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 Japan Box-Office: On Hiatus 
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Star Trek XI

Joined: Sat Mar 07, 2015 11:20 am
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
National discount day? So that's why some things were up week over week? What's the discount?


Fri Jul 01, 2022 10:30 am
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Wall-E

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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
I don't remember how much but yeah, 1st of every month is discounted.


Fri Jul 01, 2022 10:43 am
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Standard tickets are ¥1200 on discount days. That's 37% off a general admission fee, 20% off College/High School admission fee, and the equal to/more than other ticket groups (e.g. same as a Senior admission fee, but more than a Elementary/Jr. High admission fee).

Discount days often see an increase over the same day last week in admissions, or at least very good holds. However, since the avg. ticket price drops a good bit as a result, it requires a pretty big increase over last week for an increase in revenue. A common practice is to take 10-15% off a film's admission increase/decline to get a rough revenue figure. So, Top Gun was flat (or up 1% in admissions) vs last Friday, so that's probably off around 15% in revenue (higher end since its premium format share is high, which discount days impact the most). Super Hero is up about 6% in admissions vs last Friday, so that's probably a decline in revenue around 5-10%.

Overall though, they provide a nice boost since they drive higher admissions. It depends on the film the sort of impact it has on revenue. If a film is skewing young, it'll have little impact since those films already have low average ticket prices. If a film is skewing older (but not too old, like 65+) and is popular on premium formats, then discount days will have a much bigger impact since those films have high avg. ticket prices.

And bullza, I really don't have an answer for some of the different numbers between the brochure you shared and Eiren. If I had to guess, I'd say the brochure was rounding because all the numbers end with 0 or 5.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
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Fri Jul 01, 2022 11:15 am
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
And yeah, crappy OD for Lightyear. Unless it's skewing super-young, its weekend is going to be dismal, too. I'll wait for Saturday's numbers, but it seems we have another Brave on our hands.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Fri Jul 01, 2022 11:25 am
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Star Trek XI

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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Corpse wrote:
And bullza, I really don't have an answer for some of the different numbers between the brochure you shared and Eiren. If I had to guess, I'd say the brochure was rounding because all the numbers end with 0 or 5.


I was wondering that too but if Siren had Broly at ¥1.37 billion then it should be more like ¥1.4 billion and not ¥1.45 billion.

So you figure Eiren is the more accurate one then?


Fri Jul 01, 2022 12:07 pm
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
I'd probably try to find another source to see which it matches up with. Eiren is the official source of the industry, so they're probably the safest. Brochures, news articles, etc., are more likely to round off a figure in their reporting. Not always the case, but you can see some leeway there. Most numbers pre-2000 are annoying.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Fri Jul 01, 2022 3:46 pm
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Post Re: Japan Box Office: Pixar Box Office History
Lightyear is opening this weekend, and... it's not looking good. As Disney's first proper theatrical release since 2019, and given the success of the Toy Story franchise in Japan, there was a lot riding on this one, but Friday's start suggests Disney will have to wait even longer for another hit in Japan.

Where will it debut? Too early to say, but I'm thinking an opening around The Good Dinosaur or Onward. There's a bit of a gap between them, so maybe right between them. It *should* at least outopen Brave, but with the earlier start in July, a higher opening doesn't guarantee the same legs Brave had. Brave was Pixar's first flop, and missed ¥1 billion, but it had respectable legs by opening in mid-July and benefitting from summer vacation from the start.

So, I think a ¥1 billion total might be in question for Lightyear based on this. Disney has only had two... just two films reach that mark since 2019, so if this misses, too, it'd be devastating for them in the market. (Anything less than ¥3 billion, really, is devastating, and it has no hope at that.)

Pixar Box-Office History (1995-):

