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 Japan Box-Office: Obon Festival; WKND Actuals (08/13-14) 
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Post Re: Japan Box-Office: Obon Festival; WKND Actuals (08/13-14)
JustLurking wrote:
Algren wrote:
How in the hell did Top Gun: Maverick increase, and by 20%! What a coincidence that it also increased in the United States of America.

I really hope its summer run can convert into an awards run of some sort.

It had a giveaway is why, though still quite good.


Ah yes, I forgot about the giveaway. But I still cannot imagine just a giveaway being so influential to the weekend's box office. Wasn't it just a sticker sheet or something? This sort of stuff is given away for free in most markets. But I'm still amazed that in its twelfth weekend that simply a giveaway can get so many more people out to see a three-month old film. Anyway, pleased that it did.

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Tue Aug 16, 2022 5:05 am
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Post Re: Japan Box-Office: Obon Festival; WKND Actuals (08/13-14)
From BOT

Top Gun: Maverick

Official Monday - ¥93,414,400 / 58,579 attendees

Total Until 08/15 (Mon) - ¥11,051,948,670 / 6,996,246 attendees

Exceeded ¥11B on Monday, 28th Highest Grossing Film in Japan

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Tue Aug 16, 2022 3:14 am
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Post Re: Japan Box Office: Biggest Twelfth Weekends
Corpse wrote:
Biggest Twelfth Weekends (2001-):

¥759.4 million ($7.5 million), +08%, ¥21.23 billion ($208.1 million) - Frozen (2014)
¥677.8 million ($6.6 million), -25%, ¥34.64 billion ($331.3 million) - Demon Slayer: Mugen Train (2020)
¥395.0 million ($3.6 million), -09%, ¥24.40 billion ($200.2 million) - Spirited Away (2001)
¥258.7 million ($2.4 million), -13%, ¥18.49 billion ($179.6 million) - Your Name. (2016)
¥255.1 million ($2.8 million), -18%, ¥13.82 billion ($155.0 million) - Avatar (2009)
¥235.6 million ($2.2 million), -06%, ¥10.46 billion ($93.7 million) - Bohemian Rhapsody (2018)
¥193.5 million ($1.6 million), +45%, ¥12.71 billion ($114.0 million) - Jujutsu Kaisen 0 (2021)
¥188.5 million ($1.8 million), -25%, ¥17.23 billion ($167.9 million) - Howl's Moving Castle (2004)
¥177.8 million ($1.4 million), -45%, ¥19.19 billion ($148.2 million) - Harry Potter and the Sorcerer's Stone (2001)
¥177.0 million ($1.6 million), -19%, ¥12.44 billion ($115.6 million) - The Last Samurai (2003)
¥170.4 million ($1.3 million), +20%, ¥10.96 billion ($83.0 million) - Top Gun: Maverick (2022)
¥135.5 million ($1.1 million), -08%, ¥16.51 billion ($147.9 million) - Bayside Shakedown: Save the Rainbow Bridge! (2003)
¥124.2 million ($1.0 million), -33%, ¥16.43 billion ($138.3 million) - Harry Potter and the Chamber of Secrets (2002)

...the fact that it's another Tom Cruise film denying it top10 is too ironic :funny:


Tue Aug 16, 2022 1:56 am
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Post Re: Japan Box-Office: Obon Festival; WKND Actuals (08/13-14)
huh I guess atp is still increasing here.


Algren wrote:
How in the hell did Top Gun: Maverick increase, and by 20%! What a coincidence that it also increased in the United States of America.

I really hope its summer run can convert into an awards run of some sort.

It had a giveaway is why, though still quite good.


Tue Aug 16, 2022 1:55 am
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Post Re: Japan Box-Office: Obon Festival; WKND Actuals (08/13-14)
Official Monday - ¥586M / ¥7.06B

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Tue Aug 16, 2022 1:12 am
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Post Re: Japan Box-Office: Obon Festival; WKND Actuals (08/13-14)
How in the hell did Top Gun: Maverick increase, and by 20%! What a coincidence that it also increased in the United States of America.

I really hope its summer run can convert into an awards run of some sort.

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Tue Aug 16, 2022 12:11 am
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Post Re: Japan Box-Office: Obon Festival; WKND Actuals (08/13-14)
¥7 billion / 5 million admissions confirmation for Monday.


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“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Tue Aug 16, 2022 12:04 am
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Post Re: Japan Box Office: Biggest Twelfth Weekends
Biggest Twelfth Weekends (2001-):

¥759.4 million ($7.5 million), +08%, ¥21.23 billion ($208.1 million) - Frozen (2014)
¥677.8 million ($6.6 million), -25%, ¥34.64 billion ($331.3 million) - Demon Slayer: Mugen Train (2020)
¥395.0 million ($3.6 million), -09%, ¥24.40 billion ($200.2 million) - Spirited Away (2001)
¥258.7 million ($2.4 million), -13%, ¥18.49 billion ($179.6 million) - Your Name. (2016)
¥255.1 million ($2.8 million), -18%, ¥13.82 billion ($155.0 million) - Avatar (2009)
¥235.6 million ($2.2 million), -06%, ¥10.46 billion ($93.7 million) - Bohemian Rhapsody (2018)
¥193.5 million ($1.6 million), +45%, ¥12.71 billion ($114.0 million) - Jujutsu Kaisen 0 (2021)
¥188.5 million ($1.8 million), -25%, ¥17.23 billion ($167.9 million) - Howl's Moving Castle (2004)
¥177.8 million ($1.4 million), -45%, ¥19.19 billion ($148.2 million) - Harry Potter and the Sorcerer's Stone (2001)
¥177.0 million ($1.6 million), -19%, ¥12.44 billion ($115.6 million) - The Last Samurai (2003)
¥170.4 million ($1.3 million), +20%, ¥10.96 billion ($83.0 million) - Top Gun: Maverick (2022)
¥135.5 million ($1.1 million), -08%, ¥16.51 billion ($147.9 million) - Bayside Shakedown: Save the Rainbow Bridge! (2003)
¥124.2 million ($1.0 million), -33%, ¥16.43 billion ($138.3 million) - Harry Potter and the Chamber of Secrets (2002)

