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 BAFTA nominations 
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Post Re: BAFTA nominations
I think DiCaprio, Adams and AH's chances would've had a heartbeat if they'd won here

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Sun Feb 16, 2014 5:49 pm
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Post Re: BAFTA nominations
I believe adapted screenplay proved to be Philomena's strongest category because a win there most directly recognizes how the film has lent Steve Coogan, obviously an iconic comedian and cult figure in England, a new level of international prestige and respectability, including an audience with the Pope recently. The narrative of Alan Partridge writing a popular, topical Judi Dench drama no doubt charmed the voters.

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Sun Feb 16, 2014 6:01 pm
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Post Re: BAFTA nominations
David wrote:
I believe adapted screenplay proved to be Philomena's strongest category because a win there most directly recognizes how the film has lent Steve Coogan, obviously an iconic comedian and cult figure in England, a new level of international prestige and respectability, including an audience with the Pope recently. The narrative of Alan Partridge writing a popular, topical Judi Dench drama no doubt charmed the voters.


I don't believe in the narrative here. I think it was awarded because it was a damn good screenplay. Being written by a Brit helped too.

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Sun Feb 16, 2014 8:08 pm
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Post Re: BAFTA nominations
Shack wrote:
I think DiCaprio, Adams and AH's chances would've had a heartbeat if they'd won here


Yes. But that's the thing - they never stood a chance to win here in the first place.

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Sun Feb 16, 2014 8:09 pm
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Post Re: BAFTA nominations
Gravity still wins Best British film there. I feel good about Gravity taking Best Picture at the Oscars now. 12YAS was expected to win there. Oops. edit.

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Sun Feb 16, 2014 8:11 pm
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Post Re: BAFTA nominations
Dr. Lecter wrote:
David wrote:
I believe adapted screenplay proved to be Philomena's strongest category because a win there most directly recognizes how the film has lent Steve Coogan, obviously an iconic comedian and cult figure in England, a new level of international prestige and respectability, including an audience with the Pope recently. The narrative of Alan Partridge writing a popular, topical Judi Dench drama no doubt charmed the voters.


I don't believe in the narrative here. I think it was awarded because it was a damn good screenplay. Being written by a Brit helped too.

Don't be an idiot. ;) I love the film, but of course being penned by a famous British film and television actor helped it.

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Sun Feb 16, 2014 8:56 pm
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Post Re: BAFTA nominations
David wrote:
Dr. Lecter wrote:
David wrote:
I believe adapted screenplay proved to be Philomena's strongest category because a win there most directly recognizes how the film has lent Steve Coogan, obviously an iconic comedian and cult figure in England, a new level of international prestige and respectability, including an audience with the Pope recently. The narrative of Alan Partridge writing a popular, topical Judi Dench drama no doubt charmed the voters.


I don't believe in the narrative here. I think it was awarded because it was a damn good screenplay. Being written by a Brit helped too.

Don't be an idiot. ;) I love the film, but of course being penned by a famous British film and television actor helped it.


That's what I said above. What I meant is that it didn't matter whether he was Alan Patridge before or whatnot. Just being a successful Brit helped.

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Sun Feb 16, 2014 9:02 pm
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