OPENINGS:
¥1.377 billion ($12.7 million) / 1,031,000 - Toy Story 4 (2019)
¥977.3 million ($11.1 million) / 649,249 - Toy Story 3 (2010)
¥898.0 million ($8.4 million) / 724,000 - Finding Nemo (2003)
¥847.4 million ($8.5 million) / 614,969 - Monsters University (2013)
¥751.9 million ($7.3 million) / 604,355 - The Incredibles (2004)
¥745.5 million ($7.1 million) / 553,066 - Finding Dory (2016)
¥627.7 million ($7.2 million) / 440,804 - Up (2009)
¥590.7 million ($4.5 million) / 465,624 - Monsters, Inc. (2002)
¥504.9 million ($4.2 million) / 379,941 - Ratatouille (2007)
¥488.1 million ($4.5 million) / 368,214 - Coco (2018)
¥458.2 million ($4.9 million) / 336,597 - Cars 2 (2011)
¥449.6 million ($4.8 million) / 373,754 - Wall-E (2008)
¥422.1 million ($3.8 million) / 331,617 - Incredibles 2 (2018)
¥406.0 million ($3.3 million) / 316,315 - Inside Out (2015)
¥381.2 million ($3.5 million) / 350,000 - Cars (2006)
¥320.1 million ($2.8 million) / 251,989 - Cars 3 (2017)
¥237.1 million ($2.1 million) / 191,696 - The Good Dinosaur (2016)
¥162.7 million ($1.5 million) / 118,863 - Onward (2020)*
¥147.8 million ($1.9 million) / 106,271 - Brave (2012)
Not Released - Soul (2020)
Not Released - Luca (2021)
Not Released - Turning Red (2022)


*Opening impacted by theater capacity limits & streaming boycotts.

TOTALS:
¥11.00 billion ($102.4 million) / 8.60 million - Finding Nemo (2003)
¥10.80 billion ($130.7 million) / 7.36 million - Toy Story 3 (2010)
¥10.09 billion ($94.3 million) / 7.82 million - Toy Story 4 (2019)
¥9.37 billion ($76.8 million) / 7.60 million - Monsters, Inc. (2002)
¥8.96 billion ($91.3 million) / 7.05 million - Monsters University (2013)
¥6.83 billion ($65.8 million) / 5.57 million - Finding Dory (2016)
¥5.26 billion ($51.1 million) / 4.40 million - The Incredibles (2004)
¥5.00 billion ($60.5 million) / 3.80 million - Up (2009)
¥5.00 billion ($46.6 million) / 3.98 million - Coco (2018)
¥4.90 billion ($44.3 million) / 4.06 million - Incredibles 2 (2018)
¥4.04 billion ($33.6 million) / 3.40 million - Inside Out (2015)
¥4.00 billion ($44.2 million) / 3.20 million - Wall-E (2008)
¥3.90 billion ($36.3 million) / 3.10 million - Ratatouille (2007)
¥3.45 billion ($29.9 million) / 2.80 million - Toy Story 2 (2000)
¥3.01 billion ($39.0 million) / 2.32 million - Cars 2 (2011)
¥2.23 billion ($19.0 million) / 1.80 million - Cars (2006)
¥1.80 billion ($16.1 million) / 1.44 million - Cars 3 (2017)
¥1.69 billion ($15.0 million) / 1.35 million - The Good Dinosaur (2016)
¥1.15 billion ($8.3 million) / 900,000 - A Bug's Life (1999)
~¥930 million ($11.9 million) / 680,000 - Brave (2012)
~¥790 million ($7.4 million) / 590,000 - Onward (2020)*
Not Released - Soul (2020)
Not Released - Luca (2021)
Not Released - Turning Red (2022)


*Total impacted by theater streaming boycotts.

Note: No Opening Weekend or Total data available for Toy Story (probably wasn't given a wide release).

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Fri Jul 01, 2022 4:01 pm
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The Dark Knight

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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Toy Story (1996) - ¥70M / ¥1500M

Brave - ¥950M (Total)
Onwards - ¥870M (Total)

I am not sure about Opening (Sat-Sun) of Toy Story. But, I had an screenshot of an article where Toy Story Franchise numbers are given.

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Fri Jul 01, 2022 5:58 pm
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
how is Top Gun looking this weekend?

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Fri Jul 01, 2022 7:34 pm
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Will *probably* see its biggest drop just due to losing a good chunk (over a third) of seating to Lightyear, Elvis, Yuru Camp, etc.. I think that drop can still be 20/25% though, so still great if it does so.

But the loss of seats is what I was trying to explain when comparing it to Aladdin, which had equally impressive holds until it got to July. July is always very crowded (14 wide openers this year, 9 of which are studio tentpoles), so even if a film from May/June is holding crazy well, they just end up getting eaten bit by bit every week because of all the new films needing screens. And even if a big film disappoints (like Lightyear is looking to do), it's almost impossible to gain those seats back because every weekend has a bunch of new films and/or tentpoles opening until September that takes them instead.

We'll see what happens as we get deeper in July though. July 8th has a bunch of "smaller" wide openers, but all of them will add up and probably keep Top Gun from gaining much (if any) seats back. July 15th is the weekend to watch as two of the summers biggest films (Kingdom 2 and Minions 2) both open then and will have high seating demand. If it can pull off a 20/25% drop or less that weekend, it should reach ¥10 billion. But if it goes to 30%, especially up to 35-40% (which is common for old holdovers on this weekend, the start of summer vacation, as the July releases begin to overwhelm older holdovers), it probably won't get there.

