Cléo from 5 to 7 (French: Cléo de 5 à 7) is a 1962 Rive Gauche film by Agnès Varda. The story starts with a young singer, Florence "Cléo" Victoire, at 5PM June 21, as she waits until 7PM. The film is noted for its handling of several of the themes of existentialism, including discussions of mortality, the idea of despair, and leading a meaningful life. The film has a strong feminine viewpoint and raises questions about how women are perceived. The role of mirrors are prevalent to symbolize self-obsession.

The film includes cameos by Jean-Luc Godard, Anna Karina, Eddie Constantine and Jean-Claude Brialy as characters in the silent film Raoul shows Cleo and Dorothee, while composer Michel Legrand, who wrote the film's score, plays "Bob the pianist". It was entered into the 1962 Cannes Film Festival.

Though the title is a misnomer (it should actually be called Cléo from 5 to 6:30), the real time aspect of the film actually works pretty well. The development of the lead character is quite interesting to watch over the 90 minutes. Not to mention she's pretty easy on the eyes. Varda's direction is top-notch, as every shot is loaded with symbolism and metaphor, and the score is very memorable. The short musical number in the middle is quite powerful as well. But the acting, outside of Cléo herself, is very unimpressive, and the story takes a nosedive in the last fifteen minutes. The seemingly random structure of the film works up until she meets Antoine, at which point all the strong femininity which had built up is immediately discarded. Still, it's an interesting watch.