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“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 9:12 pm
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Post Re: Japan Box Office: Top Grossing Films 2022
Top Grossing Films: 2022
Gross ¥ ($) / Admissions [Days In Release] - Film (Distributor)

¥13.80 billion ($122.7 million) / 9.83 million [F] - Jujutsu Kaisen 0 (Toho)
¥10.96 billion ($83.0 million) / 6.94 million [80] - Top Gun: Maverick (Towa Pictures)

¥10 billion ↨
¥9.27 billion ($72.9 million) / 6.66 million [E] - Detective Conan: The Bride of Halloween (Toho)
¥6.47 billion ($48.2 million) / 4.62 million [09] - One Piece Film Red (Toei)

¥5 billion ↨
¥4.57 billion ($36.1 million) / 3.13 million [E] - Fantastic Beasts: The Secrets of Dumbledore (Warner Bros.)
¥4.38 billion ($33.7 million) / 2.95 million [E] - Shin Ultraman (Toho)
¥4.17 billion ($37.1 million) / 2.77 million [E] - Spider-Man: No Way Home (Sony)
¥4.05 billion ($29.9 million) / 2.85 million [31] - Kingdom II: To Distant Lands (Toho, Sony)
¥4.04 billion ($30.2 million) / 2.70 million [17] - Jurassic World: Dominion (Toho-Towa)
¥3.38 billion ($25.0 million) / 2.79 million [31] - Minions: The Rise of Gru (Toho-Towa)
¥3.30 billion ($26.7 million) / 2.62 million [E] - Sing 2 (Toho-Towa)
¥3.00 billion ($25.0 million) / 2.35 million [F] - The Last 10 Years (Warner Bros.)

¥3 billion ↨
¥2.90 billion ($25.2 million) / 2.20 million [F] - 99.9: Criminal Lawyer (Shochiku)
¥2.89 billion ($25.1 million) / 2.12 million [F] - The Confidence Man JP: Episode of Hero (Toho)
¥2.69 billion ($22.3 million) / 2.25 million [F] - Doraemon: Nobita's Little Star Wars 2021 (Toho)
¥2.48 billion ($18.4 million) / 1.76 million [65] - Dragon Ball Super: Super Hero (Toei)
¥2.20 billion ($16.8 million) / 1.67 million [E] - The Quintessential Quintuplets Movie (Pony Canyon)
¥2.14 billion ($16.5 million) / 1.40 million [E] - Dr. Strange in the Multiverse of Madness (Disney)
¥2.01 billion ($15.5 million) / 1.67 million [F] - Crayon Shin-chan: Mononoke Ninja Chinpuden (Toho)
¥2.00 billion ($17.5 million) / 1.51 million [F] - Your Turn to Kill (Toho)

¥2 billion ↨
¥1.90 billion ($16.7 million) / 1.32 million [E] - Venom: Let There Be Carnage (Sony)
¥1.67 billion ($13.6 million) / 1.21 million [F] - Mr. Osomatsu (Toho)
¥1.38 billion ($12.0 million) / 0.91 million [E] - The Matrix Resurrections (Warner Bros.)
¥1.30 billion ($9.5 million) / 0.85 million [E] - Thor: Love and Thunder (Disney)
¥1.19 billion ($9.9 million) / 0.76 million [E] - The Batman (Warner Bros.)
¥1.18 billion ($8.3 million) / 0.85 million [38] - Lightyear (Disney)
¥1.08 billion ($8.1 million) / 0.55 million [E] - Mobile Suit Gundam: Cucuruz Doan's Island (Shochiku ODS)
¥1.04 billion ($8.1 million) / 0.73 million [E] - Lesson in Murder (KlockWorx)

¥1 billion ↑
¥973.3 million ($8.6 million) / 0.82 million [E] - The Boss Baby: Family Business (Toho-Towa, Gaga)
¥962.9 million ($7.1 million) / 0.67 million [45] - Yuru Camp (Shochiku)
¥954.4 million ($8.2 million) / 0.68 million [E] - West Side Story (Disney)
¥918.6 million ($7.2 million) / 0.72 million [E] - Radiation House: The Movie (Toho)
¥870.5 million ($7.6 million) / 0.62 million [E] - The King's Man (Disney)
¥860.0 million ($7.1 million) / 0.60 million [E] - Free! The Final Stroke - Part 2 (Shochiku)
¥830.1 million ($6.2 million) / 0.66 million [17] - Even if This Love Disappears from the World Tonight (Toho)
¥802.6 million ($5.8 million) / 0.59 million [E] - Baby Broker (Gaga)
¥750.8 million ($5.9 million) / 0.55 million [E] - The Wandering Moon (Gaga)
¥721.9 million ($5.3 million) / 0.55 million [31] - My Boyfriend in Orange (Shochiku)
¥654.2 million ($5.4 million) / 0.48 million [E] - CODA (Gaga)
¥646.6 million ($5.5 million) / 0.51 million [E] - The Cherry Bushido (Nikkatsu)
¥595.3 million ($4.3 million) / 0.45 million [E] - Elvis (Warner Bros.)
¥591.9 million ($5.1 million) / 0.41 million [E] - Resident Evil: Welcome to Raccoon City (Sony)
¥560.0 million ($4.7 million) / 0.43 million [F] - Ushikubi Village (Toei)
¥553.0 million ($4.8 million) / 0.39 million [E] - Uncharted (Sony)
¥522.0 million ($4.1 million) / 0.39 million [E] - xxxHOLiC (Gaga)
¥521.6 million ($4.5 million) / 0.39 million [E] - Death on the Nile (Disney)
¥518.4 million ($4.1 million) / 0.36 million [E] - Morbius (Sony)
¥500.0 million ($4.1 million) / 0.38 million [F] - What to Do with the Dead Kaiju? (Toei)