And thanks, Kanroji! Will update when I add Lightyear to the list.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Fri Jul 01, 2022 7:49 pm
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Wall-E

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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
I'm sure theaters are biting themselves giving so many seats to LY only for it to get like 10% attendance. oof.

Also, Slam Dunk film releases on December 3.


Fri Jul 01, 2022 11:16 pm
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
It's showing some life in the afternoon. If it can double up on its 2pm sales to ~65,000-70,000, and then remain flat on Sunday (or see a miniscule drop), it could match/beat The Good Dinosaur.

That's a low bar to set, obviously, but it was looking even worse. It has a better release date than TGD, so I'd assume it would at least match its legs but it should habe better ones. ¥2 billion wouldn't be impossible if all this comes true. That's still really bad and half, or a bit less than half, off the standard Pixar film though. This is assuming it doesn't go to Disney+ before mid/late-August. Otherwise, it'll lose quite a bit off whatever total it'll be targeting normally as theaters will likely drop it immediantly ahead of the launch like they have every Disney film since 2020.

And Slam Dunk will be interesting to watch later this year. Has some good potential.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Sat Jul 02, 2022 1:31 am
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Wall-E

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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
The designs from the posters look aged to me so I think it's probably going to be a post-manga film, probably best case scenario if it can be enjoyed without having read the whole manga prior.

Could also just be a difference in style since it's been such a long time though.


Sat Jul 02, 2022 3:54 am
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Besides knowing what it's about (well, the genre), and its status as one of the best selling series ever, I know little about it. Not really into sports anime/manga, although I gave Haikyuu! a shot and it became one of my favorites, so I am more open to trying them than before.

The updates have received a good bit of attention on social media, which I take as a good sign since it's older. Might suggest it has some appeal (or interest) beyond the older fanbase.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Sat Jul 02, 2022 8:49 am
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Slam dunk is extremely beloved and relevant still. The new edition in 2018 sold astonishingly well with over 200k per unit in Japan, and those volumes still chart in top500 every now and then - and the movie announcement got the series to sell 1.65M last year, which is pretty nuts.

The anime is incomplete, so theoretically there is space to adapt the remaining of it (especially the final game which is very much beloved), but the character designs shown look much older compared to the characters in those arcs so I think it's post manga ending. Could be wrong though, maybe they just decided to go with older looking designs.

The series still being so relevant on the manga side makes me think the film is going to be a big breakout this december.


Sat Jul 02, 2022 9:01 am
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Oh yeah. Its potential is pretty clear, I think. I'm already expecting up to ¥4/5 billion, but wouldn't be shocked if it goes higher. Given its dedicated base, they could certainly extend the run with giveaways every couple/few weeks, too.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Sat Jul 02, 2022 9:21 am
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Here are the posters (already going up in theaters!) all together for anyone who doesn't use social media (consider yourself lucky):

Spoiler: show
Image

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Sat Jul 02, 2022 10:33 am
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Post Re: Japan Box-Office: WKND Actuals (06/25-26); Charts Update
Corpse wrote:
Besides knowing what it's about (well, the genre), and its status as one of the best selling series ever, I know little about it. Not really into sports anime/manga, although I gave Haikyuu! a shot and it became one of my favorites, so I am more open to trying them than before.

The updates have received a good bit of attention on social media, which I take as a good sign since it's older. Might suggest it has some appeal (or interest) beyond the older fanbase.


In the sports anime/manga genre and with a retro vibe similar to Slam Dunk's, I would also suggest Touch.


Sat Jul 02, 2022 2:56 pm
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Post Re: Japan Box-Office: Slam Dunk Release Date (Dec. 3rd), Pos
Will probably be a while. I'm pretty behind on everything I currently read now. :lol: Thanks though.

Here shortly, I'll have my estimate for Top Gun: Maverick's 6th weekend (it looks like it missed my cut off for Biggest Sixth Weekends, but I'll share that chart just in case it comes in higher and cracks it), and Lightyear's debut (a nice Sunday increase helped it avoid a disastrous opening, but it's still well below the standard Pixar film and a bit embarrassing for Disney).

