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 Tsigoineruwaizen [Zigeunerweisen] 

What grade would you give this film?
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 Tsigoineruwaizen [Zigeunerweisen] 
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Joined: Wed Nov 29, 2006 8:01 pm
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Post Tsigoineruwaizen [Zigeunerweisen]
Zigeunerweisen

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Zigeunerweisen (ツィゴイネルワイゼン Tsigoineruwaizen, from the German "Gypsy Airs") is a 1980 independent Japanese film directed by Seijun Suzuki and based on Hyakken Uchida's novel, Disk of Sarasate. It takes its title from a gramophone recording of Pablo de Sarasate's violin composition, Zigeunerweisen, which features prominently in the story. The film makes the first part of Suzuki's Taishō Roman Trilogy, followed by Kagero-za (1981) and Yumeji (1991), surrealistic psychological dramas and ghost stories linked by style, themes and the Taishō period (1912-1926) setting. All three were produced by Genjiro Arato.

When exhibitors declined to screen the film, Arato screened it himself in an inflatable, mobile tent to great success. It won Honourable Mention at the 31st Berlin International Film Festival, was nominated for nine Japanese Academy Awards and won four, including best director and best film, and was voted the number one Japanese film of the 1980s by Japanese critics.

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Thu Oct 09, 2008 3:12 am
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loyalfromlondon
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Joined: Wed Oct 13, 2004 6:31 pm
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Post Re: Tsigoineruwaizen
A bizarre, baffling, imaginative work. I'm pretty sure I don't have a handle on what exactly went on, but I was so blown away by the surrealist imagery that it hardly mattered. It's almost completely made up of symbolism, yet the symbols don't link back to some real world ideas; instead, they merely connect to one another, forming a vast web of meanings that encompasses the entire film. It makes interpretation difficult, as there's no telling what this movie could really be about.

Also, it's got some rather brilliant homages to past surrealist works, specifically Un Chien Andalou. The deadpan serious narration with irrelevant time lapses, the recurring "buried up to their heads in sand" joke, even the razor across the eyeball moment is referenced. It's a brilliant pastiche that not only recognizes its influences, but full-on accepts it.

It's totally unlike Suzuki's studio work, and yet, somehow even better. All you surrealism fans out there, give it a watch. I guarantee you won't be disappointed.

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Sun Oct 12, 2008 1:24 pm
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