¥500 million ↑

Legend:
¥10 billion+ (Uber-Blockbuster) / ¥5 billion+ (Blockbuster) / ¥3 billion+ (Hit) / ¥2 billion+ (Respectable) / ¥1 billion+ (Commercial Success)

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 9:05 pm
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Post Re: Japan Box-Office: Top Opening Weekends 2022
Top Opening Weekends: 2022
Gross ¥ ($) / Admissions [Screen Count] - Film (Distributor)

¥2.254 billion ($16.7 million) / 1,579,552 [495] - One Piece Film Red (Toei)
¥1.622 billion ($14.2 million) / 1,135,829 [418] - Jujutsu Kaisen 0 (Toho)
¥1.384 billion ($11.0 million) / 966,367 [498] - Detective Conan: The Bride of Halloween (Toho)

¥1 billion ↨
¥939.0 million ($7.1 million) / 603,015 [976] - Jurassic World: Dominion (Toho-Towa)
¥905.0 million ($7.9 million) / 584,000 [896] - Spider-Man: No Way Home (Sony)
¥824.7 million ($6.5 million) / 524,843 [745] - Top Gun: Maverick (Towa Pictures)
¥797.0 million ($5.8 million) / 527,000 [497] - Kingdom II: To Distant Lands (Toho, Sony)
¥785.6 million ($6.3 million) / 503,955 [895] - Fantastic Beasts: The Secrets of Dumbledore (Warner Bros.)
¥703.3 million ($5.5 million) / 450,000 [401] - Shin Ultraman (Toho)
¥669.9 million ($5.0 million) / 497,526 [407] - Dragon Ball Super: Super Hero (Toei)
¥531.5 million ($3.9 million) / 481,052 [387] - Minions: The Rise of Gru (Toho-Towa)

¥500 million ↨
¥471.0 million ($4.1 million) / 331,000 [352] - The Confidence Man JP: Episode of Hero (Toho)
¥455.6 million ($4.0 million) / 302,443 [839] - Venom: Let There Be Carnage (Sony)
¥434.4 million ($3.6 million) / 339,589 [433] - Sing 2 (Toho-Towa)
¥394.2 million ($3.4 million) / 322,000 [382] - Doraemon: Nobita's Little Star Wars 2021 (Toho)
¥343.8 million ($2.6 million) / 209,000 [874] - Dr. Strange in the Multiverse of Madness (Disney)
¥342.4 million ($3.0 million) / 244,000 [353] - Your Turn to Kill (Toho)
¥333.7 million ($2.9 million) / 264,000 [351] - 99.9: Criminal Lawyer (Shochiku)
¥311.6 million ($2.5 million) / 253,000 [363] - Crayon Shin-chan: Mononoke Ninja Chinpuden (Toho)
¥309.8 million ($2.5 million) / 221,000 [200] - Mr. Osomatsu (Toho)
¥306.3 million ($2.3 million) / 205,000 [750] - Lightyear (Disney)
¥300.3 million ($2.6 million) / 186,000 [822] - The Matrix Resurrections (Warner Bros.)

¥300 million ↨
¥266.7 million ($2.1 million) / 200,000 [108] - The Quintessential Quintuplets Movie (Pony Canyon)
¥257.3 million ($2.0 million) / 128,000 [184] - Mobile Suit Gundam: Cucuruz Doan's Island (Shochiku ODS)
¥247.0 million ($2.1 million) / 152,000 [821] - The Batman (Warner Bros.)
¥221.5 million ($1.9 million) / 162,000 [350] - The Last 10 Years (Warner Bros.)
¥219.2 million ($1.6 million) / 151,000 [121] - Yuru Camp (Shochiku)

¥200 million ↨
¥169.8 million ($1.5 million) / 114,000 [574] - The King's Man (Disney)
¥161.0 million ($1.4 million) / 104,000 [603] - Resident Evil: Welcome to Raccoon City (Sony)
¥160.6 million ($1.3 million) / 101,000 [802] - Morbius (Sony)
¥155.2 million ($1.1 million) / 128,000 [336] - Radiation House: The Movie (Toho)
¥146.0 million ($1.3 million) / 117,000 [227] - The Cherry Bushido (Nikkatsu)
¥145.6 million ($1.3 million) / 117,000 [373] - The Boss Baby: Family Business (Toho-Towa, Gaga)
¥137.0 million ($1.2 million) / x91,000 [703] - West Side Story (Disney)
¥130.4 million ($1.0 million) / x98,000 [312] - Even if This Love Disappears from the World Tonight (Toho)
¥128.5 million ($1.0 million) / x92,000 [324] - The Wandering Moon (Gaga)
¥128.0 million ($1.1 million) / x86,000 [768] - Uncharted (Sony)
¥124.7 million ($1.1 million) / x97,000 [344] - Kamen Rider: Beyond Generations (Toei)
¥124.0 million ($1.1 million) / x89,000 [640] - Death on the Nile (Disney)
¥122.0 million ($1.1 million) / x89,000 [367] - What to Do with the Dead Kaiju? (Shochiku, Toei)
¥122.0 million ($0.9 million) / x86,000 [316] - Baby Broker (Gaga)
¥120.9 million ($0.9 million) / x83,307 [236] - Lesson in Murder (KlockWorx)
¥120.0 million ($0.9 million) / x89,000 [356] - Tang (Warner Bros.)
¥113.0 million ($0.9 million) / x71,000 [184] - Free! The Final Stroke - Part 2 (Shochiku)
¥109.0 million ($0.9 million) / x77,000 [350] - Noise (Warner Bros.)
¥105.7 million ($0.8 million) / x77,000 [407] - Elvis (Warner Bros.)
¥104.9 million ($0.8 million) / x81,000 [347] - The Way of the Househusband: The Movie (Sony)
¥103.4 million ($0.7 million) / x79,000 [336] - Kamen Rider Revice: Battle Familia (Toei)
¥100.3 million ($0.7 million) / x73,000 [334] - The Hound of Baskervilles: Sherlock the Movie (Toho)