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Sun Jul 03, 2022 1:23 pm
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Post Re: Japan Box Office: Biggest Sixth Weekends
Biggest Sixth Weekends (2000-):

¥1.032 billion ($9.9 million), -32%, ¥25.46 billion ($242.7 million) - Demon Slayer: Mugen Train (2020)
___________
¥983.9 million ($7.5 million), -08%, ¥14.82 billion ($116.6 million) - Harry Potter and the Sorcerer's Stone (2001)
¥961.5 million ($8.5 million), +01%, ¥15.27 billion ($126.2 million) - Spirited Away (2001)
¥826.7 million ($8.1 million), -02%, ¥10.73 billion ($104.8 million) - Frozen (2014)
¥790.1 million ($7.9 million), -08%, ¥12.86 billion ($125.5 million) - Your Name. (2016)
___________
¥642.6 million ($5.4 million), -15%, ¥11.41 billion ($94.5 million) - Harry Potter and the Chamber of Secrets (2002)
¥622.1 million ($6.0 million), -21%, ¥10.72 billion ($105.1 million) - Howl's Moving Castle (2004)
¥617.3 million ($6.8 million), +19%, ¥8.29 billion ($92.0 million) - Avatar (2009)
¥604.4 million ($5.0 million), -32%, ¥11.49 billion ($101.8 million) - Bayside Shakedown: Save the Rainbow Bridge! (2003)
¥603.4 million ($5.6 million), -23%, ¥8.09 billion ($75.7 million) - The Last Samurai (2003)
¥579.4 million ($4.8 million), +11%, ¥8.14 billion ($67.5 million) - Harry Potter and the Goblet of Fire (2005)
¥577.1 million ($5.5 million), -32%, ¥11.47 billion ($106.6 million) - Ponyo (2008)
¥540.2 million ($6.3 million), +28%, ¥8.29 billion ($97.0 million) - Toy Story 3 (2010)
¥536.9 million ($5.0 million), -36%, ¥9.17 billion ($85.7 million) - Finding Nemo (2003)
¥534.0 million ($4.9 million), +04%, ¥9.55 billion ($87.4 million) - Frozen II (2019)
___________
¥491.1 million ($4.5 million), -30%, ¥9.58 billion ($88.3 million) - Aladdin (2019)
¥457.8 million ($4.2 million), +06%, ¥9.47 billion ($85.4 million) - Harry Potter and the Prisoner of Azkaban (2004)
¥454.1 million ($3.4 million), -09%, ¥6.88 billion ($52.3 million) - Monsters, Inc. (2002)
¥438.6 million ($4.0 million), -13%, ¥5.33 billion ($49.5 million) - Zootopia (2016)
¥431.5 million ($3.8 million), -15%, ¥5.36 billion ($47.4 million) - Bohemian Rhapsody (2018)
¥420.6 million ($4.0 million), -21%, ¥10.73 billion ($99.5 million) - Weathering With You (2019)


**********

¥389.0 million ($2.9 million), -23%, ¥7.53 billion ($56.9 million) - Top Gun: Maverick (2022) *Estimate*

I'm estimating that Top Gun: Maverick missed this chart, experiencing its worst weekend hold to date (still a good though), likely due to losing over a third of its seating to the new openers. An uptick with actuals could get it there, but I would be surprised.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Sun Jul 03, 2022 1:34 pm
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Post Re: Japan Box-Office: Slam Dunk Release Date (Dec. 3rd), Pos
Studio Numbers From Paramount/Disney/Warner Bros

Top Gun Maverick - $57.6M (+$6.5M)
Lightyear - $2.9M
Elvis - $1.1M

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Sun Jul 03, 2022 1:37 pm
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Post Re: Japan Box Office: Biggest Sixth Weekends
Corpse wrote:
I'm estimating that Top Gun: Maverick missed this chart, experiencing its worst weekend hold to date (still a good though), likely due to losing over a third of its seating to the new openers. An uptick with actuals could get it there, but I would be surprised.


Upstick looks difficult because of Thor opening next Weekend ????. After that Minion/Kingdom gonna take a lot of oxygen from it...... {{{(>_<)}}}

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Sun Jul 03, 2022 1:39 pm
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Post Re: Japan Box-Office: Slam Dunk Release Date (Dec. 3rd), Pos
Yeah, that's a problem opening in May/June. Even if you have stellar holds like it (and Aladdin, which I've compared it to in terms of past holds and possible future holds), July is always so crowded, that it's almost impossible to maintain enough seating to hold on with those really small drops once mid-July rolls around. Every weekend has numerous wide openers, and almost all of them have at least one tentpole (sometimes more).

