mar 18, 2005 2:08 am
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dolcevita wrote:
Its insulting to the audiance is all. I don't mind swears that are on topic. i don't mind if someone says Holy F******g S**t this sucks. But the some the language was useless and actually represented the soldiers in a disrespectfull light. I rarely notice soundtrack, but this was the exception that proved the norm. Yeah, it has to be that bad for me to notice. In the other thread I mention how insulting the songs are to the viewer intelligence. The lyrics were all like "Yo yo yo I be down here in Iraq, we in Iraq no boyz in Iraq." And one has to wonder how dumb the director thought the audiance was that he needed to continuously keep hitting the point home that, yeah, this isn't Brooklyn, its Baghdad.


Hmm, I see what you're sayin, and I guess I can't really argue against that until I see the movie. That doesn't sound like a very smart move though.


Fri Mar 18, 2005 2:10 am
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Melinda and Melinda

http://www.worldofkj.com/Galia-Melinda.php

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Woody Allen has tried his hand at weaving multiple personal stories together before, but with his new Melinda and Melinda he tries to weave together two different stories about the same woman. His attempt is only partly successful. Fans of Allen will find the neurotic characters and situational twists up to par and very pleasant, but his ultimate ambition to use the absurdity of a situation to explore both tragedy and comedy fails...

Both stories are well enough crafted, but as a uniform experience they are held together only by well timed turn-overs and the face (though not the style) of the main character...It is disappointing to note that while the two narrators were given a similar event to work off of, the jumping off point for their stories was too broad. Had Allen included a more rigid background for Melinda and her new compatriots, and had the compatriots even been the same people, the situational manipulations would have been more entertaining and insightful. The absurd is not comic, nor is it tragic. The beauty of an absurd situation is the potential within it for the same events to transpire and yet, like a Shakespearian tragedy or comedy, could end in bitter death or in jovial marriages. As it stands, Melinda and Melinda is just a pleasant tale without a demanding sense of either heavy handedness or deeper insight.


B-


Last edited by dolcevita on Tue Mar 22, 2005 9:08 am, edited 2 times in total.



Mon Mar 21, 2005 3:51 am
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This movie looks inapproriately confusing...

I have never watched a woody allen movie.


Mon Mar 21, 2005 11:13 am
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* 50th Review for the Site = Party *

Steamboy

http://www.worldofkj.com/Galia-Steamboy.php

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Katsuhiro Otomo has created a visually stunning exploration of industrialism, technology and WWI in his new Anime work, Steamboy. Steamboy is extravagant with its imagery of cranking wheels and massive explosions, but the rather intelligent commentary just under its brightly colored surface holds the film together. Otomo paints a backdrop of glorified factories and focuses on steam as a metaphor for the distant discovery of uses for compressed liquid hydrogen.

Steamboy appears to be a fun-filled excessive romp through colorful machine after colorful machine, but it is in fact a much smarter film than that. Otomo has risen to the challenge of reflecting on the conditions that lead to war without removing the traditional story of a young boy’s adventures. While some of the arguments seem a bit explicit and straightforward, they aren’t when read against WWI rather than as blanket statements addressing firepower. Steamboy is both a warning and the promise of technological advance, and the additional perk of experiencing a visually stunning film makes Steamboy pleasing to both the eye and the mind.


B+


Last edited by dolcevita on Wed Mar 23, 2005 7:25 pm, edited 2 times in total.



Tue Mar 22, 2005 4:14 am
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Congratulations on 50 reviews, dolcevita! Just shy of your 4000th post! YAY!!! =D>


Tue Mar 22, 2005 4:20 am
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Just curious, did you see Melinda and Melinda at the one New York Theater with a the big crowd.

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Tue Mar 22, 2005 4:27 am
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Yes. They had it on so many screens there considering its a small theatre. Played every 30 to 40 minutes. Its New York, they love Woody Allen you know. I went at 12.50 pm after I got out of class on saturday, and I would guess the theatre was about 1/3- 1/2 full. But its not a huge AMC/LOEWS type theatre. But Lincoln Plaza Cinema (name of theatre) was really cramming in as many shows as possible.


Tue Mar 22, 2005 4:35 am
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