BEST PICTURE
*1. Inside Llewyn Davis – 23
2. American Hustle – 17
3. 12 Years a Slave – 16

BEST DIRECTOR
*1. Joel and Ethan Coen (Inside Llewyn Davis) – 25
2. Alfonso Cuarón (Gravity) – 18
3. Steve McQueen (12 Years a Slave) – 15

BEST FOREIGN-LANGUAGE FILM
*1. Blue Is the Warmest Color – 27
2. A Touch of Sin – 21
3. The Great Beauty – 15

BEST NON-FICTION FILM
*1. The Act of Killing (Joshua Oppenheimer) – 20
*1. At Berkeley (Frederick Wiseman) – 20
3. Leviathan (Lucien Castaing-Taylor and Véréna Paravel) – 18

BEST SCREENPLAY
*1. Before Midnight (Richard Linklater, Julie Delpy, Ethan Hawke) – 29
2. Inside Llewyn Davis (Joel and Ethan Coen) – 26
3. American Hustle (Eric Singer and David O. Russell) – 18

BEST CINEMATOGRAPHY
*1. Inside Llewyn Davis (Bruno Delbonnel) -28
2.Gravity (Emmanuel Lubezki) – 26
3. Nebraska (Phedon Papamichael) – 19

BEST ACTOR
*1. Oscar Isaac (Inside Llewyn Davis) – 28
2. Chiwetel Ejiofor (12 Years a Slave) – 19
3. Robert Redford (All Is Lost) – 12

BEST ACTRESS
*1. Cate Blanchett (Blue Jasmine) – 57
2. Adèle Exarchopoulos (Blue Is the Warmest Color) – 36
3. Julie Delpy (Before Midnight) – 26

BEST SUPPORTING ACTOR
*1. James Franco (Spring Breakers) – 24
2. Jared Leto (Dallas Buyers Club) – 20
3. Barkhad Abdi (Captain Phillips) – 14

BEST SUPPORTING ACTRESS
*1. Jennifer Lawrence (American Hustle) – 54
2. Lupita Nyong’o (12 Years a Slave) – 38
3. Sally Hawkins (Blue Jasmine) – 18
3. Léa Seydoux (Blue Is the Warmest Color) – 18

The National Society of Film Critics counts among its members many of the country’s leading film critics. Its purpose is to promote the mutual interests of film criticism and filmmaking.

Founded in l966, the Society differs from other critical associations in a number of significant ways. In the first place, it is truly national. Its 61 members include critics from major papers in Los Angeles, Boston, New York, Philadelphia, and Chicago. Its members also include the critics not just of Time, Newsweek, and The New Yorker, but also of The Village Voice, The Boston Phoenix, and Salon.com. Second, membership is by election.

The Society represents movie criticism in the United States by supplying the official critic delegate to the National Film Preservation Board of the Library of Congress and abroad as the official American representative to FIPRESCI, the international federation of members of the film press.

Besides responding to specific issues, such as colorization, film preservation, or the ratings system, the Society regularly meets early in January to vote on the Society’s awards for the finest film achievements of the year.