I was blown away. This might have been even better than Dancer in the Dark...and it doesn't even have Bjork!
It's really a film of contradictions: both emotionally simple but morally complex, and devastatingly hyper-realistic but also grounded in optimism. It doesn't play with notions of suspension of disbelief nearly as much as Dancer in the Dark, and feels nowhere near as bold, even though when we step back an look at the film on paper it's essentially the same movie. For me, this film was a complete justification of the Dogma 95 movement or whatever [although it isn't technically Dogma 95], and one of the most natural feeling movies I've seen. With Dancer, von Trier was testing the limits of disparity between style and story, but here he establishes the perfect distance between them.
Oh...and yeah...Emily Watson gives the performance of the 90's, no question.
Has no one else seen?