¥100 million ↑

Legend:
¥1 billion+ (Exemplary) / ¥500 million+ (Great) / ¥300 million+ (Good) / ¥200 million+ (Acceptable) / ¥100 million+ (Mediocre)[/quote]

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“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 9:05 pm
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Post Re: Japan Box-Office: Weekend Actuals (08/13-14)
Weekend Actuals (08/13-14)
01 (01) ¥1,497,100,970 ($11.25 million), -34%, ¥6,474,302,810 ($48.2 million), One Piece Film Red (Toei) WK2
02 (02) ¥452,709,670 ($3.40 million), -16%, ¥4,036,315,500 ($30.2 million), Jurassic World: Dominion (Toho-Towa) WK3
03 (04) ¥201,265,600 ($1.51 million),+03%, ¥4,053,131,300 ($29.9 million), Kingdom II: To Distant Lands (Toho, Sony) WK5
04 (03) ¥200,985,290 ($1.51 million), +01%, ¥3,377,993,830 ($25.0 million), Minions: The Rise of Gru (Toho-Towa) WK5
05 (05) ¥170,416,540 ($1.28 million), +20%, ¥10,958,534,270 ($83.0 million), Top Gun: Maverick (Towa Pictures) WK12
06 (---) ¥120,000,000 ($902,000), 0, ¥262,417,950 ($2.0 million), Tang (Warner Bros.) NEW
07 (---) ¥x85,000,000 ($639,000), 0, ¥190,629,800 ($1.4 million), Pokémon Heroes: Latios & Latias (Toho) NEW *re-release*
08 (06) ¥x78,762,500 ($592,000), -26%, ¥830,142,400 ($6.2 million), Even if This Love Disappears from the World Tonight (Toho) WK3
09 (08) ¥x19,222,750 ($145,000), -29%, ¥367,707,950 ($2.8 million), Ghost Book (Toho) WK4
10 (07) ¥x17,966,390 ($135,000), -34%, ¥358,938,640 ($2.7 million), Kamen Rider Revice: Battle Familia (Toei) WK4


>One Piece Film Red totally dominated again, delivering the third biggest second weekend of all-time, selling an additional 1.03 million admissions over the weekend frame to bring its 9-day admissions up to 4,622,920. As such, it became only the fifth film ever to sell more than 1 million admissions over its second weekend. Also... it's the fastest film to exceed 4 million admissions, and only the second film to ever exceed ¥6 billion after its second weekend.

So, where is this monster headed? Over ¥10 billion for certain, but how far beyond the uber-blockbuster milestone is too early to say. We need to see a week or two out of Obon to get an idea of potential post-holiday legs before we can really decide because the potential is still really high.

>Jurassic World: Dominion held well after its harsh second weekend decline and should be able to get above ¥6 billion (~$45 million) from here. That will be around a 25% drop from its predecessor, so not ideal, but not too bad, I suppose. Kind of just an "okay" result.

>Kingdom II pulled off an increase, a much needed increase, too, thanks to its giveaway event. It's been a bit unusually frontloaded for this time of year. It's likely to exceed ¥5 billion (~$37 million) now at least, so that's satisfactory, although it's not going to really challenge its predecessor (¥5.73 billion) despite the much higher opening weekend. Why have legs been meh? Not sure. Maybe its reception has been lackluster, but with the opening weekend it had, it missed out on a good bit more.

>Minions 2 also just pulled off that increase, though slips a spot. Get this: It's now the highest-grossing imported animated film since 2019. It only took just over ¥3.3 billion to get there, which tells you a lot about how poorly Disney has done. Alright, so, ¥4 billion is locked up now (sort of already was, but good to have it guaranteed), and I expect it'll finish around ¥4.5 billion (~$34 million). This will be about a 15% decline from its predecessor, so not bad at all, quite respectable, in fact.

>Top Gun: Maverick continues to show its incredible strength by delivering the best increase over the weekend. This is one of the highest twelfth weekends ever (off the top of my head, I believe it's in the top 10 biggest). It has sold 6,937,667 admissions after twelve weeks. I think this one still has a good ¥1 billion left in the tank, if not a decent bit more, so expect a finish between ¥12-12.5 billion (~$91-94 million).

>Tang's weekend gross is an estimate, but since I was almost dead on with its 5-day total above, the weekend estimate should be quite close. I'll update it when it becomes available. Over the five-day, it sold 195,800 admissions on 356 screens.

>The re-release of 2002's Pokémon Heroes: Latios & Latias, the fifth Pokémon film, performed much better than I would have predicted. Its weekend gross is an estimate (again, will update when available), but its 5-day coming close to ¥200 million on 166,748 admissions across 307 screens is pretty dang good, IMO. The sixth Pokémon film is being released next week, so let's see how it does. There hasn't been a new Pokémon film since 2020, so I wonder if these re-releases are a disguise in the form of the franchise's 25th anniversary to test the waters in reviving the franchise in the future.

>Dragon Ball Super: Super Hero is nearing the end of its run (some more theaters dropping it on Wednesday) and is well outside the top 10 now, but its total is up to ¥2,475,713,250 ($18.4 million). Figured you'd want to know, bullza! Still assuming it'll eventually hit ¥2.5 billion, but this will likely be the last update.

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“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 9:04 pm
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Post Re: Japan Box-Office: Obon Festival; One Piece - King of the
Thanks, guys! And yeah, kinda forgot sales data is 0 before 2008.

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“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 8:49 pm
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Post Re: Japan Box-Office: Obon Festival Begins/Important Info Pg
Corpse wrote:
JustLurking wrote:
Latest dailies have had mid 20s op volumes in t500, latest daily went up to 10 for early vols. My guess would be this week would be 300, maybe 400k backlog.

