
Favorite action sequence(s) of summer 2013?
If summer is the season of the big-budget tent-pole film, at least at mainstream theatres, then it is also the season of the action sequence/set piece. Which do you find the most memorable this year?
My top four:

1. The final multiple-train chase in
The Lone RangerSet, in a truly inspired move, to a nine-minute adaptation of Rossini's "William Tell Overture," this sequence, in my opinion, encapsulates the height of popcorn-movie pleasure and excitement. As Tonto, the Lone Ranger, his love interest and her son, and the various antagonists pursue, wrestle with, and shoot at each other from various trains, the scene maintains a high level of both suspense and visual clarity. Though I am sure a great deal of computer-generated imagery is utilized, the fusion of the artificial and the practical is invisible, and many of the stunts have an old-fashioned quality, as if we are truly glimpsing a death defying feat of physicality. Though perhaps most indebted to Buster Keaton and The General, it also conjures the majesty of the motorcycle jump in The Great Escape and the bridge explosion in The Bridge on the River Kwai, among other enduring moments of in-camera cinematic spectacle, and put a huge and earnest smile on my face.

2. Gong Er's fight to avenge her father in
The GrandmasterIn a film with several astonishing fight sequences (both in their fast-paced violence and in their aesthetic beauty), my favorite is the climactic train-station bout which pits Gong Er (Ziyi Zhang) against a student of her father turned mortal enemy. The staging of the fight, which transpires on a snow swept Chinese New Year's Eve, could not be more atmospheric, and the rooting interest generated for the vengeance minded, self-sacrificing Gong Er is intense.

3. The zombie siege of Jerusalem in
World War ZI dig this scene, in which Brad Pitt's protagonist becomes caught in an enormous zombie siege of Jerusalem, for two main reasons. First, the sense of scale and the sense of motion is riveting. Far more than any other sequence in the decent, but flawed film, this one justifies the decision to render the zombies as waves upon waves of flesh devouring and human shaped ants rather than more conventional, lumbering ghouls: there is a genuine sense of consuming fear as the humans try to survive the never-ending onslaught of undead. Second, the ancient, yet also crowded and urban Mideast locale, with its stone walls and its winding alleyways, is an interesting and unique place to stage a large-canvas action sequence. This alone places the scene far above the film's frenzied, yet largely bland opening set piece in, I believe, Manhattan.

4. The fight atop the bullet train in
The WolverineYet another train! I am not sure the computer-generated city exteriors are 100 percent convincing, but this fight atop a Japanese bullet train is still memorable. The way the speed of the train gives the combat a zero-gravity sensation, with Wolverine forced not only to fight, but also remember to use his claws to attach himself to the train after each encounter with an enemy or be blown away by the wind, is neat and intensifying.
An honorable mention: the mind-heist gone awry in
Elysium, which uses heavy science-fiction imagery, including droid policemen and a flying car, in a very dirty, disorienting, intense, urban-warfare type way, which is an intriguing combination.