This week/weekend made ¥10 billion more challenging (possibly unlikely), and if it drops another ~20/25% next weekend, it probably won't get there because the drops after that will likely increase further.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Sun Jul 03, 2022 1:44 pm
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Don't Dream It, Be It
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Post Re: Japan Box Office: Pixar Box Office History
Pixar Box-Office History (1995-):

OPENINGS:
¥1.377 billion ($12.7 million) / 1,031,000 - Toy Story 4 (2019)
¥977.3 million ($11.1 million) / 649,249 - Toy Story 3 (2010)
¥898.0 million ($8.4 million) / 724,000 - Finding Nemo (2003)
¥847.4 million ($8.5 million) / 614,969 - Monsters University (2013)
¥751.9 million ($7.3 million) / 604,355 - The Incredibles (2004)
¥745.5 million ($7.1 million) / 553,066 - Finding Dory (2016)
¥627.7 million ($7.2 million) / 440,804 - Up (2009)
¥590.7 million ($4.5 million) / 465,624 - Monsters, Inc. (2002)
¥504.9 million ($4.2 million) / 379,941 - Ratatouille (2007)
¥488.1 million ($4.5 million) / 368,214 - Coco (2018)
¥458.2 million ($4.9 million) / 336,597 - Cars 2 (2011)
¥449.6 million ($4.8 million) / 373,754 - Wall-E (2008)
¥422.1 million ($3.8 million) / 331,617 - Incredibles 2 (2018)
¥406.0 million ($3.3 million) / 316,315 - Inside Out (2015)
¥381.2 million ($3.5 million) / 350,000 - Cars (2006)
¥320.1 million ($2.8 million) / 251,989 - Cars 3 (2017)
¥295.0 million ($2.2 million) / 210,000 - Lightyear (2022) *Estimate*
¥237.1 million ($2.1 million) / 191,696 - The Good Dinosaur (2016)
¥162.7 million ($1.5 million) / 118,863 - Onward (2020)*
¥147.8 million ($1.9 million) / 106,271 - Brave (2012)
Not Released - Soul (2020)
Not Released - Luca (2021)
Not Released - Turning Red (2022)


*Opening impacted by theater capacity limits & streaming boycotts.

TOTALS:
¥11.00 billion ($102.4 million) / 8.60 million - Finding Nemo (2003)
¥10.80 billion ($130.7 million) / 7.36 million - Toy Story 3 (2010)
¥10.09 billion ($94.3 million) / 7.82 million - Toy Story 4 (2019)
¥9.37 billion ($76.8 million) / 7.60 million - Monsters, Inc. (2002)
¥8.96 billion ($91.3 million) / 7.05 million - Monsters University (2013)
¥6.83 billion ($65.8 million) / 5.57 million - Finding Dory (2016)
¥5.26 billion ($51.1 million) / 4.40 million - The Incredibles (2004)
¥5.00 billion ($60.5 million) / 3.80 million - Up (2009)
¥5.00 billion ($46.6 million) / 3.98 million - Coco (2018)
¥4.90 billion ($44.3 million) / 4.06 million - Incredibles 2 (2018)
¥4.04 billion ($33.6 million) / 3.40 million - Inside Out (2015)
¥4.00 billion ($44.2 million) / 3.20 million - Wall-E (2008)
¥3.90 billion ($36.3 million) / 3.10 million - Ratatouille (2007)
¥3.45 billion ($29.9 million) / 2.80 million - Toy Story 2 (2000)
¥3.01 billion ($39.0 million) / 2.32 million - Cars 2 (2011)
¥2.23 billion ($19.0 million) / 1.80 million - Cars (2006)
¥1.80 billion ($16.1 million) / 1.44 million - Cars 3 (2017)
¥1.69 billion ($15.0 million) / 1.35 million - The Good Dinosaur (2016)
¥1.50 billion ($16.5 million) / ~1.20 million - Toy Story (1995)
¥1.15 billion ($8.3 million) / ~900,000 - A Bug's Life (1999)
¥950 million ($12.1 million) / ~700,000 - Brave (2012)
¥870 million ($8.1 million) / ~650,000 - Onward (2020)*
Not Released - Soul (2020)
Not Released - Luca (2021)
Not Released - Turning Red (2022)


*Total impacted by theater streaming boycotts.

Note: No Opening Weekend data available for Toy Story (USD total estimated using avg. exchange rate of summer 1995).

_________________
Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Sun Jul 03, 2022 2:03 pm
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Star Trek XI

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Posts: 365
Post Re: Japan Box-Office: Slam Dunk Release Date (Dec. 3rd), Pos
Any Super Hero actual yet? I'm guessing should be around ¥1.9 billion.


Mon Jul 04, 2022 2:01 am
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