Numbers for early vols are still low but thats pretty acceptable imho, OP has super high LTDs (2nd highest ever) so just getting back a good amount of people that fell off the wagon is more than good enough, doesn't really need to expand the audience too much.



Agree. Also saw this on Twitter (won't share the tweet since there are SPOILERS for anyone who hasn't been relatively caught up): https://twitter.com/WSJ_manga/status/15 ... 0568923136

Summary:

According to a bookstore clerk, customers are increasingly asking for backlog volumes, especially those from 96 on. And notes that Volumes 1-10 and 81-103 (33 volumes total) were on Shoseki's daily sales ranking on August 14th. So, the early volumes would be potential new fans buying into the series (or old fans replacing lost/damages ones?), while the latter volumes would be those who fell off the wagon, as you said, which makes sense since individual sales did start to decline around there (early 80s) or a little later.

Would love to see one of the early volumes, 1, especially, manage to crack the Top 50 so we can see the lifetime sales. But I question if stores even have a decent stock of the very early volumes from 22-25 years ago to get them that high on the sales chart. Did the early volumes (say, 1-10), ever hit the top 50 during the 2010-2012 boom?

Volume 1 first charted in the top 50 in early december 2009, selling 15,785 units for a total of 184k since oricon first started tracking data. Volume 2-10 were in the top 100 that week. Then, a month later, volume 1-16 were found in the top 100.
Old OP volumes charted irregularly until late February 2011 where OP 1 sold 20,595 units for a total of 841k. Volume 2 also charted that week in the top 50. We have no top 100 for that period.
Earlier in mid January, volume 1-10, 15-16 and 18-19 charted in the top 50. All with a total of around 600k


Mon Aug 15, 2022 5:42 pm
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Post Re: Japan Box-Office: Obon Festival Begins/Important Info Pg
Corpse wrote:
JustLurking wrote:
Latest dailies have had mid 20s op volumes in t500, latest daily went up to 10 for early vols. My guess would be this week would be 300, maybe 400k backlog.

Numbers for early vols are still low but thats pretty acceptable imho, OP has super high LTDs (2nd highest ever) so just getting back a good amount of people that fell off the wagon is more than good enough, doesn't really need to expand the audience too much.



Agree. Also saw this on Twitter (won't share the tweet since there are SPOILERS for anyone who hasn't been relatively caught up): https://twitter.com/WSJ_manga/status/15 ... 0568923136

Summary:

According to a bookstore clerk, customers are increasingly asking for backlog volumes, especially those from 96 on. And notes that Volumes 1-10 and 81-103 (33 volumes total) were on Shoseki's daily sales ranking on August 14th. So, the early volumes would be potential new fans buying into the series (or old fans replacing lost/damages ones?), while the latter volumes would be those who fell off the wagon, as you said, which makes sense since individual sales did start to decline around there (early 80s) or a little later.

Would love to see one of the early volumes, 1, especially, manage to crack the Top 50 so we can see the lifetime sales. But I question if stores even have a decent stock of the very early volumes from 22-25 years ago to get them that high on the sales chart. Did the early volumes (say, 1-10), ever hit the top 50 during the 2010-2012 boom?

I did see that, though OP is generally hella overprinted so I'm sure they have plenty of volumes in warehouses for quick restocks. I wouldn't really expect big jumps or anything though since I don't see early OP vols super high on digital stores either, but we'll see I guess.

And as for the top 50, yeah early vols did chart a few times back then (OP 1 sold over a million between 2008 and 2012, iirc). Though obviously, those charting aren't helpful to know the LTDs - oricon only started tracking in 2008, so their number for OP1 before then was...well, 0. :funny: Basically, even if it miracolously charted again (as of now, it's nowhere near making oricon), you'd only get the total starting from 2008. Granted I wouldn't expect big differences between those years and now, after 2013 volume 1 never even made the top500 (barring one random daily in 2019) before now.


Mon Aug 15, 2022 3:48 pm
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Post Re: Japan Box-Office: Obon Festival; One Piece - King of the
bullza wrote:
Do does everything just go back to normal starting from Tuesday?


Tuesday should still be a good deal above "normal", but not as strong as the past five days. Wednesday, I think, will also be above average, but we'll see the first sign of things coming down as the holiday periods winds up. And finally, I think this Thursday will be largely back to normal.

Obon Festival doesn't exactly have an "end", so just need to watch when films begin to drop off to know when it happens (it's usually around the 17th, but dates can vary).

But note, while the numbers will begin to come down in a couple days, we're still in summer vacation, so the dailies will be better than normal (just not at holiday levels) for a couple more weeks.

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“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 2:59 pm
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Post Re: Japan Box-Office: Obon Festival Begins/Important Info Pg
JustLurking wrote:
Latest dailies have had mid 20s op volumes in t500, latest daily went up to 10 for early vols. My guess would be this week would be 300, maybe 400k backlog.

Numbers for early vols are still low but thats pretty acceptable imho, OP has super high LTDs (2nd highest ever) so just getting back a good amount of people that fell off the wagon is more than good enough, doesn't really need to expand the audience too much.



Agree. Also saw this on Twitter (won't share the tweet since there are SPOILERS for anyone who hasn't been relatively caught up): https://twitter.com/WSJ_manga/status/15 ... 0568923136

Summary:

According to a bookstore clerk, customers are increasingly asking for backlog volumes, especially those from 96 on. And notes that Volumes 1-10 and 81-103 (33 volumes total) were on Shoseki's daily sales ranking on August 14th. So, the early volumes would be potential new fans buying into the series (or old fans replacing lost/damages ones?), while the latter volumes would be those who fell off the wagon, as you said, which makes sense since individual sales did start to decline around there (early 80s) or a little later.

Would love to see one of the early volumes, 1, especially, manage to crack the Top 50 so we can see the lifetime sales. But I question if stores even have a decent stock of the very early volumes from 22-25 years ago to get them that high on the sales chart. Did the early volumes (say, 1-10), ever hit the top 50 during the 2010-2012 boom?

