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 Miss Bala 

What grade would you give this film?
A 100%  100%  [ 1 ]
B 0%  0%  [ 0 ]
C 0%  0%  [ 0 ]
D 0%  0%  [ 0 ]
F 0%  0%  [ 0 ]
Total votes : 1

 Miss Bala 
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loyalfromlondon
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Joined: Wed Oct 13, 2004 6:31 pm
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Location: ville-marie
Post Miss Bala
Miss Bala

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Quote:
Miss Bala is a 2011 Mexican drama film written and directed by Gerardo Naranjo. The film premiered in the Un Certain Regard section at the 2011 Cannes Film Festival. The film has been selected as the Mexican entry for the Best Foreign Language Film at the 84th Academy Awards.

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Sat Oct 22, 2011 11:23 pm
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100% That Bitch
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Joined: Wed Dec 17, 2008 3:42 pm
Posts: 16897
Location: Monterrey, Mexico
Post Re: Miss Bala
..... you had to use the worst poster possible?

whatever, this is easily the best mexican movie of the last few years. The way they tell the story it almost feels like a documentary of how Mexico is.

Wouldn't shock me to see this nominated for best foreign movie at the Oscars.

A

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Sat Oct 22, 2011 11:48 pm
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loyalfromlondon
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Joined: Wed Oct 13, 2004 6:31 pm
Posts: 19697
Location: ville-marie
Post Re: Miss Bala
I used the poster from the Wikipedia page.

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Magic Mike wrote:
zwackerm wrote:
If John Wick 2 even makes 30 million I will eat 1,000 shoes.


Same.


Algren wrote:
I don't think. I predict. ;)


Sun Oct 23, 2011 12:26 am
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Pure Phase
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Joined: Tue Feb 15, 2005 7:33 am
Posts: 34865
Location: Maryland
Post Re: Miss Bala
An exercise in style as substance concerning an aspiring beauty queen who, in a strange twist, becomes involved with a dangerous Mexican drug cartel. Moment by moment, her peaceful domestic life gives way to abuse, exploitation, and unpredictable eruptions of violence. The content lends itself to a hand-held, rapid-fire documentary style, but this film goes the other way. Each composition is careful and elegant, and the shots tend to be long and complicated in a way reminiscent of, say, Children of Men's war-torn finale. Scenes most films would not show, such as the quiet and tense drive to the hotel where the climactic action unfolds, are presented in full, and within this silence and space there is a surprising, almost wrenching suspense. I admit, it can be a tad frustrating to watch a film where the protagonist is from start to finish just a victim, never a proactive agent: she does not have much to say as she is raped, beaten, and otherwise put in harm's way. This frustration, however, turns to aching fascination when one realizes she is a near perfect symbol for the casual, silent victims of the drug war. We have so many great films focused on colorful gangsters and/or ass-kicking policemen, so here is a fine one focused on the sad and scared people caught in the center of the blazing firefight.

A-

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Mon Nov 05, 2012 3:06 am
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