_________________
Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 2:23 pm
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Post Re: Japan Box-Office: Obon Festival; One Piece - King of the
Do does everything just go back to normal starting from Tuesday?


Mon Aug 15, 2022 1:36 pm
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Post Re: Japan Box-Office: Obon Festival; One Piece - King of the
Numbers for the Obon Festival Daily Estimates have been adjusted to account for the available totals as of Sunday (all went up!). I'll adjust the Sat/Sun numbers even more so when the weekend actuals are released later. Kingdom II's total is still an estimate as of Sunday (said to have exceeded ¥4 billion on Sunday, which could be anything from ¥4.00-¥4.09b), while Tang remains a pure estimate.

This has been an extraordinarily consistent Obon Festival. Every day since last Thursday has been very close across the board. The holiday period doesn't really have an "end" date, but I do expect Tuesday to see a bit of a decline (nothing major, still certainly boosted) based on glancing at some reservations for the day. Wednesday will probably serve as the transition day between Obon/regular dailies, while Thursday will probably be the first day we see numbers come fully back to normal levels.

And congrats to Top Gun: Maverick for breaking ¥11 billion! Haven't talked about it much this week, but it continues to do extremely well. It saw a huge increase on Monday, likely thanks to the start of a new giveaway, and is likely to reach ¥12 billion.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 11:03 am
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Post Re: Japan Box-Office: Obon Festival 2022 Estimates
OBON FESTIVAL 2022 - Daily Estimates (08/11-17)

Thur. - 08/11 (Mountain Day):
¥593 million ($4.4 million), 0, ¥4.429 billion ($32.9 million) - One Piece Film Red (Day 6)
¥225 million ($1.7 million), +57%, ¥3.378 billion ($25.3 million) - Jurassic World: Dominion (Day 14)
¥115 million ($855,000), +129%, ¥3.785 billion ($27.8 million) - Kingdom II: To Distant Lands (Day 28)
¥105 million ($780,000), +62%, ¥3.072 billion ($22.7 million) - Minions: The Rise of Gru (Day 28)
¥x85 million ($630,000), 0, ¥x85 million ($0.6 million) - Tang (NEW)
¥x75 million ($560,000), +106%, ¥10.71 billion ($80.5 million) - Top Gun: Maverick (Day 77)


Fri. - 08/12:
¥548 million ($4.1 million), 0, ¥4.977 billion ($37.0 million) - One Piece Film Red (Day 7)
¥205 million ($1.5 million), +26%, ¥3.583 billion ($26.8 million) - Jurassic World: Dominion (Day 15)
¥105 million ($785,000), +62%, ¥3.177 billion ($23.5 million) - Minions: The Rise of Gru (Day 29)
¥100 million ($750,000), +71%, ¥3.885 billion ($28.6 million) - Kingdom II: To Distant Lands (Day 29)
¥x75 million ($560,000), +49%, ¥10.78 billion ($81.1 million) - Top Gun: Maverick (Day 78)
¥x55 million ($410,000), 0, ¥140 million ($1.0 million) - Tang (Day 2)


Sat. - 08/13:
¥833 million ($6.2 million), -32%, ¥5.810 billion ($43.2 million) - One Piece Film Red (Day 8)
¥220 million ($1.6 million), NA, ¥3.793 billion ($28.4 million) - Jurassic World: Dominion (Day 16)
¥100 million ($745,000), NA, ¥3.985 billion ($29.3 million) - Kingdom II: To Distant Lands (Day 30)
¥x95 million ($710,000), NA, ¥3.272 billion ($24.2 million) - Minions: The Rise of Gru (Day 30)
¥x80 million ($600,000), NA, ¥10.87 billion ($81.6 million) - Top Gun: Maverick (Day 79)
¥x40 million ($300,000), 0, ¥180 million ($1.3 million) - Tang (Day 3)


Sun. - 08/14:
¥664 million ($5.0 million), -35%, ¥6.474 billion ($48.2 million) - One Piece Film Red (Day 9)
¥235 million ($1.8 million), -15%, ¥4.036 billion ($30.2 million) - Jurassic World: Dominion (Day 17)
¥105 million ($785,000), +07%, ¥4.090 billion ($30.2 million) - Kingdom II: To Distant Lands (Day 31)
¥105 million ($785,000), -05%, ¥3.378 billion ($25.0 million) - Minions: The Rise of Gru (Day 31)
¥x85 million ($635,000), +25%, ¥10.96 billion ($82.3 million) - Top Gun: Maverick (Day 80)
¥x80 million ($600,000), 0, ¥260 million ($1.9 million) - Tang (Day 4)


Mon. - 08/15:
¥570 million ($4.3 million), -04%, ¥7.044 billion ($52.5 million) - One Piece Film Red (Day 10)
¥200 million ($1.5 million), +63%, ¥4.236 billion ($31.7 million) - Jurassic World: Dominion (Day 18)
¥100 million ($745,000), +55%, ¥3.478 billion ($25.7 million) - Minions: The Rise of Gru (Day 32)
¥x95 million ($710,000), +92%, ¥4.185 billion ($30.9 million) - Kingdom II: To Distant Lands (Day 32)
¥x90 million ($670,000), +151%, ¥11.05 billion ($83.0 million) - Top Gun: Maverick (Day 81)
¥x55 million ($410,000), 0, ¥315 million ($2.4 million) - Tang (Day 5)


% changes versus same day last week.

_________________
Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 11:00 am
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Post Re: Japan Box Office: Fastest to 5 Million Admissions
Fastest Films to 5 Million Admissions:

7 Days - Demon Slayer: Mugen Train (2020)
10 Days - One Piece Film Red (2022)
16 Days - Jujutsu Kaisen 0 (2021)
16 Days - Howl's Moving Castle (2004)
16 Days - Spirited Away (2001)
17 Days - Yo-Kai Watch: It's the Secret of Birth, Nyan! (2014)
17 Days - Harry Potter and the Chamber of Secrets (2002)
17 Days - Harry Potter and the Sorcerer's Stone (2001)
18 Days - Your Name. (2016)
19 Days - Harry Potter and the Prisoner of Azkaban (2004)
20 Days - Beauty and the Beast (2017)
20 Days - Frozen (2014)
20 Days - Ponyo (2008)
21 Days - Alice in Wonderland (2010)
21 Days - Bayside Shakedown: Save the Rainbow Bridge! (2003)
21 Days - The Matrix Reloaded (2003)
22 Days - Frozen II (2019)
22 Days - Weathering With You (2019)
22 Days - Detective Conan: The Fist of Blue Sapphire (2019)
22 Days - Code Blue (2018)
22 Days - Pirates of the Caribbean: At World's End (2007)
24 Days - Detective Conan: The Bride of Halloween (2022)
24 Days - Toy Story 4 (2019)
24 Days - Aladdin (2019)
24 Days - Star Wars: The Force Awakens (2015)
24 Days - Harry Potter and the Order of the Phoenix (2007)
24 Days - Pirates of the Caribbean: Dead Man's Chest (2006)
25 Days - The Da Vinci Code (2006)
26 Days - The Wind Rises (2013)
26 Days - Rookies (2009)
27 Days - Harry Potter and the Goblet of Fire (2005)
27 Days - The Lord of the Rings: The Return of the King (2004)
28 Days - Arrietty (2010)
29 Days - Star Wars: Episode III - Revenge of the Sith (2005)
30 Days - Detective Conan: Zero the Enforcer (2018)
30 Days - One Piece Film Z (2012)
30 Days - Harry Potter and the Deathly Hallows - Part 2 (2011)

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 10:01 am
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Post Re: Japan Box-Office: One Piece Film Red Daily Tracker
Image

One Piece Film Red - Daily Tracker

Sat. (08/06): ¥1,232,095,230 ($9.1 million) / 869,407
Sun. (08/07): ¥1,022,141,800 ($7.6 million) / 710,145
Mon. (08/08): ¥591,000,000 ($4.4 million) / 430,000
Tues. (08/09): ¥466,000,000 ($3.5 million) / 340,000
Wed. (08/10): ¥525,000,000 ($3.9 million) / 415,000
Thur. (08/11): ¥593,000,000 ($4.4 million) / 430,000 *Holiday*
Fri. (08/12): ¥548,000,000 ($4.1 million) / 395,000
Sat. (08/13): ¥833,000,000 ($6.2 million) / 573,195
Sun. (08/14): ¥664,000,000 ($5.0 million) / 456,805
Mon. (08/15): ~¥570,000,000 ($4.3 million) / ~415,000


Cumulative Total (10-Days): ~¥7,044,000,000 ($52.5 million) / ~5,035,000

**********

With this incredibly impressive second Monday, many notable achievements came with it:

Since the weekend came in higher than estimated in revenue, the Monday puts it above ¥7 billion after just ten days. This is pretty easily the second fastest film to ever reach this milestone. Also, with its weekday admissions coming in higher than estimated, the Monday puts it above 5 million admissions after just ten days! This is also easily the second fastest film to sell 5 million admissions.

AND, not done yet, the Monday puts it above the previous highest grossing film in the franchise (Film Z), so Film Red became the highest-grossing film in the franchise after just ten days.

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Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 9:47 am
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Post Re: Japan Box Office: Biggest Second Weekends
Biggest Second Weekends (2000-):

¥3.04 billion ($29.1 million), -09%, ¥10.75 billion ($102.4 million) - Demon Slayer: Mugen Train (2020)
__________________
¥1.57 billion ($12.2 million), +02%, ¥4.66 billion ($36.9 million) - Harry Potter and the Sorcerer's Stone (2001)
¥1.50 billion ($11.2 million), -34%, ¥6.47 billion ($48.2 million) - One Piece Film Red (2022)
¥1.44 billion ($13.2 million), -11%, ¥4.31 billion ($39.4 million) - Frozen II (2019)
¥1.39 billion ($11.3 million), -31%, ¥4.56 billion ($37.7 million) - Harry Potter and the Chamber of Secrets (2002)
¥1.26 billion ($11.6 million), -35%, ¥4.19 billion ($38.5 million) - Harry Potter and the Prisoner of Azkaban (2004)
¥1.25 billion ($11.7 million), -16%, ¥4.75 billion ($44.5 million) - Howl's Moving Castle (2004)
¥1.17 billion ($9.6 million), -21%, ¥4.39 billion ($36.2 million) - Pirates of the Caribbean: At World's End (2007)
¥1.16 billion ($11.2 million), +25%, ¥3.87 billion ($37.6 million) - Your Name. (2016)
¥1.12 billion ($10.0 million), +05%, ¥3.65 billion ($32.7 million) - Beauty and the Beast (2017)
¥1.11 billion ($13.8 million), -08%, ¥3.61 billion ($44.4 million) - Pirates of the Caribbean: On Stranger Tides (2011)
¥1.10 billion ($10.1 million), -02%, ¥3.58 billion ($33.0 million) - Aladdin (2019)
¥1.09 billion ($9.3 million), -50%, ¥4.68 billion ($39.7 million) - The Matrix Reloaded (2003)
¥1.08 billion ($9.0 million), -19%, ¥3.62 billion ($30.1 million) - Harry Potter and the Goblet of Fire (2005)
¥1.07 billion ($9.6 million), -02%, ¥4.25 billion ($34.6 million) - Spirited Away (2001)
¥1.04 billion ($10.8 million), -14%, ¥3.33 billion ($33.8 million) - Rookies (2009)
¥1.02 billion ($10.9 million), -22%, ¥3.54 billion ($37.7 million) - Alice in Wonderland (2010)
¥1.02 billion ($9.1 million), -20%, ¥3.60 billion ($31.7 million) - The Da Vinci Code (2006)
¥1.01 billion ($9.3 million), -15%, ¥3.99 billion ($36.8 million) - Weathering With You (2019)

_________________
¥941 million ($7.6 million), +11%, ¥4.36 billion ($35.0 million) - Jurassic World (2015)
¥936 million ($7.9 million), -25%, ¥3.18 billion ($26.9 million) - Bayside Shakedown: Save the Rainbow Bridge! (2003)
¥894 million ($7.0 million), -35%, ¥3.64 billion ($28.7 million) - Detective Conan: The Bride of Halloween (2022)
¥886 million ($8.0 million), -39%, ¥3.59 billion ($32.3 million) - Detective Conan: The Fist of Blue Sapphire (2019)
¥872 million ($8.6 million), +13%, ¥3.01 billion ($29.6 million) - Frozen (2014)
¥860 million ($8.0 million), -04%, ¥2.49 billion ($23.1 million) - Finding Nemo (2003)
¥855 million ($7.9 million), -38%, ¥3.99 billion ($36.9 million) - Toy Story 4 (2019)
¥820 million ($7.6 million), -37%, ¥3.23 billion ($30.0 million) - Detective Conan: Zero the Enforcer (2018)
¥820 million ($7.1 million), -19%, ¥2.98 billion ($25.8 million) - Hero (2007)
¥814 million ($7.3 million), -62%, ¥4.07 billion ($36.1 million) - Star Wars: Episode III - Revenge of the Sith (2005)
¥811 million ($8.3 million), -16%, ¥2.85 billion ($29.2 million) - The Wind Rises (2013)
¥810 million ($7.5 million), -48%, ¥3.43 billion ($30.8 million) - The Lord of the Rings: The Return of the King (2004)
¥806 million ($7.6 million), -22%, ¥3.23 billion ($30.5 million) - Ponyo (2008)
¥774 million ($7.2 million), -52%, ¥3.94 billion ($36.3 million) - Detective Conan: The Scarlet Bullet (2021)
¥757 million ($5.8 million), -08%, ¥2.89 billion ($22.4 million) - Top Gun: Maverick (2022)
¥757 million ($6.8 million), -38%, ¥3.56 billion ($31.6 million) - Jurassic World: Fallen Kingdom (2018)
¥756 million ($7.1 million), -25%, ¥2.62 billion ($25.0 million) - Boys Over Flowers: Final (2008)
¥748 million ($6.8 million), -42%, ¥2.76 billion ($25.1 million) - Detective Conan: Crimson Love Letter (2017)
¥744 million ($6.6 million), -13%, ¥2.89 billion ($25.6 million) - Fantastic Beasts: The Crimes of Grindelwald (2018)
¥740 million ($6.5 million), -29%, ¥2.62 billion ($23.2 million) - Pirates of the Caribbean: Dead Men Tell No Tales (2017)
¥728 million ($8.2 million), -26%, ¥2.37 billion ($27.3 million) - Toy Story 3 (2010)
¥726 million ($6.0 million), -42%, ¥3.84 billion ($31.8 million) - Star Wars: The Force Awakens (2015)
¥708 million ($6.3 million), -27%, ¥2.35 billion ($21.8 million) - Umizaru: The Limit of Love (2006)
¥705 million ($6.1 million), -63%, ¥3.75 billion ($32.4 million) - Pirates of the Caribbean: Dead Man's Chest (2006)
¥704 million ($8.6 million), -48%, ¥2.86 billion ($34.7 million) - One Piece Film Z (2012)
¥704 million ($6.6 million), -17%, ¥1.71 billion ($16.0 million) - Doraemon: Nobita's Treasure Island (2018)
¥703 million ($7.2 million), -17%, ¥2.49 billion ($25.4 million) - Monsters University (2013)
¥701 million ($6.9 million), -09%, ¥3.27 billion ($32.1 million) - Stand By Me, Doraemon (2014)

_________________
Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 9:45 am
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Post Re: Japan Box-Office: Obon Festival Begins/Important Info Pg
Going back to revise last week's estimates (Mon-Fri), and while I was almost exact in revenue (just 8m low), I was 86,000 admissions too low (average of 17,200 per day) with it up to 4.62m now. So, while its atp increased over the weekend (Sat/Sun), it was a bit lower over the weekdays. Not surprising, it is a holiday week and rural locations (usually slightly cheaper tickets, if only because they have few/no premium formats) tend to perform better over the weekdays.

So the next daily tracker update here in a bit will have the revised numbers. Very little change in revenue as mentioned for last Mon.-Fri., but they'll be a nice uptick in the admissions.

_________________
Japan Box Office

“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
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Mon Aug 15, 2022 9:35 am
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Don't Dream It, Be It
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Post Re: Japan Box-Office: Obon Festival Begins/Important Info Pg
Very nice! The avg. ticket price also increased a bit. Should have considered this beginning on Thursday (Aug. 11th) since I noticed some locations give it more premium showings. When I add that ¥8m to the daily tracker for last Mon.-Fri. later, I'll add the bulk, or ¥6m of the ¥8m, to Thursday and Friday.

The bump in the second weekend lets it overtaken Frozen II for the third highest second weekend ever. And being over 1 million admissions, it became the fifth film to ever sell 1m+ admissions in its second weekend.

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“Gods are great ... but the heart is greater. For it is from our hearts they come, and to our hearts they shall return.”
“We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
"Paper is dead without words / Ink idle without a poem / All the world dead without stories."


Mon Aug 15, 2022 8:26 am
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The Incredible Hulk

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Post Re: Japan Box-Office: Obon Festival Begins/Important Info Pg
Corpse wrote:
Almost ¥100m higher than I was estimating! Makes me wonder if it broke 1m admissions again. It should have with that number.


1.03M Weekend Admits

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Mon Aug 15, 2022 8:07 am
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